FCC ID: 2AFZJ-CODE100H MD116D Guitar Amplifiers

T H E 1 0 0 WAT T C O N N E C T E D A M P QUICK START ENGLISH IMPORTANT SAFETY INFORMATION 1) Read these instructions. 2) Keep these instructions. 3) Heed all warnings. 4) Follow all instructions. 5) Do not use this apparatus near water. 6) Clean only with dry cloth. 7) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus

(including amplifiers) that produce heat. 8) Do not defeat the safety purpose of the polarised or grounding-type plug. A polarised plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. 9) Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. 10) Only use attachments/accessories specified by the manufacturer. 11) Unplug this apparatus during storms or when unused for long periods of time. lightning 12) Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. 13) WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. 14) The appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable. 15) The apparatus shall not be exposed to dripping or splashing and that no objects filled with liquid, such as vases, shall be placed on the apparatus. This bolt of lightning symbol indicates uninsulated material within your unit may cause an electric shock. For the safety of everyone in your household, please do not remove product covering. The exclamation point calls attention to features for which you should read the enclosed literature closely to prevent operating and maintenance problems. COMPLIANCE STATEMENT This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) This device must accept any interference received, including interference that may cause undesired operation. Warning: Changes or modifications to this unit not expressly approved by the party responsible for compliance could void the users authority to operate the equipment. Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

- Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

- Consult the dealer or an experienced radio/TV technician for help. This equipment complies with FCC RF radiation exposure limits set forth for an uncontrolled environment. This equipment should be installed and operated with a minimum distance of 20 centimeters between the radiator and your body.

- Reorient or relocate the receiving antenna.

- Increase the separation between the equipment and receiver. Industry Canada caution. This device complies with Industry Canada licence-exempt RSS standard(s). is subject to the following two Operation conditions:

(1) This device may not cause interference, and

(2) This device must accept any interference, including interference that may cause undesired operation of the device. Francais:

Le prsent appareil est conforme aux CNR dIndustrie Canada applicables aux appareils radio exempts de licence. Lexploitation est autorise aux deux conditions suivantes:

(1) lappareil ne doit pas produire de brouillage, et

(2) lutilisateur de lappareil doit accepter tout brouillage radiolectrique subi, mme si le brouillage est susceptible den compromettre le fonctionnement. 2200 CODE100_OneSheet_EN V4 28_02_17.indd 1 10/03/2017 09:06 WELCOME TO CODE CODE is a new generation of Marshall amplifier featuring Marshall Softube Technology (MST). Fully programmable, CODE combines authentic modelling of classic and contemporary Marshall tones with studio quality FX. CODE in-

corporates full Bluetooth control and audio streaming using the Marshall Gateway App. Thank you for choosing Marshall.

- The Marshall Team. GETTING STARTED Ensure that the ON/OFF switch is set to the OFF position. CONTROLS CODEs control knobs adjust GAIN, BASS, MIDDLE, TREBLE and VOLUME. Because these settings are stored as part of a Preset, the control knobs are inactive until used. This means that until they are turned their position is not related to their setting within a Preset.

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When you turn a control knob it becomes active. The display screen will show the name and edited setting of whichever control you are using -

this value will change up and down as you turn the control knob. The value shown above the edited setting is the stored setting. If using the CODE100H head, connect your speaker cable to the SPEAKER output on the rear panel of the amplifier and to your speaker cabinet. WARNING! Always ensure that mains power is switched OFF before unplugging the speaker cabinet. NEVER use CODE100H without a speaker cabinet connected. Connect the supplied power cord to the rear of the amplifier before plugging into the mains electricity supply. Plug your guitar cable into to your guitar and into the amplifier INPUT jack socket.

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Your adjusted settings will remain active until you move off the current Preset. When you return to that Preset its settings will have reverted back to what is stored. You can QUICK STORE your setting changes at any point by pressing and holding down the EXIT/STORE switch.

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Always use a good quality screened/shielded jack to jack guitar cable. Set the MASTER volume control to zero. CAUTION: When you use QUICK STORE, the existing Preset will be overwritten with your setting changes. Turn the amplifier ON using the ON/OFF switch. Gradually turn the MASTER up to your desired volume level. GET CONNECTED PRESETS What is a Preset?

A Preset is a group of amplifier & speaker models, with tonal settings and FX:

Chorus, Delay, Reverb etc, stored to a single location within your CODE amplifiers memory. This is like a snapshot of the whole amplifiers settings

(excluding MASTER volume), which can be recalled using the PRESET selector, the Marshall Gateway App, the 2-way footswitch (supplied) or with the CODE footcontroller (PEDL-91009, sold separately).

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CODE has 100 editable Presets. Exploring Presets Turn the PRESET selector to explore CODEs factory Presets. Download the Marshall Gateway App, which is available now from the App Store and Google Play, to control CODE with your iOS or Android device via Bluetooth. Connect your iOS or Android device via Bluetooth, your MP3 player via the dedicated MP3 mini jack socket, or your computer via USB, to stream tracks from your music library through CODE. Connect to your preferred audio software via USB to use CODE as a digital recording interface. The Preset name, number and active Sections will show on the display screen. Take some time to listen to the factory Presets before creating your own unique sound.

! Discover how to create your own Presets in the full CODE Owners Manual at marshallamps.com The Bluetooth word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Marshall Amplification Plc is under license. Other trademarks and trade names are those of their respective owners. MARSHALLAMPS.COM | #LIVEFORMUSIC Marshall Amplification Plc, Denbigh Road, Bletchley, Milton Keynes, MK1 1DQ, England. Telephone: +44 (0) 1908 375411 | Fax: +44 (0) 1908 376118 Registered in England. Registered Number: 805676 Whilst the information contained herein is correct at the time of publication, due to its policy of constant improvement and development, Marshall Amplification Plc reserves the right to alter specifications without prior notice. CATS-00225 CODE100_OneSheet_EN V4 28_02_17.indd 2 10/03/2017 09:06

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OWNERS MANUAL WARNING! IMPORTANT SAFETY INSTRUCTIONS 1) Read these instructions. 2) Keep these instructions. 3) Heed all warnings. 4) Follow all instructions. 5) Do not use this apparatus near water. 6) Clean only with dry cloth. 7) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. 8) Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. 9) Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. 10) Only use attachments/accessories specified by the manufacturer. 11) Unplug this apparatus during lightning storms or when unused for long periods of time. 12) Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. 13) WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. 14) The appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable. 15) The apparatus shall not be exposed to dripping or splashing and that no objects filled with liquid, such as vases, shall be placed on the apparatus. This bolt of lightning symbol indicates uninsulated material within your unit may cause an electric shock. For the safety of everyone in your household, please do not remove product covering. The exclamation point calls attention to features for which you should read the enclosed literature closely to prevent operating and maintenance problems. COMPLIANCE STATEMENT This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) This device must accept any interference received, including interference that may cause undesired operation. for Changes Warning:

or modifications to this unit not expressly approved by the party responsible compliance could void the users authority to operate the equipment. Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and if not can radiate radio frequency energy and, installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, is no guarantee that there interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

- Reorient or relocate receiving antenna. the the Increase

-

separation between the equipment and receiver.

- Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

- Consult an experienced technician for help. the dealer or radio/TV equipment FCC RF complies This with radiation exposure limits set forth for an uncontrolled environment. This equipment should be installed and operated with a minimum distance of 20 centimeters between the radiator and your body. Industry Canada caution. This device complies with Industry licence-

exempt RSS standard(s). Canada is subject to the Operation following two conditions:

(1) This device may not cause interference, and (2) This device must accept any interference, including interference that may cause undesired operation of the device. prsent appareil Francais:

Le est conforme aux CNR dIndustrie Canada aux appareils radio exempts de licence. applicables lutilisateur de Lexploitation est autorise aux deux conditions suivantes:

lappareil ne doit pas

(1) et produire de brouillage,

(2) lappareil doit accepter tout brouillage radiolectrique subi, mme si le susceptible brouillage den le fonctionnement. compromettre est 2200 WARNING! IMPORTANT SETUP INFORMATION BEFORE GOING ANY FURTHER Ensure that the specific mains input voltage rating that your amplifier has been manufactured for matches your electricity supply. This is indicated on the rear panel of the amplifier. Your amplifier is provided with a detachable mains (power) lead, which should be connected to the MAINS INPUT socket on the rear panel of the amplifier (#24 in this manual) before the mains electricity outlet. INTRODUCTION CODE is a new generation of Marshall amplifier. Fully programmable, CODE combines authentic modelling of classic and contemporary Marshall tones with professional quality FX. CODE preamp, power amp and speaker cabinet models have been developed in collaboration with audio software pioneers Softube to create Marshall-Softube

(MST) modelling. Featuring Bluetooth & USB connectivity, and Marshall Gateway compatibility, CODE is a powerful tool that lets you make music your way. OVERVIEW CODE is loaded with sonic possibilities. It has 14 MST preamps, 4 MST power amps and 8 MST speaker cabinets. CODE features 24 FX: including Compressor, stompbox Distortions, Auto Wah, Pitch Shifter, Chorus, Vibrato, Phaser, Vibes, Flanger and Tremolo. It includes Studio, Vintage, Multi and Reverse Delays, Tap Tempo, and studio quality Reverbs. Including Gate, you can have up to 5 FX simultaneously. Using the Marshall Gateway App for your iOS or Android device you can control CODEs settings remotely via Bluetooth and share Presets with other CODE users. You can stream audio from your device, computer or music player through CODEs speaker or headphones for practice, or jam along with tracks from your music library. Connect via USB to use your CODE amplifier as a DAW interface. We sincerely hope that you enjoy your CODE amplifier and we wish you every success, whatever your performance situation. Thank you for choosing Marshall.

- The Marshall Team CODE100 TECHNICAL SPECIFICATION Power (RMS) Presets Speaker Footcontroller Weight Size (in mm) Connectivity 100 Watt (at 8 Ohm) 100 User editable Presets 2 x 12 Custom Voiced (CODE100 combo) 4-Way Programmable (PEDL-91009, sold separately) CODE100: 21.0kg & CODE100H: 8.9kg CODE100: 700 x 280x 480 & CODE100H: 525x 200 x 220 Bluetooth 4.0 & USB 2.0 ENGLISH ENGLISH MARSHALL AMPLIFIER HISTORY AMPLIFIER HISTORY (CONT.) MST modelling recreates the tonal and sonic characteristics of some of the most successful and respected amplifier preamps from the past fifty plus years. JTM45 The JTM45 was the first Marshall amplifier. It was made in 1962 by Jim Marshall and his small team of engineers in a workshop at his music store in Hanwell, London. This 30 Watt two channel amplifier began a revolution that changed forever the sound of rock and blues music. The JTM45 is still made today as part of the Vintage Re-Issue Series and Handwired Series. 1962 Bluesbreaker The 1962 Bluesbreaker was the first combo made by Marshall. Launched in 1965, it had two 12 speakers with an output of 30 Watts. The 1962 was famously used by Eric Clapton on the influential blues album John Mayalls Bluesbreakers in 1966 hence the 1962s Bluesbreaker nickname. The 1962 Bluesbreaker is still made today as part of the Vintage Re-Issue Series and Handwired Series. 1959 Plexi To the minds and ears of many, the 100 Watt Super Lead heads of the mid to late 1960s are the holy grail of great rock tone. Being non-master-volume, when cranked, the 1959 power valves overdrive producing highly responsive, harmonically rich tones. The 1959 amplifier is still made today as part of the Vintage Re-Issue Series and Handwired Series. JCM800 2203 The 2203 is one of the most important amplifiers Marshall has ever made. It evolved in the 70s from the JMP and 1959 Plexi heads. In the 80s the 2203 became the JCM800 2203 we know today: a straightforward single channel amplifier that was favoured by the heavy metal scene that dominated much of that decade. Its popularity remained well into the 90s with the emergence of Grunge and Britpop, and its still revered today and is considered the benchmark by which modern all metal amplifiers are measured. JCM2555 Silver Jubilee The 25/50 Silver Jubilee Series was created in 1987 to celebrate the 25th anniversary of the founding of Marshall Amplification and 50 years of Jim Marshall being in the music business. Based on the JCM800 2203 and 2204 Master Volume models, Silver Jubilee amplifiers had a special preamp circuit that featured three gain modes which were Clean, Rhythm Clip and a switchable Lead Channel. The 2555 was the 100 Watt head in the Jubilee series, which was a limited edition. By popular demand the JCM2555 was re-issued as the 2555X in 2015. JCM2000 DSL100 Launched in 1997, the JCM2000 Dual Super Leads dual mode design meant that guitarists could choose either a Clean or Crunch tone from the Classic Gain Channel, whilst the Ultra Gain Channel provided two lead sounds: Lead 1 & Lead 2. This tonal versatility was aided by the Deep and Tone Shift features. It is the JCM2000 DSL100s tonal range and versatility that made it massively popular in its day, so much so, that its legacy lives on in the current DSL Series. JVM410H When the JVM410H launched in 2006 it caused quite a stir. This 100 Watt head is an all-

valve tonal monster that has four channels, each with three modes: Green, Orange and Red, offering guitarists a range of 12 unique tones. Each mode reconfigures the channel gain stages in order to develop different amounts of gain and tone. The JVM410Hs vast tonal spectrum makes it the most versatile amplifier Marshall has ever made, used by many professional players. POWER AMPLIFIERS MST modelling recreates four classic and vintage valve power output topologies. A valve power stage is a vital part of an all-valve amplifiers sound and its tonal character. SPEAKER CABINETS Marshall speaker cabinets are perhaps as famous as Marshall amplifiers. The iconic 4 x 12 design has changed little since Jim Marshall designed the first one in 1965. Since then the Marshall 4 x 12 has become the touchstone for all other speaker cabinets. MST modelling recreates the sonic characteristics of eight classic Marshall speaker cabinets, including a variety of 4 x 12, 2 x 12 & 1 x 12 speaker configurations. Marshall speaker cabinets differ not only in their speaker configurations, but in the speakers that they use, how they are wired and the size of the cabinet. GETTING STARTED To begin using CODE:

Ensure that the power ON/OFF switch is set to the OFF position (#14 in this manual). Connect the supplied power cord to the MAINS INPUT (#24 in this manual) before plugging into the mains electricity supply. If using the CODE100H head, connect the supplied speaker cable to the speaker cabinet and to the SPEAKER jack socket on the amplifiers rear panel (#26 in this manual). Plug your guitar cable into the amplifier INPUT jack socket (#2 in this manual). Set the MASTER volume control to zero (#8 in this manual). Turn the amplifier ON using the ON/OFF switch. Gradually turn the MASTER up to your desired volume level. Turn the PRESET selector to explore your CODE amplifiers factory Presets

(#9 in this manual). ENGLISH ENGLISH FRONT PANEL FUNCTIONS 2 15 16 17 18 19 20 21 22 23 9 11 1 3 4 5 6 7 8 10 12 13 14 1. USB Connect via USB to use CODE as a DAW interface, to play tracks from your music library, to get firmware updates and control via MIDI. To record with CODE using your DAW:

Connect to your computer via USB. Select your CODE amplifier as the input source on your computer and within your DAW. To stream audio from your computer through CODE:

Connect to your computer via USB. Select your CODE amplifier as your computers output source. Use the MASTER control to adjust the volume level (#8 in this manual). To get CODE firmware updates:

http://my.marshall.com/Downloads/

FirmwareUpdate Follow this link to quickly and easily keep your CODE amplifiers firmware up to date. MIDI data:

Your CODE amplifier can also send and receive MIDI data related to the front panel controls via the USB. 2. INPUT jack socket to connect your Use this guitar to the amplifier. Use a good quality screened/shielded guitar cable to help prevent noise interference. 3. GAIN Controls the amount of GAIN introduced to a Preset. The higher the GAIN, the harder the preamp is driven. 4. BASS Turning the BASS control will adjust the warmth and low-end depth of your sound. 5. MIDDLE Adjusting the MIDDLE control will vary the amount of body in your sound by boosting or cutting midrange frequencies. 6. TREBLE Increasing the TREBLE will make your sound brighter and more cutting. Turning the TREBLE down will decrease tonal edge and make the sound softer. 7. VOLUME Controls the volume level within a selected Preset. Because GAIN, BASS, MIDDLE, TREBLE

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& VOLUME are stored as part of a Preset, these panel tone controls only become active when they are used. This means that until they are turned their position is not related to their setting within a Preset. When you turn a tone control it becomes active. The display screen will show its current setting and the stored setting. When a GAIN, BASS, MIDDLE, TREBLE

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or VOLUME control is activated the EXIT/STORE LED will flash red to show that the Presets stored settings have changed. ENGLISH ENGLISH FRONT PANEL FUNCTIONS (CONT.) 8. MASTER Controls the overall volume level of your CODE amplifier. MASTER volume control settings are not

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stored as part of a Preset. 9. PRESET A Preset is a combination of preamp, power amp & speaker models, with tonal settings and FX: Chorus, Flanger, Tremolo, Delay etc, stored to a single location within your CODE amplifiers memory. This is like a snapshot of the whole amplifiers settings

(excluding MASTER), which can be recalled using the PRESET selector, or with the optional CODE footcontroller. Turn the PRESET selector to explore your CODE amplifiers factory Presets. 10. EDIT Use the EDIT selector to deep edit a Preset. Push the EDIT selector to preview the stored Gain, Bass, Middle, Treble & Volume settings. Turn the EDIT selector to view the SECTION SWITCHES (15 - 21) current Section Switch settings. To discover how to edit a Preset, go to

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EDITING A PRESET in this manual. 11. F/C Use this jack socket to connect the supplied 2-way footswitch for scrolling through Presets, or to connect the CODE programable footcontroller (PEDL-91009 sold separately). 12. MP3 PLAYER INPUT Use this dedicated mini-jack socket to connect an audio player to practice with or jam along to music. 13. HEADPHONE OUTPUT Use this mini-jack socket to connect headphones for silent practice. This can also be used as a line out. 18 17 19 REVERB 14. ON/OFF This is the mains power ON/OFF switch. DELAY MOD 20 16 21 The Section Switches represent different sections in the guitar signal chain. This is the route that a guitar signal travels through a conventional amplifier setup from the guitar to the loud speaker(s). STOMPBOX 15 19 REVERB 18 DELAY 17 MOD 15 16 17 18 19 20 21 Marshall Pressing the Section Switches (#15 #21 in this manual) will activate (Red LED on) and bypass (LED off) that Section. 20 POWER AMP PREAMP 16 CABINET 21 15 STOMPBOX FRONT PANEL FUNCTIONS (CONT.) 15. PRE FX This is where you will find FX that would typically plug into a conventional amplifier setup between the guitar and the amplifiers input. These FX would typically be in pedal form, and also known as stompboxes. The stompbox FX in the PRE FX section are:

STOMPBOX FX A:>>|<<

A:>>|<<

Compressor Compressor affects an audio signals dynamic range. CODEs compressor decreases, or compresses, any part of your guitar sound that peaks above a certain threshold. Any part of your guitar sound that remains below the threshold is unaffected. Compressor can add clarity and consistency to your guitar sound whether clean or overdriven. Compressors editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION Tone Ratio 0 - 10 0 - 10 Compression 0 - 10 Adjusts the Compressors higher and lower frequencies. Controls how much Compression is applied to a signal above the threshold. Adjusts the point at which Compression is applied to the signal. Level 0 - 10 Controls the overall volume level of the Compressor. Distortion CODEs stompbox Distortions three Modes simulate solid-state Distortion and Overdrive FX pedals. GUV Mode is a Marshall Guvnor with Drive and Tone controls. ODR & DIS Modes provide flavours of classic overdrive and distortion stompboxes. Stompbox Distortion is particularly effective when used with classic and vintage MST preamp models to provide more drive and sustain. Distortions editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION Mode Drive Tone GUV, ODR & DIS Marshall Guvnor, Classic OD pedal

& Classic Distortion pedal. 0 - 10 0 - 10 Controls the amount of Overdrive or Distortion applied to the signal. Adjusts the amount of upper mid and higher frequency content in the Overdrive or Distortion before the signal reaches the amplifier panel tone controls. Level 0 - 10 Controls Distortions overall volume level. ENGLISH ENGLISH FRONT PANEL FUNCTIONS (CONT.) 15. PRE FX (CONT.) STOMPBOX FX A:>>|<<

A:>>|<<

Auto Wah Auto Wah is a dynamic filter, similar to a Wah Wah pedal. A Wah Wah pedal has a rocker footplate to control the frequency at which the filter operates. Auto Wah has no rocker footplate, so in ENV Mode the rocker automation responds to input level. In LFO Mode the rocker motion is fully automated. Auto Wahs editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION Mode ENV & LFO Envelope Filter & Low Frequency Oscillator. Frequency 0 - 10 Sensitivity 0 - 10 Resonance 0 - 10 Controls the resting frequency, or fully closed posi-

tion, of the Wah, thereby setting how far the filter opens when playing. ENV Mode: Controls how much the Wah opens in relation to the pick attack. LFO Mode: Controls the speed at which the Wah opens and closes. Set to zero and Auto Wah acts as a fixed rocker Wah. Adjusts the magnitude, bandwidth and shape of the filters resonant peak. Pitch Shifter Pitch Shifter generates chromatic harmonies with the ability to fine tune. This enables you to pitch up or down to produce octaves or 3rd, 4th or 5th harmonies. Pitch Shifter can also produce more discordant, quirkier sounds. Pitch Shifters editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION Semitone

-12 to +12 Selects the pitch of the generated note chromatically from an octave below to an octave above the note played. Fine Tune

-50 to +50 Fine tunes the pitch of the generated note. Regeneration 0 - 10 Mix 0 - 10 Adjusts the percentage of the signal fed back into the Pitch Shifter. Set to zero for a single pitch shifted tone. Adjusts the balance between the guitar signal and the generated note. FRONT PANEL FUNCTIONS (CONT.) 16. AMP AMP is short for preamp. MST modelling faithfully recreates classic and modern Marshall valve tones as well as other famous valve amp tones. Each AMP model creates an authentic preamp setting. The MST preamp models are classified into three groups: Clean, Crunch &

Overdrive. Your CODE amplifiers MST preamp models are:

PREAMP MODELS CLEAN A:>>|<<

JTM45 CL DSL CL American CL JVM Acoustic Simulator JTM45 2245 on a clean setting. DSL100H on the Classic Gain Channel, Clean setting. Classic American pure-valve sound. JVM410H on the Clean Channel in Green Mode. Simulates the sound of an electro-acoustic guitar. CRUNCH Bluesbreaker Plexi CR American JCM800 50s British 1962 Bluesbreaker combo overdriven. 1959SLP Overdriven. Classic American valve overdrive. JCM800 2203 overdriven (high sensitivity input). Classic British valve combo overdrive. OVERDRIVE OD JVM OD DSL OD American OD Silver Jubilee JVM410H on OD1 Channel in Red Mode. JCM2000 DSL Lead 2 Channel. Classic American higher gain overdrive. JCM2555 Silver Jubilee Lead Channel. NATURAL The Natural preamp is designed to be used with external FX without the tonal colour of an MST modelled preamp. It provides EQ for tonal shaping and access to the Gate. GATE If the noise Gate is applied, when your sound level drops below the set threshold it will activate, preventing any signal below that threshold from passing through. It progressively attenuates the guitar signal, following its dynamics, to suppress unwanted noise. PARAMETER VALUE RANGE DESCRIPTION Threshold 0 - 10 Sets the point at which the Gate begins to close. ENGLISH ENGLISH FRONT PANEL FUNCTIONS (CONT.) FRONT PANEL FUNCTIONS (CONT.) 17. MOD MOD is short for Modulation. Modulation FX in a conventional setup can be in stompbox or rack form and often connect via an amplifiers FX loop:

17. MOD (CONT.) MODULATION FX MODULATION FX A:>>|<<

Chorus Chorus and Vibrato FX apply a subtle pitch variation to the guitar signal taking your sound from shimmering, delicate undulations to full on wobble. This can add depth and width to clean sounds and fatten up solos. Choruss editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION Mode Speed Depth Tone CLS & VIB Classic Chorus & Vibrato. 0 - 10 0 - 10 0 - 10 Controls the rate of the Chorus or Vibrato effect. Adjusts the depth of the Chorus or Vibrato effect. Boosts or cuts high & low frequency content in the sound. Flanger Flanger can produce Chorus-like sounds, but is more vivid and is harmonically more complex. It can create weird and wonderful sonic textures, like jet plane Doppler FX and resonant metallic whooshes. Flangers editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION Mode Speed Depth Regeneration JET & MET Jet Flanger & Metallic Flanger. 0 - 10 0 - 10 0 - 10 Controls the rate of the Flanger effect. Adjusts the depth of the Flanger effect. Adjusts the amount of signal that is fed back to the effect input, which makes the Flanger effect sharper. Phaser Phaser uses all-pass filters to shift the guitar signal very slightly, modulating the shifted, or phased, signal in relation to the original signal produces the classic Phaser sound - great for tight funky lines, sweeps and swells. Phasers editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION Mode Speed Depth Regeneration CLS & VBE Classic Phaser & Vibe. 0 - 10 0 - 10 0 - 10 Controls the rate of the Phaser or Vibe effect. Adjusts the depth of the Phaser or Vibe effect. Adjusts the amount of signal that is fed back to the effect input, which makes the Phaser effect sharper. Tremolo The cool sounding Tremolo effect is created by the signal amplitude being modulated up and down. Tremolo can produce a variety of sonic characteristics from delicate shimmer to heavy Tremolo throb. Tremolos editable parameters are:

A:>>|<<

PARAMETER VALUE RANGE DESCRIPTION Mode Speed Depth Skew VLV & SQR Valve Tremolo & Square Wave Tremolo. 0 - 10 0 - 10

-50 to +50 Controls the rate of Tremolo oscillation. Adjusts the depth of the Tremolo effect. Adjusts the shape of the waveform that is performing the amplitude modulation. The variation of the wave shape across the value range moves between vintage and modern sounding Tremolo. 18. DEL DEL is short for Delay. Delay FX in a conventional setup can be in stompbox or rack form and often connect via an amplifiers FX loop. When you select DEL the switchs LED will remain lit red for two seconds before flashing to indicate the current Delay tempo. CODEs Delay FX are:

DELAY TYPES Studio Studio Delay is a high fidelity delay line. Its longer delay time enables you to create layered loops of up to 4 seconds. Studio Delays editable parameters are:

A:>>|<<

PARAMETER VALUE RANGE DESCRIPTION Time Feedback Frequency Level 0 - 4000 Controls the Delay repeat time in milliseconds. 0 - 10 0 - 10 0 - 10 Adjusts the number of Delay repeats. Adjusts the amount of higher frequency content in the Delay repeats. Adjusts the level of the Delay effect. ENGLISH ENGLISH FRONT PANEL FUNCTIONS (CONT.) 18. DEL (CONT.) DELAY TYPES FRONT PANEL FUNCTIONS (CONT.) 18. DEL (CONT.) DELAY TYPES A:>>|<<

A:>>|<<

Vintage Vintage Delay recreates the sound of analogue delays. Vintage Delays editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION Time Feedback Age Level 0 - 4000 Controls the Delay repeat time in milliseconds. 0 - 10 0 - 10 0 - 10 Adjusts the number of Delay repeats. Adjusts the amount flutter and higher frequency roll-off for a more vintage sounding Delay Adjusts the volume level of the Delay effect. Multi Multi Delay adds a rhythmic repeat for more complex delay patterns. Multi Delays editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION Time 0 - 4000 Controls the Delay repeat time in milliseconds. Feedback Tap Pattern Level 0 - 10 1 - 4 0 - 10 Adjusts the number of Delay repeats. Select from four different Delay repeat patterns Adjusts the volume level of the Delay effect. Reverse Reverse Delays repeats run backwards. This can add texture and an eerie quality to your sound. Reverse Delays editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION Time Feedback Frequency Mix 0 - 4000 Controls the Delay repeat time in milliseconds. 0 - 10 0 - 10 0 - 10 Adjusts the number of Delay repeats. Adjusts the amount of higher frequency content in the Delay repeats Adjusts the level of the Delay effect relative to the unaffected signal. As the amount to Delay is increased, the unaffected signal is decreased, and vice versa. Tap Tempo Set the Delay time by tapping the EDIT selector, or by tapping an assigned button on the optional CODE footcontroller. This enables you to quickly and easily match the Delay time with the tempo of the music you are playing. To activate TAP TEMPO:

Press MOD and DEL Section Switches together. The display screen will show the Delay time in milliseconds. Either turn the EDIT selector to select the delay time in milliseconds or tap it repeatedly to find your delay time or to match a tempo. Press EXIT/STORE once to exit TAP TEMPO and return to the main Preset screen.

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The DEL Section Switch LED will flash in time to the current Delay time or tempo when active. 18. REV REV is short for Reverb. Reverb FX in a conventional amplifier setup can be in stompbox form, rack form or integrated within an amplifier. Your CODEs Reverb FX are:

REVERB TYPES A:>>|<<

Room Room Reverb recreates the acoustic reflections of small to larger rooms. Room Reverbs editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION Decay 0 - 10 Pre-delay 0 - 10 Tone Level 0 - 10 0 - 10 Controls how long the it takes for the reflections to fade. Adjusts the amount of time before the first reflection is heard. Adjusts the amount of higher frequency content in the reflections. Adjusts the level of the Reverb effect. ENGLISH ENGLISH FRONT PANEL FUNCTIONS (CONT.) 19. REV (CONT.) REVERB TYPES FRONT PANEL FUNCTIONS (CONT.) 19. REV (CONT.) REVERB TYPES A:>>|<<

A:>>|<<

Hall Hall Reverb recreates the longer acoustic reflections of a hall-sized space. Hall Reverbs editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION Decay 0 - 10 Pre-delay 0 - 10 Tone Level 0 - 10 0 - 10 Controls how long the it takes for the reflections to fade. Adjusts the amount of time before the first reflection is heard. Adjusts the amount of higher frequency content in the reflections. Adjusts the level of the Reverb effect. Spring Spring Reverb is a classic, analogue way of creating Reverb FX. Conventional Spring Reverb uses a metal tray containing rows of springs. The guitar signal passes along the springs creating a vintage sounding Reverb effect. Spring Reverbs editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION Decay 0 - 10 Pre-delay 0 - 10 Tone Level 0 - 10 0 - 10 Controls how long the it takes for the reflections to fade. Adjusts the amount of time before the first reflection is heard. Adjusts the amount of higher frequency content in the reflections. Adjusts the level of the Reverb effect applied to the unaffected signal. Stadium Stadium Reverb recreates the acoustic reflections of a very large space. Stadium Reverbs editable parameters are:

PARAMETER VALUE RANGE DESCRIPTION Decay 0 - 10 Pre-delay 0 - 10 Tone Level 0 - 10 0 - 10 Controls how long the it takes for the reflections to fade. Adjusts the amount of time before the first reflection is heard. Adjusts the amount of higher frequency content in the reflections. Adjusts the level of the Reverb effect. 20. POWER This is the section of a conventional amplifier that provides power to drive the speaker(s). The power valves are an integral part of how an all-valve amplifier sounds. MST modelling faithfully recreates the four valve power amps models in CODE:

POWER AMP MODELS A:>>|<<

Classic Marshall 100W Class A/B 100 Watt with EL34 valves. PARAMETER VALUE RANGE DESCRIPTION Presence 0 - 10 Resonance 0 - 10 In a conventional amplifier Presence is a power stage function that adds higher frequency content to the sound. In a conventional amplifier Resonance is a power stage function that adds lower end thud to the sound. ENGLISH ENGLISH FRONT PANEL FUNCTIONS (CONT.) 20. POWER (CONT.) POWER AMP MODELS A:>>|<<

Vintage Marshall 30W Class A/B 30 Watt with 5881 valves. PARAMETER VALUE RANGE DESCRIPTION Presence 0 - 10 Resonance 0 - 10 In a conventional amplifier Presence is a power stage function that adds higher frequency content to the sound. In a conventional amplifier Resonance is a power stage function that adds lower end thud to the sound. British Class A Class A 30 Watt with EL84 valves. PARAMETER VALUE RANGE DESCRIPTION Presence 0 - 10 Resonance 0 - 10 In a conventional amplifier Presence is a power stage function that adds higher frequency content to the sound. In a conventional amplifier Resonance is a power stage function that adds lower end thud to the sound. American Class A/B Class A/B 100 Watt with 6L6 valves. PARAMETER VALUE RANGE DESCRIPTION Presence 0 - 10 Resonance 0 - 10 In a conventional amplifier Presence is a power stage function that adds higher frequency content to the sound. In a conventional amplifier Resonance is a power stage function that adds lower end thud to the sound. FRONT PANEL FUNCTIONS (CONT.) 21. CAB CAB is short for Speaker Cabinet. A cabs speaker configuration and its size play a significant role in the overall sound produced by the whole amplifier setup. The MST modelled speaker cabinets in your CODE amplifier are faithful recreations of classic Marshall cabs:

CABINET TYPES A:>>|<<

1960 1960V 1960AX 1960HW 1936 1936V 1912 1974CX Classic 4 x 12 Celestion G12-T75 speakers. 4 x 12 with Celestion Vintage 30 speakers. 4 x 12 with Celestion G12M-25 speakers. 4 x 12 with Celestion G12H-30 speakers. Classic 2 x 12 Celestion G12-T75 speakers. 2 x 12 with Celestion Vintage 30 speakers. Classic 1 x 12 Celestion G12-B150 speakers. 1 x 12 Handwired with G12M-20 speaker. 22. EXIT/STORE While on any screen pressing EXIT/STORE returns you to the main Preset screen. Press and hold EXIT/STORE while on any screen to QUICK STORE your edited settings. Your edited settings will store over the current Preset and the display will return you to the main Preset screen.

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23. DISPLAY The Display Screen shows a Presets name, number, parameter settings and the tuner display. To discover how to store and name a Preset, go to STORING A PRESET in this manual. ENGLISH ENGLISH REAR PANEL FUNCTIONS EDITING A PRESET (CONT.) Turn the EDIT selector to edit the highlighted parameter. You will see the parameter value change on the screen as you turn. When you are happy with your edited parameter value, push the EDIT selector to move to the next parameter (if there is one). Turn the EDIT selector to edit the newly highlighted parameter. Repeat for all parameters and parameter values of the Sections that you wish to edit. 24 25 26 24. MAINS INPUT Connects the amplifier to the mains power supply.

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The MAINS INPUT socket has an integrated fuse compartment. Ensure that the value of a replacement fuse matches the labelling on the amplifier rear panel. You MUST ALWAYS switch the amplifier OFF and disconnect it from the mains electricity supply before attempting to access the fuse compartment. If in doubt, contact your Marshall Dealer. 25. FX LOOP Connect external FX pedals or a signal processor here. The FX LOOP is post DSP in the signal chain. 26. SPEAKER OUTPUT (CODE100H ONLY) Connect a speaker cabinet here. IMPORTANT - Do NOT connect a speaker cabinet of less than 8 Ohm, and NEVER use CODE100H without a spekaer cabinet conneted, as this may damage the amplifer output transformer.

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EDITING A PRESET To edit PRE FX, AMP, MOD, DEL, REV, POWER and CAB section settings:

To learn how to store an edited Preset, refer to STORING A PRESET in this manual. When you are happy with your edited Preset you can store it to your CODE amplifiers memory.

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If you wish exit without storing your edits, press EXIT/STORE (# 22 in this manual). This will return you to the main Preset screen.

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If you wish to keep your edited settings ensure that you store before moving off that Preset. STORING A PRESET To store an edited Preset, Store an edited Preset to a new location, and to rename an edited Preset:

When you have finished editing, press & hold EXIT/STORE briefly until the Preset name begins to auto-scroll to the left into the Preset number. If you wish to store your edited Preset to another location, turn the PRESET selector to find a new location, then press & hold EXIT/STORE until STORED appears on the display screen.

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Be sure that you want to store to the Preset location that you have selected, as the Preset in that location will be overwritten. Hold down the Section Switch that you wish to edit (#15 - #21 in this manual). To rename the edited Preset and store to the current location:

The display screen will show the current sections settings. Turn the EDIT selector (#10 in this manual) to scroll through the different options within the current section: CL DSL, Plexi, JCM800, OD Silver Jubilee in AMP, or Chorus, Flanger, Phaser, Tremolo in MOD, or Studio, Vintage, Multi, Reverse in DEL, for example. Push the EDIT selector to begin editing.

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Speaker cabinet models are not editable. ENGLISH While the Preset name auto-scrolls to the left, press & hold EXIT/STORE again briefly until the Preset name is displayed with arrows above and below the first letter or character. Turn the EDIT selector to change the letter or character. Turn the PRESET selector to move to the next letter or character, or back to a previous letter or character. Repeat until you have renamed the Preset. ENGLISH STORING A PRESET (CONT.) The Section Switches act as naming shortcuts:

NAMING SHORTCUTS PRE FX AMP MOD DEL REV POWER CAB Clear Number Upper / Lower Case A Upper / Lower Case Space Backspace Cancel To complete the store process, press & hold EXIT/STORE once more until STORED appears on the display screen. Your edited Preset has now been stored to CODEs memory. GUITAR TUNER Pressing the PRE FX and AMP Section Switches (#15 & #16 in this manual) together accesses the guitar TUNER:

A:>>|<<

A:>>|<<

A:>>|<<

A:>>|<<

Pluck a string and the note you are playing will display. Tune the string until the name of the note you wish to tune to appears on the screen. The bar will move to the left if the note is flat. The bar will move to the right if the note is sharp. When the bar is dead centre, that string is tuned to the displayed note. Press EXIT/STORE to exit the Tuner. BLUETOOTH FACTORY RESET Pressing REV and POWER Section Switches together (#19 & #20 in this manual) accesses the Bluetooth pairing function:

The display screen will show Bluetooth: with your CODE amplifiers pairing ID. The blue LED on EXIT/STORE (#22 in this manual) will flash while pairing. When paired, the blue LED will stop flashing and remain lit. When streaming audio, use the MASTER volume control or your music player to set the volume level.

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Streamed audio will bypass CODEs panel features, with the exception of MASTER volume. The Marshall Gateway App enables you to control your CODE amplifier remotely using your iOS or Android device. Create a Marshall Cloud profile and sync your device to manage your Preset library online. You can share your Presets, access featured Presets, join the conversaion on the CODE Forum and more. Register and become part of the CODE online community at: my.marshall.com. Download Marshall Gateway now from the App Store or Google Play. Performing a factory reset will return CODEs Presets back to when it was new.

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Before performing a factory reset, be sure that you want to overwrite all of your personal Presets. To perform a factory reset:

Power OFF the amplifier using the ON/OFF switch (#14 in this manual). Whilst holding down the AMP Section Switch, turn the power ON. The screen will display a notification that the amplifier is about to be returned to its factory settings. If you are sure that you want to perform a factory reset, press and hold the EXIT/STORE switch to confirm (#22 in this manual). If you do not want to restore the factory presets, pressing any other switch will cancel the factory reset operation and boot the amplifier as normal. ENGLISH ENGLISH DECLARATION OF CONFORMITY NOTES Manufacturer:

Marshall Amplification Plc, Denbigh Road, Bletchley, Milton Keynes, Bucks, United Kingdom MK1 1DQ Kind of equipment:

Audio Equipment Type designation:

CODE100, CODE100H We, Marshall Amplification Plc, declare under our sole responsibility that the above listed products complies with the following Directives:

1. EMC Directive 2014/30/EU;

2. Low Voltage Directive (LVD) 2014/35/EU;

3. R&TTE Directive 1999/5/EC. The following harmonised standards have been applied:

1. EMC 2. LVD EN 55032:2012 EN 55020:2007/A12:2016 EN 61000-3-2:2014 EN 61000-3-3:2013 EN 60065:2014 Health &

Safety

(Article 3(1)(a)) EN 62479:2010 EN 60065:2014 3. R&TTE EMC

(Article 3(1)(b)) ETSI EN 301 489-1 V1.9.2:2011 ETSI EN 301 489-17 V2.2.1:2012 Spectrum

(Article 3(2)) ETSI EN 300 328 V1.9.1:2015 Signature:

Name: B. Moon Date: 1st May 2017 17 Name of the responsible party:

Jam Industries USA, LLC Address of the responsible party:

1649 Barclay Blvd, Buffalo Grove, IL 60089, United States of America. Telephone number of the responsible party:

800-877-6863 Name of equipment:

MD116D Guitar Amplifiers Model No.:

CODE100, CODE100H This device complies with part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. ENGLISH ENGLISH MARSHALLAMPS.COM Marshall Amplification plc, Denbigh Road, Bletchley, Milton Keynes, MK1 1DQ, England. Telephone: +44 (0) 1908 375411 | Fax: +44 (0) 1908 376118 Registered in England. Registered Number: 805676 Whilst the information contained herein is correct at the time of publication, due to our policy of constant improvement and development, Marshall Amplification plc reserves the right to alter specifications without prior notice.