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15 14AT UserMan | Users Manual | 3.67 MiB | September 06 2015 | |||
1 | Attestation Statements | September 06 2015 | ||||||
1 | Cover Letter(s) | September 06 2015 | ||||||
1 | ID Label/Location Info | September 06 2015 | ||||||
1 | External Photos | September 06 2015 | ||||||
1 | Internal Photos | September 06 2015 | ||||||
1 | Test Setup Photos | September 06 2015 | ||||||
1 | Test Report | September 06 2015 | ||||||
1 | Operational Description | September 06 2015 | ||||||
1 | RF Exposure Info | September 06 2015 | ||||||
1 | Cover Letter(s) | September 06 2015 |
1 | 15 14AT UserMan | Users Manual | 3.67 MiB | September 06 2015 |
PV14AT PV14BT Compact Mixer DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT 1 2 3 4 5 6 7 8 PV 14AT 14 INPUT STEREO MIXER WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH 1/4-Hi-Z CH.8 Only USB A 3.5mm STEREO L R 9 10 9/10 FS L R 13 STEREO IN 14 13/14 AUX SEND PAIRING 11/12 AT AT AT AT Auto-TUNE ELECTRIC GUITAR PRE-SHAPE HI PASS HI PASS HI PASS HI PASS HI PASS HI PASS HI PASS HI PASS L R 13/14 min comp GAIN max min comp GAIN max min comp GAIN max min comp GAIN max min GAIN max min GAIN max min GAIN max min max GAIN USB B PHANTOM POWER 48V USB A Bluetooth min max STEREO IN LEVEL min COMP max min COMP max min COMP max min COMP max min GAIN max min GAIN max 0 0 0 0 0 0 0 0 0 0 min LEVEL A/B max min max REC LEVEL Operating Manual MAIN OUTPUTS L R L R POWER PV 14 L R CONTROL ROOM SOLO/MAIN A/B SELECT B/REC A B/
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TUNE EFFECts media USB MEDIA PLAYBACK DIGITAL EFFECT/MEDIA PLAYBACK SOLO SOLO AUX min HIGH max EFX MUTE min max RETURN TO AUX EFX min LOW max left R L PAN right left R L PAN right left R L PAN right left R L PAN right left R L PAN right left L R PAN right left R L PAN right left L R PAN right left L R BAL right left MUTE CLIP MUTE CLIP MUTE CLIP MUTE CLIP MUTE CLIP MUTE CLIP MUTE CLIP MUTE CLIP MUTE CLIP R L BAL right MUTE CLIP SIGNAL SIGNAL 1 SIGNAL 2 SIGNAL 3 SIGNAL 4 SIGNAL 5 SIGNAL 6 SIGNAL 7 8 SIGNAL 9/10 SIGNAL 11/12 MIC MUTE L R STEREO MONO
(SUM) L R ENABLE KOSMOS-C HEADPHONE/
SOLO/MAIN SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO SOLO 1 2 3 4 5 6 7 8 9/10 11/12 SOLO max min LEVEL MAIN L+R SOLO/MAIN www.peavey.com FCC/ICES Compliancy Statement This device complies with Part 15 of the FCC rules and Industry Canada license-exempt RSS Standard(s). Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, that may cause undesired operation. Le prsent appareil est conforme aux CNR dlndustrie Canada applicables aux appareils radio exempts de licence. Lexploitation est autorise aux deux conditions suivantes: (1) Iappareil ne doit pas produire de brouillage, et (2) Iutilisateur de Iappareil doit accepter tout brouillage radiolectrique subi, mme si le brouillage est susceptible den compromettre le fonctionnement. Warning: Changes or modifications to the equipment not approved by Peavey Electronics Corp. can void the users authority to use the equipment. Note This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try and correct the interference by one or more of the following measures. Reorient or relocate the receiving antenna. Increase the separation between the equipment and receiver. Connect the equipment into an outlet on a circuit different from that to which the receiver is con-
nected. Consult the dealer or an experienced radio/TV technician for help. Caution The equipment complies with FCC radiation exposure limits set forth for an uncontrolled envi-
ronment. Features and specifications are subject to change without notice. Peavey Electronics Corporation 711 A Street Meridian, MS 39301
(601) 483-5365 FAX (601) 486-1278 www.peavey.com 2015 EX000030 PV14AT and PV14BT Compact Mixers ENGLISH Congratulations on purchasing the Peavey PV14AT or PV14BT Compact Mixer. The PV14AT and PV14BT are studio-quality mixing con-
soles designed to meet diverse needs while occupying a small space. These are the perfect consoles for small venue performances or home record-
ing environments. PV series mixers feature built-in DSP effects that are useful in real-world recording and sound reinforcement, while parameter controls allow you to tailor each effect to meet your needs. The PV 14BT includes 8 channels of reference-quality mic preamps, 8 direct outputs for recording, a stereo channel, media channel with Blue-
tooth wireless input, high quality digital effects with LCD display, streaming USB out, MP3 playback via USB A input, Peavey's exclusive Kosmos audio enhancement, 48 volt phantom power, dual selectable control room outputs, 4 channels of compression, one channel of on board selectable guitar preamp, 3-band EQ per channel with bypass, channel mute buttons, aux send, signal clip indicators, and a stereo master LED meter bridge. This amazingly versatile mixer is at home both in the studio as well as live applications. Its modern features such as Bluetooth allow seamless connection to almost any "smart" device. 8 direct outs allow easy connection to most DAW interfaces for recording; in addition, the PV 14 BT can stream audio directly to a PC. MP3 playback is also available, just plug a flash drive with MP3 files on it into the USB A port and use the LCD to select and playback music. The PV series Solo feature allows the user to listen to individual channels via headphone or control room outputs and the EQ bypass allows the user to compare the EQ'd signal to the original signal with the push of a button. 4 Channels of compression keep signals with difficult levels under control, and Peavey's exclusive guitar-shape adjusts the EQ and preamp specifically for guitar. Hi pass filters on every channel remove unwanted rumble and noise, and balanced AUX and Master outputs ensure a clean noise free signal to your powered speakers or power amplifier. The all new PV series non-powered mixers represent the pinnacle of performance and value. Combine Peavey's legendary reli-
ability and our 5 year warranty and you can be assure of years of quality reliable service, we guarantee it. In addition to all of these features, the PV14AT features 4 channels of Antares world-famous Autotune, which can be set to subtly tighten up vocal harmonies, or it can be set for robotic vocal effects heard in today's popular music. Peavey's exclusive custom key feature makes it a snap to auto-tune to any scale you can think of, in a live performance. It is so easy and fast, you can set it up between songs, right in the middle of a set. Please read this guide carefully to ensure your personal safety as well as the safety of your equipment. FEATURES:
8 Combination 1/4" and XLR low noise mic preamps Stereo 1/4", RCA or 3.5mm input channel Bluetooth wireless connectivity 3-band EQ on all channels 8 Channels of Peavey's Exclusive Mid-Morph 150 Hz low-cut switch on all mic inputs LED clip and signal present indication Individual channel mutes EQ Bypass per mic channel On board studio quality digital effects with individual channel control Effects and playback LCD display One pre-fader AUX send Precision 60 mm faders on master Dual selectable control room outputs / Record out with independent level Global 48V phantom power Main stereo outputs with balanced 1/4" and XLR connectors Rugged console design 4 channels of built-in compression Stereo pan control per channel On-board USB-A MP3 playback 8 Channels of direct out Kosmos -C bass and treble enhancement Channel 9/10 stereo return/input Individual Solo function Stereo USB-B streaming audio in and out High quality master LED meter bridge Master mic mute Studio quality headphone output Peavey's exclusive on-board 1 Meg guitar input Antares Auto-Tune with Peavey's exclusive Custom Key feature Installation Note:
This unit must have the following clearances from any combustible surface: top: 8", sides: 12", back: 12"
PV14AT/PV14BT Front Panel (channels 1 - 8) 1 2 3 4 5 6 7 8 9 10 11 12 MIC/LINE INPUT (CH.1-8) This combination input jack accepts a or XLR balanced plug. The XLR balanced input is optimized for a microphone or other low impedance source. The input is a TRS balanced type, and also accepts ordinary TS guitar cables. DIRECT OUT This impedance-balanced TRS output signal is taken after the mic preamp, hi pass filter, and compressor, but before the EQ stage. AUTO-TUNE ACTIVATION BUTTON AND LED (PV14AT only) Pressing this button activates the PV14AT's onboard AUTO-TUNE feature. The button illuminates when in AUTO-TUNE mode. GAIN The Input Gain control is used to establish proper gain structure in the channel. For best results, use the Solo system (19) to monitor the channel while you set the gain. The goal is maximum gain without distor-
tion. Both the main LED meters (during Solo) and the channels Signal/Clip indicator (16,17) can be used for adjusting gain. If the clip LED (16) comes on and remains lit, try reducing the gain. 150 Hz HI PASS FILTER The hi pass filter has a corner frequency of 150 Hz. When engaged it can improve clarity by removing low frequencies that make a mix sound muddy. This feature is especially useful when playing outside on a windy day or on a hollow-sounding noisy stage. These kinds of ambient noises can rob your sound system of power. Engaging this switch will remove those frequencies from the system and restore power where needed. COMPRESSION CONTROL (Channels 1-4) Adjusting this knob clockwise lowers the threshold of the compressor, thereby increasing the amount of compression. The compressor ratio is in the 4:1 range, varying with signal levels and the amount of com-
pression. This is useful for controlling peak levels from live sources, and has been designed to subtly tame the levels of live vocals without noticeable artifacts. The compressor is after the gain control (5) and the hi pass filter (4), but before the direct out (2), so it can be patched to external equipment. *not featured on channels 5-8. Compressor LED This LED illuminates when the compressor is actively compressing a signal. *not featured on channels 5-8. Hi EQ This active tone control (shelving type: 15 dB) varies the level of the high frequency range. MID-MORPH EQ (CH. 1-7) Where most mid-range controls work at just one frequency, the Mid-Morph works at two. When turned counterclockwise, it cuts at 250Hz to reduce frequencies that muddy the sound. When turned clockwise, it boosts at 4kHz to add intelligibility to vocals. Either way, improved vocal or instrument definition can be achieved. Low EQ This active tone control (shelving type: 15 dB) varies the level of the low frequency range. Caution: Ex-
cessive low frequency boost causes greater power consumption and increases the possibility of speaker damage. EQ BYPASS Engaging this button bypasses the equalization of the channel, allowing you to easily hear the effect of the EQ settings. AUX SEND This control adjusts the level of the channel signal sent to the Aux output. The signal is taken before the channel level (18) but after the channel EQ, meaning that changes to the EQ settings will affect the aux mix, but changes to the channel level control won't. Typical use for the Aux bus is to feed stage monitors, when used in a live performance, or to feed headphone amplifiers in a recording situation. DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT 1 1 2 2 PV 14AT PV 10AT 1 3 DIRECT OUT DIRECT OUT DIRECT OUT 2 1 2 3 PV 10AT Auto-TUNE AT AT AT AT AT 3 HI PASS HI PASS HI PASS HI PASS 4 HI PASS HI PASS 5 min min comp comp GAIN GAIN max max min min comp comp GAIN GAIN max max 7 min comp min max max GAIN GAIN AT 6 AT Auto-TUNE max max HI PASS min min COMP COMP 0 0 min HI PASS min max max COMP COMP 0 0 8 min min comp min
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max LOW EQ BYPASS min min EFX max min EFX max min min left CLIP left SIGNAL CLIP min c SIGNAL max right c EFX 14 c max L R AUX PAN MUTE R L right PAN 15 MUTE max 2 2 EFX R L PAN min c EFX max min left CLIP left right c max R L AUX PAN L R PAN SIGNAL CLIP min EFX c SIGNAL MUTE right MUTE max 3 3 R L PAN MUTE MUTE CLIP MUTE 18 CLIP right left right left right SIGNAL min LEVEL SOLO max 1 1 SIGNAL min 2 LEVEL SIGNAL min max 3 LEVEL max SOLO SOLO 2 3 min LEVEL max min LEVEL max min max LEVEL SOLO SOLO 1 SOLO SOLO 1 SOLO SOLO 2 19 2 3 3 PV14AT/PV14BT Front Panel (channels 1-7) 13 14 15 16 17 18 19 20 21 EFX SEND This control adjusts the level of the channel signal added to the effects mix. The signal is sent to the internal effects processor. Turning the knob to the left (min) will turn off effects on the associated channel, while turning the knob to the right will increase the amount of the selected effect. The effects send signal is taken after the channel level (18) so that adjustments made to the fader will also affect the send level. PAN CONTROL This knob controls the placement of the signal in the stereo field. When rotated completely counterclockwise the signal is present only on the left channel; when rotated completely clockwise only in the right channel. This control functions as a balance control to adjust the relative level of the left and right signals on stereo channels 9/10 and 11/12. (Note 1/4" inputs on ch 9/10 and 13/14 are mono unless both are connected, then they switch to stereo) MUTE SWITCH Pressing this switch will silence the channel signal going to the main mix, aux send, and effects. The mute switch will not affect the signal sent to the solo system. CLIP/MUTE LED This LED normally indicates that the channel signal level is near clipping (distortion), but it also lights when mute is engaged. The clip indicator circuit monitors the signal after the gain control, after the EQ, and after the main level; because clipping can be caused by high settings of any of these controls. It illuminates at +15 dBu with a static signal (test tone), and corresponds to audible clipping with a highly dynamic signal (i.e. piano). When lit, it warns that the gain or EQ boost should be reduced. When it lights, roughly 5 dB of headroom remains. An optimized setting of input gain + EQ will result in this LED flashing briefly on the loudest peaks. SIGNAL LED The signal LED lights when the channel level reaches approximately -20 dBu. This not only indicates which channels are active, but also serves as a mini level meter. Because its illumination varies with the signal source, it is useful in identifying which channel is carrying a particular source. CHANNEL LEVEL FADER This is the channel's output control, which sets the signal level sent to the left and right mix and the effects send control. The gain is 0 dB
(unity gain) when set to the center mark inside the rectangular graphic. 10 dB of boost is available at the max gain setting. Normal operation is to start with this knob at the center mark, and set the input gain and EQ with the source playing such that normal levels are seen at the sig-
nal /clip LED's and the main meter array. As additional sources are added, it is normal to move this fader down slightly to prevent overdriving the main mix bus. SOLO SWITCH AND LED When the Solo switch is engaged, the yellow LED lights, as does the yellow Solo LED under the main L/R meter array in the master sec-
tion, indicating that the Solo system is now active. The Solo system is a separate mix bus that routes the soloed channel(s) at unity gain to the level meters for precise input level setting, and to the control room monitor and headphone outputs for critical listening to the selected L source(s). When the Solo system is active, the complete mix will no longer be heard through the control room or headphones; only the soloed channel(s). DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT 1/4-Hi-Z CH.4 Only PV14AT/PV14BT Front Panel (channel 8) MIC/LINE INPUT (CHANNEL 8 ONLY) This input is the same as channels 1-7 unless Guitar Shape is pressed. When ELECTRIC GUITAR PRE-SHAPE is on, the 1/4" input changes to a high impedance (1 Meg), like a 12AX7 vacuum tube guitar amplifier input. Electric Guitar Pre-Shape Engaging this button optimizes the on board equalization for electric guitar. DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT 1 2 PV 10BT 20 3 1/4-Hi-Z CH.8 Only R 4 DIRECT OUT DIRECT OUT DIRECT OUT 5 6 7 8 L R 9 10 9/10 PAIRING 1 2 3 4 PV 14AT 14 INPUT STEREO MIXER WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH ELECTRIC GUITAR PRE-SHAPE 21 HI PASS HI PASS HI PASS HI PASS L R min comp GAIN max min comp GAIN max min GAIN max min max GAIN USB A AT AT AT AT Auto-TUNE HI PASS HI PASS HI PASS HI PASS min HI PASS COMP max HI PASS min COMP max HI PASS HI PASS ELECTRIC GUITAR PRE-SHAPE L min R GAIN max min 3.5mm STEREO 5 6 5/6 USB A 10 INPUT STEREO MIXER WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH 3.5mm STEREO DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT 4 PV14AT Front Panel (channels 9, 10, 11 and 12) 1 2 3 5 6 7 8 PV 14AT 14 INPUT STEREO MIXER WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH 22 1/4-Hi-Z CH.8 Only 3.5mm STEREO INPUT The 3.5mm input to channel 9/10 accepts a stereo input from the output of an MP3 player, CD player, tape deck or other similar device. This input is optimized for portable handheld devices and therefore has very high sensitivity. 6 2 DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT DIRECT OUT 1 3 4 5 3.5mm STEREO L R 9 10 9/10 AUX SEND PAIRING 11/12 23 DIRECT OUT DIRECT OUT 7 8 MAIN OUTPUTS L R 24 FS L R 13 STEREO IN 25 14 13/14 PV 14AT 14 INPUT STEREO MIXER WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH L R 9 10 9/10 PAIRING 11/12 USB A AUX SEND L R 13 STEREO IN 14 13/14 AT STEREO INPUTS Channels 9 and 10 also feature 1/4" inputs. If only one jack is used, it behaves as a mono source with a pan control. When both jacks are connected, these connections serve as a stereo source with a balance control; 9 is Left and 10 is Right. Auto-TUNE HI PASS HI PASS HI PASS HI PASS HI PASS HI PASS HI PASS AT AT AT min comp GAIN max min comp GAIN max min comp GAIN max AT min comp AT GAIN max min AT GAIN max AT min Auto-TUNE GAIN max min max GAIN HI PASS HI PASS HI PASS HI PASS HI PASS HI PASS 0 0 0 0 min min min min min min min min min max max max max max comp comp comp min min min min min min min max max max max max max max max max comp 0 max 0 max min GAIN GAIN GAIN GAIN max 0 COMP GAIN 0 COMP COMP COMP COMP min 0 COMP GAIN 0
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First, slide the input selection switch (27) to the USB A position. The bottom of the LCD display will say Insert USB drive. Insert your USB drive into the USB Media Jack (24) at
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the top of channel 11/12. The Media Player will now enter "Folder Navigation Mode". In this mode, you can scroll through a list of all folders on the USB drive. Once you select a folder, the Media Player will enter "Song Navigation Mode" which allows you to scroll
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LOW max min min Press to Select MEDIA SELECT EFFECts media MEDIA SELECT EFX SELECT USB MEDIA PLAYBACK USB MEDIA PLAYBACK DIGITAL EFFECT/MEDIA PLAYBACK DIGITAL EFFECT/MEDIA PLAYBACK SOLO SOLO max max max min max AUX min AUX min AUX max max min min AUX max max AUX min min AUX AUX max min max MASTER min max MASTER AUX EFX MUTE EFX SOLO SOLO min max RETURN TO AUX min EFX c max min max min EFX max ANALOG MEDIA CHANNEL c max ANALOG MEDIA CHANNEL c DIGITAL MEDIA CHANNEL DIGITAL MEDIA CHANNEL c min max RETURN TO MAIN EFX c left L R PAN 29 right MUTE left R L PAN right c L left R BAL right left c R right L BAL MUTE 30 CLIP L R SIGNAL 7 PAN right MUTE MUTE CLIP MUTE left 8 CLIP CLIP L SIGNAL right R 9/10 BAL MUTE left CLIP R L 11/12 BAL right MUTE left SIGNAL CLIP MIC MUTE L R min max RETURN TO MAIN min RETURN TO AUX SIGNAL SIGNAL 8 9/10 SIGNAL 11/12 STEREO MIC MUTE MONO
(SUM) L L R STEREO MONO
(SUM) L SOLO R MAIN L+R SOLO SOLO SOLO 7 8 9/10 11/12 SOLO SOLO SOLO 8 9/10 11/12 SOLO MAIN L+R 22 23 24 25 26 27 28 PV14AT/PV14BT Front Panel 1/4-Hi-Z CH.8 Only USB A 3.5mm STEREO L R DIRECT OUT DIRECT OUT 7 8 9 31 AUX SEND 10 9/10 PAIRING 11/12 32 FS L R 13 STEREO IN 14 13/14 MAIN OUTPUTS L R L R WITH DIGITAL EFFECTS, MEDIA PLAYBACK AND BLUETOOTH 33 34 35 29 30 31 HI PASS min GAIN max 32 0 min
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HIGH 0 max 33
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low high MID-MORPH 0 min
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LOW EQ BYPASS max 34 min AUX max 35 max min EFX c ANALOG BALANCE CONTROL Controls the balance between the analog channels 9/10. DIGITAL BALANCE CONTROL Controls the balance between the digital channels 11/12. ELECTRIC GUITAR PRE-SHAPE POWER HI PASS L R AUX SEND XLR and 1/4" OUT Ground compensated balanced output fed by the AUX SEND master level (52). The XLR is internally in parallel with the TRS. You will get better hum and noise rejection by using balanced interconnects (either XLR or TRS), but unbalanced Tip Sleeve (TS) cables will also work. GAIN PV 14 L STEREO IN LEVEL PHANTOM POWER Bluetooth USB A USB B 48V R max max min min CONTROL ROOM SOLO/MAIN A/B SELECT A 13/14 min max GAIN FOOTSWITCH This TRS jack is designed for use with Peavey's 2 Button Special Use Momentary Footswitch, Item # 03014070. The tip of this TRS jack, switch 1, remotely actuates the EFX Mute switch. The ring of the TRS jack, switch 2, remotely turns off the Auto-Tune on AT models. This makes the use of Auto-Tune inconspicuous; by using the footswitch, your between-songs spoken banter won't be Auto-Tuned. B/
REC REC LEVEL LEVEL A/B GAIN B/REC max max max max max max min min min min min min 0 0 0 min max
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HIGH
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HIGH
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HIGH min max RECORD LEVEL TO CONTROL ROOM USB 0 0 0 0 0 0 min min max max
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Press to Select
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MID MEDIA SELECT low high MID-MORPH EFFECts media 1/4" STEREO INPUTS
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Channel 13 and 14 are a stereo pair of 1/4" jacks that can be used for an aux input, or effects return from an external processor. MID If only one jack is used, it behaves as a mono source. Once both jacks are connected, it behaves as a stereo source; 13 is Left and 14 is Right.
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LOW EQ BYPASS 1/4" STEREO OUTPUTS Ground compensated balanced output fed by the master L and R Faders (60). The TRS jacks are internally in parallel with the XLR's. You will get better hum and noise rejection by using balanced interconnects (either XLR or TRS), but unbalanced Tip Sleeve (TS) cables will also work. AUX DIGITAL EFFECT/MEDIA PLAYBACK USB MEDIA PLAYBACK
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LOW
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LOW Auto-
TUNE EFX SELECT Press to Select or edit AUX MASTER AUX AUX SOLO HIGH max max max max max max max max min min min min min min min min min max EFX XLR STEREO OUTPUTS Ground compensated balanced output fed by the master L and R Faders (60). The XLR jacks are internally in parallel with the TRS's. You will get better hum and noise rejection by using balanced interconnects (either XLR or TRS). DIGITAL MEDIA CHANNEL ANALOG MEDIA CHANNEL min max RETURN TO MAIN min max RETURN TO AUX EFX LOW max min c c c SOLO ENABLE EFX MUTE left R L PAN right left R L PAN right left L R BAL right left MUTE CLIP MUTE CLIP MUTE CLIP R L BAL right MUTE KOSMOS-C CLIP SIGNAL SIGNAL 7 8 SIGNAL 9/10 SIGNAL 11/12 MIC MUTE L R PV14AT/PV14BT Front Panel 36 37 ELECTRIC GUITAR PRE-SHAPE HI PASS L R 13/14 USB B PHANTOM POWER 48V USB A Bluetooth max min max GAIN min max STEREO IN LEVEL min GAIN max min GAIN max 0 0 0 min LEVEL A/B max min max REC LEVEL POWER PV 14 L R 43 CONTROL ROOM SOLO/MAIN A/B SELECT B/REC A B/
REC max high MID-MORPH max min 36 0 min min max max max 39
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HIGH
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HIGH HIGH PHANTOM POWER 0 This Switch applies +48 VDC voltage to the input XLR connectors to power microphones requiring phantom power. Press to If phantom power is used, do not connect unbalanced dynamic microphones or other devices to the XLR Select or edit inputs that cannot handle this Voltage. 0 41 TO CONTROL ROOM EFFECts media min max RECORD LEVEL
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MID
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MID Press to Select USB 40 42 44
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max max max min min min 0 0 0 MEDIA SELECT EFX SELECT low high MID-MORPH 37 STEREO IN LEVEL 13/14 Controls the level of input jacks 13 and 14. If only one jack is connected, it is sent to both L and R. If both jacks are connected, 13 is L and 14
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is R. The Aux output could be fed to an external effects processor, and these jacks could be used as the effects return. Or a second mixer could LOW EQ BYPASS be daisy-chained in here. DIGITAL EFFECT/MEDIA PLAYBACK USB MEDIA PLAYBACK
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LOW
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LOW Auto-
TUNE max max max min min min 39 max min max 40 min 41 right left MUTE CLIP LEVEL A/B Controls the level of both A and B control room outputs. The active output is selected with A/B SELECT switch (41), when B/REC switch (42) AUX is up. When B/REC switch is down, only output A is controlled. AUX MASTER AUX AUX SOLO HIGH max max max max max min min min min REC LEVEL When B/REC switch is down, controls the level at the B/REC outputs. Note: When B/REC switch is up, this control is inactive. EFX DIGITAL MEDIA CHANNEL ANALOG MEDIA CHANNEL min max RETURN TO MAIN min max RETURN TO AUX EFX EFX MUTE SOLO max max min LOW c c c L right A/B SELECT R L When this switch is up, output A is on and output B is off. When this switch is down, output B is on and output A is off. Use this switch to PAN evaluate a mix on 2 different pairs of monitors, such as near field and far field monitors. By setting the level controls on both monitoring sys-
tems the same, a rapid A/B comparison can be made. Overall monitor level is controlled by LEVEL A/B. NOTE: When the B/REC switch (42)is down, this switch is disabled , and the A output remains on at all times, fed by LEVEL A/B (39). KOSMOS-C R BAL L BAL ENABLE MUTE MUTE MUTE right right CLIP CLIP left left R SIGNAL SIGNAL SIGNAL 7 8 9/10 11/12 MIC MUTE 42 43 B/REC SWITCH Determines the function of the B/REC output. When up, B/REC jack functions as monitor B output, selected by A/B select and controlled by LEVEL A/B. When down, B/REC jack is an independent record output, with level controlled by REC LEVEL. L R STEREO MONO
(SUM) CONTROL ROOM MONITOR OUTPUT A Connect powered monitors, or an amplifier feeding monitor speakers here. Set the volume controls on the monitors A and B to be equal when the A/B switch is toggled. The signal sent to this output is normally the Left/Right mix. The USB "To Control Room" pot (47) feeds the USB return signal to these Monitor Outputs for use in a DAW recording setup. When the Solo LED is lit (62), only the soloed source(s) will be heard. NOTE: When the B/REC switch is down, the A/B SELECT switch becomes disabled, and this output is output is controlled by the LEVEL A/B control. HEADPHONE/
SOLO/MAIN R L SOLO SOLO SOLO 7 8 9/10 11/12 SOLO max min LEVEL MAIN L+R SOLO/MAIN AT Auto-TUNE ELECTRIC GUITAR PRE-SHAPE HI PASS HI PASS L R PV14AT/PV14BT Front Panel USB B min GAIN max min max GAIN USB A Bluetooth 9/10 PHANTOM POWER 48V 0 0 0 0 min GAIN max min GAIN max min
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HIGH 0 max min
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HIGH 0 max min
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HIGH 0 max min
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HIGH 0 max high
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low high MID-MORPH 0
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low high MID-MORPH 0 min
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MID 0 max 45 min
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MID 0 max min
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LOW EQ BYPASS max min
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LOW EQ BYPASS max min
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LOW max min
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LOW max min max STEREO IN LEVEL 46 47 CONTROL ROOM SOLO/MAIN 48 A/B SELECT B/REC min LEVEL A/B max min max REC LEVEL min max RECORD LEVEL Press to Select min max TO CONTROL ROOM EFFECts media PV 10 L R A B/
REC USB Press to Select or edit EFX SELECT Auto-
TUNE 50 51 MEDIA SELECT SOLO USB MEDIA PLAYBACK DIGITAL EFFECT/MEDIA PLAYBACK max min AUX max min AUX max min AUX max min max AUX min MASTER max 49 AUX min HIGH max min right left MUTE CLIP SIGNAL 2 max min LEVEL SOLO 2 c c c c L L left left left min min max max max CLIP CLIP CLIP right right right right 46 44 LOW SOLO EFX SIGNAL SIGNAL SIGNAL 4 3 MUTE MUTE MUTE STEREO ENABLE EFX MUTE EFX MONO
(SUM) MIC MUTE R BAL R L PAN 7/8 5/6 min max RETURN TO MAIN KOSMOS-C DIGITAL MEDIA CHANNEL ANALOG MEDIA CHANNEL min max RETURN TO AUX R L CONTROL ROOM MONITOR OUTPUT B / RECORD OUT This pair of outputs can either serve as your "B" Record Monitor Output; or, with the B/REC switch (42) down, as an independently controlled EFX Record Output. NOTE: When the B/REC switch is down, the A/B SELECT switch becomes disabled, and this output is output is controlled by the B/REC control. USB RECORD LEVEL KNOB 45 R R L BAL PAN Controls the level of signal sent to the USB B connector on the back of the mixer. The recommended setting is near 12:00, but a wide range is MUTE available to accommodate varying levels and sensitivites. CONTROL ROOM LEVEL Controls the level of signal returning from the USB B connector on the back of the mixer. The signal is routed to the control room and head-
phone outputs, for multitrack recordings on a DAW. The recommended setting is near 12:00. MEDIA AND EFFECTS LCD DISPLAY The top row of this LCD displays the currently selected Effect and the bottom row displays the statusof the MP3 Player, which can be used for navigating the folders on the USB drive or displaying the current song playing. The bottom line will also briefly display the Bluetooth status 4 3 during power on, power off, and memory clearing. MEDIA SELECT Once a USB device is connected in channel 8, you can use the Media Select encoder to navigate through the folders/songs on the drive. Once the desired file is displayed on the screen, press the Media Select knob to cue that file. Use the controls on the mixer for play, pause, forward and reverse. EFX SELECT KNOB See detailed description on the following page. MAIN L+R HEADPHONE/
SOLO/MAIN SOLO/MAIN 5/6 7/8 min LEVEL LEVEL LEVEL LEVEL SOLO SOLO SOLO SOLO max max max max min min min R 49 47 48 L max 50 51 MEDIA PLAYBACK CONTROLS These controls allow you to play, pause and scroll though digital media via USB jack. AUTO-TUNE MODE BUTTON (PV14AT ONLY) Pressing this switch changes the top line of the LCD between Auto-Tune Edit Mode and EFX Edit Mode. This funtion is not available in the PV14BT. EFX and Auto-Tune (PV14AT only) EFX Select Knob:
EFX Mode:
In EFX Edit Mode (see Auto-Tune Switch), the EFX Select knob is used to navigate through the EFX presets. Turning the knob changes the EFX preset in the display. The new selection will be blinking in the display; push the EFX Select knob to choose the new effect. Once the ef-
fect has been selected, you can now edit the effect. To do this, press the EFX Select knob and the display will change to the current parameter setting of the preset. Turn the EFX Select knob to edit the parameter. Press the knob again to exit EFX preset edit mode. To restore the EFX presets back to factory settings, press and hold the EFX Select knob for 5 seconds and select "Y" when prompted. Auto-Tune Mode:
In Auto-Tune Edit Mode (see Auto-Tune Switch), the EFX Select knob is used to navigate through the Auto-Tune presets. Turning the knob changes the Auto-Tune preset in the display. The new selection will be blinking in the display; push the EFX Select knob to choose the new Auto-Tune preset. Once the preset has been selected, you can edit the preset by pressing the EFX Select knob. The display will change to the current Key setting. Turn the EFX Select knob to change the key and push the EFX Select knob when you have chosen the key you desire. The Key setting deter-
mines which notes are enabled in the Auto-Tune process. For example, in the key of CMaj, the notes C, D, E, F, G, A, and B are enabled, and all other notes are disabled. To see which notes are enabled or disabled for each key, see the Key Table below. Note:
If Custom Key is selected, the display will enter Custom Key Edit Mode. In this mode, you can create a custom Auto-Tune Key. Use the EFX Select knob to select the Root (labeled "RT"). This will be the note off which the custom key is based. Then use the Media Select knob to move the cursor and use the EFX Select knob to activate or deactivate the 12 notes in the key. Once you have finished editing the custom key, press the EFX Select knob to exit Custom Key Edit Mode. The mixer is capable of storing 9 different custom keys, one for each preset slot. The scale degrees are numbered across the top, with half-steps indicated by a dash.
*RT= Root or Key RT
*
* indicates the root or key is C
"+" indicates the note will be allowed.
"-" indicates the note will not be allowed. By looking at the sequence of allowed and disallowed notes above, this is a whole tone scale. There are only two of those, so you can have the other one just by changing the root to C# or B.
*This screen cap shows an A blues scale. You don't have to edit the whole scale to change keys - just change the root. Once you have selected the key and pressed the EFX Select knob, the display will change to the current Speed setting. Turn the EFX Select knob to change the Speed setting. The Speed setting determines how quickly and aggressively the Auto-Tune will correct the pitch. The range for this setting is 0 to 25, where 0 is the quickest and 25 is the slowest. Push the EFX Select knob when you are done editing the speed param-
eter. The display will now change to the current Detune setting. Turn the EFX Select knob to change the Detune setting. The Detune setting determines how the Auto-Tune pitch correction is calibrated. When the Detune setting is 0 cents, this means the Auto-Tune is calibrated to the standard A440, or where the note A4 equals 440 Hz. The range of the Detune setting is -64 to 63 cents, a width of 128 cents. The distance between two notes, or semitones, is 100 cents, which means that the Auto-Tune can be detuned to fit any possible environment. Note:
Detuning the Auto-Tune can be very useful, especially when being used in conjunction with an instrument that is not easily tuned on-the-fly. For example, if a piano is accompanying Auto-Tuned vocals and the piano is slightly out of tune from the A440 stan dard, simply change the Detune setting in the Auto-Tune setting. This is much easier and takes much less time than having some one tune the entire piano! Also, although the Detune setting is changed in the Auto-Tune preset edit mode, this is a global param eter. This means if you change the Detune setting and then later change the Auto-Tune preset, the Detune setting will not change. Once you have selected the appropriate Detune setting, press the EFX Select knob to exit Auto-Tune preset edit mode. To restore all Auto-
Tune presets back to factory settings, press and hold the EFX Select knob for 5 seconds and select "Y" when prompted. Note:
Preset 9 is chromatic with speed set to 7. It is recommended for general purpose, safe, easy use of Autotune, without having to adjust any settings. The slower speed setting does not produce a robotic effect on the voice, and all twelve semitones are allowed. Just remember to use footswitch #2 to bypass Autotune between songs, otherwise your speaking will be Autotuned!
Auto-Tune Key Table Auto-Tune Key Table Key Display Note Number (n)=
0 Key Chrom C C Maj C C Mnr C C#Maj C C#Mnr D Maj D Mnr C D#Maj C D#Mnr E Maj E Mnr C F Maj C F Mnr C F#Maj F#Mnr G Maj C G Mnr C G#Maj C G#Mnr A Maj A Mnr C A#Maj C A#Mnr C B Maj B Mnr 3 D#
D#
D#
D#
D#
D#
D#
D#
D#
D#
D#
D#
D#
D#
D#
1 C#
C#
C#
C#
C#
C#
C#
C#
C#
C#
C#
C#
C#
C#
C#
2 D D D D D D D D D D D D D D D 4 E E E E E E E E E E E E E E E 5 F F F F F F F F F F F F F F F 6 F#
F#
F#
F#
F#
F#
F#
F#
F#
F#
F#
F#
F#
F#
F#
7 G G G G G G G G G G G G G G G 8 G#
G#
G#
G#
G#
G#
G#
G#
G#
G#
G#
G#
G#
G#
G#
9 A A A A A A A A A A A A A A A 10 A#
A#
A#
A#
A#
A#
A#
A#
A#
A#
A#
A#
A#
A#
A#
11 B B B B B B B B B B B B B B B max min
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HIGH 0 max min
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HIGH 0 max min
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HIGH 0 max min
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HIGH 0 max min max RECORD LEVEL min max TO CONTROL ROOM high MID-MORPH
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low high MID-MORPH 0 low high MID-MORPH
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0
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MID 0
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MID 0 PV14AT/PV14BT Front Panel
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max max min min Press to Select EFFECts media MEDIA SELECT 52 53 54 55 EFX SELECT USB Press to Select or edit max min
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LOW EQ BYPASS max min
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LOW EQ BYPASS max min
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LOW max min
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LOW max USB MEDIA PLAYBACK DIGITAL EFFECT/MEDIA PLAYBACK max min AUX max min AUX max min AUX max min max AUX min MASTER max 56 SOLO SOLO max min EFX c max min max EFX c ANALOG MEDIA CHANNEL DIGITAL MEDIA CHANNEL min max RETURN TO MAIN c c min max RETURN TO AUX R L right left MUTE CLIP R L PAN MUTE right left right L left R L PAN MUTE SIGNAL 2 3 CLIP SIGNAL CLIP SIGNAL 4 R BAL right MUTE 5/6 58 L left CLIP 59 SIGNAL 61 STEREO MONO
(SUM) right R BAL MUTE MIC MUTE 7/8 max min LEVEL max min LEVEL max min max LEVEL SOLO 2 SOLO 3 SOLO 4 5/6 min LEVEL 62 SOLO max L R SOLO 7/8 MAIN L+R AUX min HIGH max EFX MUTE 57 EFX min LOW max ENABLE KOSMOS-C HEADPHONE/
60 SOLO/MAIN max min LEVEL SOLO/MAIN 52 53 54 55 56 57 AUX MASTER CONTROL KNOB Controls the overall level of the signal coming out of the Aux Output (31). This Auxiliary output is typically fed to a power amplifier to drive stage monitors so singers can hear themselves amidst amplified instruments, or to a headphone amplifier to give vocalists a monitor feed that will not be picked up by microphones while recording. AUX MASTER SOLO BUTTON AND LED Allows you to listen to just the Auxiliary mix. The setting of the AUX MASTER knob determines the level you will hear when this button is pressed. EFX RETURN SOLO BUTTON AND LED Allows you to listen to just the effects return. The setting of the Return to Main knob determines the level you will hear when this button is pressed. RETURN TO AUX CONTROL KNOB This control determines the level of the internal digital effects processor being sent to the Aux output. One possible use is to put reverb in the headphones of a vocalist, to give them a confidence boost for recording, without putting any reverb on the actual recorded track. Or in a live situation, the same can be done by feeding a delay or reverb to the monitors. EFX RETURN TO MAIN This control determines the level of the internal digital effects processor being sent to the main L and R outputs. EFX MUTE BUTTON AND LED/CLIP LED When depressed, the output of the internal digital effects is shut off. Muting the effects is an easy way to determine what a particular effect is doing to your mix. LED remains lit when EFX MUTE is engaged. When EFX MUTE is not engaged, this LED functions as a clip indicator for the internal digital effects. If the digital effects are clipping, reduce the level of the EFX SEND pots. PV14AT/PV14BT Front Panel 58 59 60 61 62 STEREO/MONO MODE SWITCH In the mono position, the left and right buses are summed together after the faders. In this position, the L fader controls the level of the L bus, and the R fader controls the level of the R bus, allowing you to use the L and R buses as groups. For example, all vocals could be panned L and all instruments panned R. Then the L fader becomes the vocal master level and the R becomes the instruments master level. MIC MUTE BUTTON AND LED Depressing this button mutes all of the mic inputs channels (1-4) and the effects return. The media input channels are still "live". This allows you to play break music, while muting all of the microphone inputs. MAIN LEVEL FADERS The Master Faders control the levels sent to the Main Left/Right outputs (34, 35). Best results are obtained when these controls are set near the midpoint of the enclosed rectangle. MAIN L+R METER ARRAY Displays the level of the L and R outputs, or, when solo is active, displays the soloed channel(s). The top green LED corresponds to an output level of +4dBu. The red LED is a clip warning indicator. The range of the meter is from -29 dBu to +15 dbu. MAIN SOLO LED Lights when any solo button is pushed, to indicate that the solo system is active.
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low high MID-MORPH 0
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low high MID-MORPH 0
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low high MID-MORPH 0
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low high MID-MORPH 0 min
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MID 0 max min
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MID 0 max Press to Select EFFECts media Press to Select or edit MEDIA SELECT EFX SELECT PV14AT/PV14BT Front Panel
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LOW max min min min
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LOW EQ BYPASS 63 max min max
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LOW EQ BYPASS
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LOW EQ BYPASS
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LOW EQ BYPASS KOSMOS-C HIGH CONTROL A very selective high frequency filter with a high Q. The effect varies with source material, so some experi-
mentation is required for optimum results. USB MEDIA PLAYBACK
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LOW SOLO max max max min min min AUX 64 max min EFX c max min max min max min max min max min max min max AUX AUX AUX AUX AUX MASTER KOSMOS-C LOW CONTROL This Kosmos-C Low enhancement works by creating harmonics of signals in the bottom ocave, where speakers are usually ineffective. The harmonics are more easily reproduced, resulting in a perception of stronger bass. The effect is source dependent; obviously a source with little energy in the bottom octave will not create booming bass. min max RETURN TO AUX R L DIGITAL MEDIA CHANNEL ANALOG MEDIA CHANNEL max min RETURN TO MAIN EFX EFX EFX SOLO max max max min min min c c c c c EFX MUTE STEREO MONO
(SUM) left CLIP R L 65 PAN right MUTE left right R L PAN R L R KOSMOS-C ENABLE PAN BAL Allows you to easily A/B the effects of your Kosmos Settings. R L PAN R BAL MUTE MUTE MUTE MUTE right right right CLIP CLIP CLIP CLIP CLIP left left left left L L right MUTE MIC MUTE AUX min HIGH max EFX min LOW max ENABLE KOSMOS-C HEADPHONE/
SOLO/MAIN DIGITAL EFFECT/MEDIA PLAYBACK SIGNAL 66 SIGNAL SIGNAL SIGNAL SIGNAL SIGNAL 2 HEADPHONE SOLO/MAIN LEVEL 1 4 Controls the level of the headphones. The headphone is normally fed by the main outs, unless the solo system is active. Always start with the headphone level at "min" to avoid hearing damage. 5/6 7/8 3 min LEVEL max min LEVEL max min LEVEL max min LEVEL max min LEVEL max min max LEVEL L SOLO R SOLO SOLO 1 SOLO 2 SOLO 3 SOLO 4 5/6 SOLO 7/8 MAIN L+R max min LEVEL SOLO/MAIN 63 64 65 66 PV14AT/PV14BT Rear Panel 67 68 69 DIGITAL AUDIO PORT POWER ON COMPUTER 67 DC POWER INLET Use to connect the included power supply. Be sure the power supply is connected to the PV14 before connecting to a power source. Use 15VDC, 1.6A adapter only. Replace only with Peavey part number 30908112. 68 69 POWER SWITCH This is the main power switch. USB PORT TYPE B The USB port is used to connect the PV Series USB mixer to a computer for recording or playing back digital audio to/from your computer. The USB port sends the mixers main/tape stereo out to the computer. The USB port receives digital audio from the computer; it can then be assigned through the selector switch (27) to the main left/right output, if the computer is being used for playback only. For recording, use the USB TO CONTROL ROOM control (47), to avoid creating a loop. Compatible with Windows Vista, Windows 7, & Windows 8, Mac OS X 10.0 or later, and iOS devices. Block Diagram-PV14 1 2 3 4 l
) s e d o M T A
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B m R l o r t n o C t u O d r o c e R e n o h p d a e H l o o S e n o h p d a e H l e v e L A m R l o r t n o C t
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B u O d r o c e R B A
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t c e e S l l e v e L m R l o r t n o C d r o c e R l e v e L X U A T U O 1 2 3 t u p t l o o S u O g n m a e r t i S B B S U o T d r o c e R l e v e L T H G R I T U O 1 2 3 H G H I W O L r e t s a M t h g R i T F E L T U O 1 2 3 t f e L r e t s a M o n o M C
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S O M S O K E L B A N E S O M S O K E T U M I C M
(
s s a p y B e n u T o t u A
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R I H C T W S T O O F e t u M X F E
=
T T A E F E D X F E E T U M R E Y A L P A D E M I S T C E F F E R O T C E L E S X F E I A D E M R O T C E L E S I P L C n I X F E I C M E T U M t u O X F E l o o S n r u t e R X F E i s n a M o T t n r u e R X F E X U A o T I P L C L A N G S I l o o S X F E E C N A L A B X U A l o o S t e u M Q E Q E L E V E L I H I D M O L SOLO AUX EFX Right Left Right 1-8 Left 1-8 I P L C L A N G S I N A P X F E X U A I P L C L A N G S I N A P X F E X U A I P L C L A N G S I X F E X U A E C N A L A B L E V E L t e u M I H I D M O L Q E Q E e t u M L E V E L l o o S t e u M L E V E L l o o S E N U T
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O T U A Q E s s a p y B I H H P R O M D M
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I z H k 4 F F O N O
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Q E O L l y n O 4
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1 P M O C h C E R P C M I Y L N O 4
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1 H C z H k 2 1 z H 0 0 4 z H 0 8 S S A P I H t t u p u O t c e r i D l d o h s e r h T i n a G Y L N O 4
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1 H C z H k 2 1 z H 0 0 4 z H 0 8 S S A P I H E N U T
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O T U A Q E s s a p y B I H H P R O M D M
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I z H k 4 F F O N O
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Q E P M O C l y n O 4
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1 h C O L r a n I t i u G r a t i u G Q E E R P C M I t u p t u O t c e r i D l d o h s e r h T i n a G V 8 4
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F F O N O
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e l t i T I L A T N E D F N O C I D C B A D C B A PV14 Specifications Mic pre EIN = -126 dBu @ max gain with 150 ohm source Inputs Function Microphone
(150 ohms) Input Z
(ohms min) 2 k Input Gain Setting Max Gain
(59 dB) Line
(10 k ohms) Line 4 TS, GTR SHAPE ON Stereo Input 5/6 10 k 1 Meg @ 200 Hz, like 12AX7 input. 10 k Min Gain
(4 dB) Max Gain
(40 dB) Min Gain
(-15 dB) Max Gain (18 dB) Nominal Stereo Input 9/10 6.8 k Max Gain ( 18 dB) 3.5mm, RCA 2.8 k Max Gain (18 dB) Nominal Nominal Min**
-71 dBu
-17 dBu
-52 dBu Input Levels Nominal*
-51 dBu
+5 dBu
-32 dBu Max
-39 dBu
+16 dBu
-20 dBu
+2 dBu
+23 dBu
> +32 dBu
-31 dBu
-13 dBu
-23 dBu
-15 dBu
-43 dBu
-24 dBu
-12 dBu
+6 dBu
-13 dBu
-5 dBu
-23 dBV
-5 dBu
+1 dBu
+19 dBu
+3dBu
+12 dBu
-10 dBu
+8 dBu Bal/
Unbal Bal Bal Unbal Unbal Connector XLR Pin 1 Gnd Pin 2 (+) Pin 3 (-) 1/4" TRS;
Tip (+) Ring (-) Sleeve Ground 1/4" TS;
Tip (+) Sleeve Ground 3.5mm; Tip=L, Ring
= R, Sleeve Ground RCA: Tip (+), Sleeve Ground 0 dBu=0.775 V (RMS)
** Min Input Level (sensitivity) is the smallest signal that will produce nominal output (+4 dBu) with channel and master faders set for maximum gain.
* Nominal settings are defined as all controls set at 0 dB (or 50% rotation for rotary pots) except the gain adjustment pot which is as specified. Outputs Function Min Load Z
(ohms) Output Levels Max Nominal Bal/
Unbal Connector Main Left/Right 600
+4 dBu
+20 dBu Bal Effects and Monitor Sends Control Room Headphone 600 600 8
+4 dBu
+4 dBu
+20 dBu
+20 dBu
+4 dBu (no load)
+20 dBu Bal Unbal Unbal 0 dBu=0.775 V (RMS) XLR Pin Ground Tip Pin 2 (+), Pin 3 (-) 1/4" TRS: Tip (+), Ring (-) Sleeve Ground 1/4" TRS: Tip (+), Ring (-) Sleeve Ground RCA: Tip (+), Sleeve Ground 1/4" TRS; Tip Left, Ring Right Sleeve Ground Gain Mic Input Gain Adjustment Range:
Mic Input to Left/Right Balance Output Line Input Gain Adjustment Range:
Line Input to Left/Right Balance Output Stereo 5/6 1/4" Gain Adjustment Range:
Stereo 5/6 1/4"to Left/Right Output Stereo 5/6 3.5mm / RCA Gain Adjustment Range:
Stereo 5/6 3.5mm / RCA to Left/Right Output:
Stereo 9/10 Gain Adjustment Range:
Stereo 9/10 to Left/Right Output 4 dB to 59 dB 79 dB (max gain)
-16 dB to 40 dB 60 dB (max gain) Off to +18 dB 42 dB (max gain) Off to +28 dB 47 dB (max gain) Off to +18 dB 28 dB (max gain) Frequency Response Mic Input to Left/Right Output, Max Input Gain Mic Input to Left/Right Output, input gain 12:00 Total Harmonic Distortion
<0.006% Typical, Mic to Left/Right Output 14 Hz to 25 kHz +0 dB/-1 dB 9.5 Hz to 29 kHz +0 dB/-0.8 dB
(22 Hz to 22 kHz BW) Hum and Noise Output Residual Noise S/N Ratio (Ref: +4dBu) Test Conditions Master Left/Right
-97 dBu
-90 dBu
-83 dBu Monitor Send
(Hum and noise measurements: 22 Hz to 22 kHz BW)
-95 dBu
-80 dBu 101 dB 94 dB 87 dB 99 dB 84 dB Master Fader Down, Channel Levels Down Master Fader Nominal, Channel Levels Down Master Fade Nominal, Channel Faders Nominal, Panned Odd Channels (left), Even Channels
(right) All controls off All channel sends nominal, masters nominal Equivalent Input Noise
-128 dBu (input terminated with 150 ohms, bandwidth 20 kHz) Crosstalk/Attenuation Adjacent Input Channels (1 kHz) >90 dB Left to Right Outputs (1 kHz) >70 dB Common Mode Rejection Ratio (Mic Input) 50 dB minimum (20 Hz to 20 kHz) 70 dB typical @ 1 kHz Meters 12 segment, peak reading (top green LED = +4 dBu) Dimensions 16.1875" wide x 17.3" deep x 2.1875" high
(41.12 cm wide x 43.94 cm deep x 5.56 cm high) Mute Button Attenuation (1 kHz) >90 dB Channel Fader Kill (1 kHz) >85 dB Signal/Overload Indicators Red LED lights 5 dB below clipping Weight Power Requirements PV14BT: 12.12 lbs (5.50 kg) PV14AT: 12.16 lbs (5.52 kg) 100-240 VAC 50/60 Hz 24 Watts PEAVEY ELECTRONICS CORPORATION LIMITED WARRANTY Effective Date: 11/01/2011 What This Warranty Covers Your Peavey Warranty covers defects in material and workmanship in Peavey products purchased and serviced in the U.S.A. and Canada. What This Warranty Does Not Cover The Warranty does not cover: (1) damage caused by accident, misuse, abuse, improper installation or operation, rental, product modification or neglect; (2) damage occurring during shipment; (3) damage caused by repair or service performed by persons not authorized by Peavey; (4) products on which the serial number has been altered, defaced or removed; (5) products not purchased from an Authorized Peavey Dealer. Who This Warranty Protects This Warranty protects only the original purchaser of the product. How Long This Warranty Lasts The Warranty begins on the date of purchase by the original retail purchaser. The duration of the Warranty is as follows:
Product Category Guitars/Basses, Amplifiers, Preamplifiers, Mixers, Electronic Crossovers and Equalizers Drums Enclosures Digital Effect Devices and Keyboards and MIDI Controllers Microphones Speaker Components
(incl. Speakers, Baskets, Drivers, Diaphragm Replacement Kits and Passive Crossovers) Tubes and Meters Cables AmpKit Link, Xport, Rockmaster Series, Strumn Fun, RetroFire, GT & BT Series Amps Marvel Jr. Guitar Duration 2 years *(+ 3 years) 2 years *(+ 1 year) 3 years *(+ 2 years) 1 years *(+ 1 year) 2 years 1 year 90 Days Limited Lifetime 1 year 90 Days
[* Denotes additional Warranty period applicable if optional Warranty Registration Card is completed and returned to Peavey by original retail purchaser within 90 days of purchase.]
What Peavey Will Do We will repair or replace (at Peaveys discretion) products covered by Warranty at no charge for labor or materials. If the product or component must be shipped to Peavey for Warranty service, the consumer must pay initial shipping charges. If the repairs are covered by Warranty, Peavey will pay the return shipping charges. How To Get Warranty Service
(1) Take the defective item and your sales receipt or other proof of date of purchase to your Authorized Peavey Dealer or Authorized Peavey Service Center. OR
(2) Ship the defective item, prepaid, to Peavey Electronics Corporation, International Service Center, 412 Highway 11 & 80 East, Meridian, MS 39301. Include a detailed description of the problem, together with a copy of your sales receipt or other proof of date of purchase as evidence of Warranty coverage. Also provide a complete return address. Limitation of Implied Warranties ANY IMPLIED WARRANTIES, INCLUDING WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED IN DURATION TO THE LENGTH OF THIS WARRANTY. Some states do not allow limitations on how long an implied Warranty lasts, so the above limitation may not apply to you. Exclusions of Damages PEAVEYS LIABILITY FOR ANY DEFECTIVE PRODUCT IS LIMITED TO THE REPAIR OR REPLACEMENT OF THE PRODUCT, AT PEAVEYS OPTION. IF WE ELECT TO REPLACE THE PRODUCT, THE REPLACEMENT MAY BE A RECONDITIONED UNIT. PEAVEY SHALL NOT BE LIABLE FOR DAMAGES BASED ON INCONVENIENCE, LOSS OF USE, LOST PROFITS, LOST SAVINGS, DAMAGE TO ANY OTHER EQUIPMENT OR OTHER ITEMS AT THE SITE OF USE, OR ANY OTHER DAMAGES WHETHER INCIDENTAL, CONSEQUENTIAL OR OTHERWISE, EVEN IF PEAVEY HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. Some states do not allow the exclusion or limitation of incidental or consequential damages, so the above limitation may not apply to you. This Warranty gives you specific legal rights, and you may also have other rights which vary from state to state. If you have any questions about this Warranty or services received or if you need assistance in locating an Authorized Service Center, please contact the Peavey International Service Center at (601) 483-5365. Features and specifications are subject to change without notice. Logo referenced in Directive 2002/96/EC Annex IV
(OJ(L)37/38,13.02.03 and defined in EN 50419: 2005 The bar is the symbol for marking of new waste and is applied only to equipment manufactured after 13 August 2005 U.S. CUSTOMER WARRANTY REGISTRATION Optional Product Extended Warranty Registration Give us some information and put your extended warranty into effect!
Please take a few minutes to fill out this information/survey sheet to help us get to know and serve you better. To save time, submit your warranty registration online at www.peavey.com/support/warrantyregistration 1. 7. How did you learn about this Peavey product? (select best answer) First Name Initial Last Name Street Address City State/Province Postal Code Magazine review Newspaper review Radio advertisement Advertised special Friend/Relatives recommendation Salespersons recommendation Teachers recommendation Catalog or flyer Saw in store Use by professional Other 8. Which other brands/models did you consider?
( ) Telephone Number
( ) Fax Number Gender M F 2. Model E-mail Address
- -
Date of birth 9. How would you describe your level of musicianship/technical expertise?
Beginner - Never played or taken less than one (1) year of lessons Intermediate - One (1) to five (5) years of lessons or playing Advanced - More than five (5) years of lessons or playing; play professionally Serial #
10. Education: (select best answer) High school Some college Completed college Graduate school Date of Purchase Price Paid 3. Name of store where purchased City State 4. Top two (2) reasons why you purchased from this store/dealer:
Availability of product Friend/Relatives recommendation Store credit card Knowledgeable staff Availability of lessons Technical instruction Past favorable experience Best price Advertised special Convenient location Received as a gift Other 5. Where do you most often shop for music and sound products?
Independent retailer Mass market retailer Mail order magazines Newspaper ads Internet/Web sites Other 6. What two (2) factors most influenced your purchase of this product?
Peavey brand name Craftsmanship Features for price Bundled accessories Sound quality Product appearance Durability Prior experience with Peavey Packaging Other 11. Which best describe your family income? (select best answer) Under $15,000
$15,000 - $24,999
$25,000 - $34,999
$35,000 - $49,999
$50,000 - $74,999
$75,000 - $99,999
$100,000 - $149,999 Over - $150,000 12. Which of the following is your primary source of information on musical products: (select best answer) Television Radio Internet Newspaper Magazines Mail order catalogs Direct mail Literature from manufacturer Other 13. What is your main motivation for buying new equipment?
Replacing old product Want new and leading edge equipment Fullfill a specific need Supplement existing products Value Impulse Need for improved performance New technology Availability of product Other 14. Please list your three most frequently visited Web sites. 1. http://__________________________________________ 2. http://__________________________________________ 3. http://__________________________________________ 15. In your opinion, what could Peavey do to improve its products and/or service? Please use the space below to tell us your answer. Revised 1/11 Thank you for taking the time to fill out our survey! Dont forget to fold and tape
(with Peavey address facing out), affix postage stamp and drop in the mail!
Logo referenced in Directive 2002/96/EC Annex IV
(OJ(L)37/38,13.02.03 and defined in EN 50419: 2005 The bar is the symbol for marking of new waste and is applied only to equipment manufactured after 13 August 2005 Meridian, Ms 39305 5022 Hartley Peavey Drive Attn: Warranty Department Corporation Peavey Electronics Here Postage Place FROM:
frequency | equipment class | purpose | ||
---|---|---|---|---|
1 | 2015-06-09 | 2402 ~ 2480 | DSS - Part 15 Spread Spectrum Transmitter | Original Equipment |
app s | Applicant Information | |||||
---|---|---|---|---|---|---|
1 | Effective |
2015-06-09
|
||||
1 | Applicant's complete, legal business name |
Peavey Electronics Corporation
|
||||
1 | FCC Registration Number (FRN) |
0015166630
|
||||
1 | Physical Address |
5022 Hartley Peavey Drive
|
||||
1 |
Meridian, MS
|
|||||
1 |
United States
|
|||||
app s | TCB Information | |||||
1 | TCB Application Email Address |
j******@eurofins.de
|
||||
1 | TCB Scope |
A4: UNII devices & low power transmitters using spread spectrum techniques
|
||||
app s | FCC ID | |||||
1 | Grantee Code |
I4S
|
||||
1 | Equipment Product Code |
PV14
|
||||
app s | Person at the applicant's address to receive grant or for contact | |||||
1 | Name |
L**** B****
|
||||
1 | Title |
Product Compliance Manager
|
||||
1 | Telephone Number |
60148********
|
||||
1 | Fax Number |
60148********
|
||||
1 |
l******@peavey.com
|
|||||
app s | Technical Contact | |||||
n/a | ||||||
app s | Non Technical Contact | |||||
n/a | ||||||
app s | Confidentiality (long or short term) | |||||
1 | Does this application include a request for confidentiality for any portion(s) of the data contained in this application pursuant to 47 CFR § 0.459 of the Commission Rules?: | Yes | ||||
1 | Long-Term Confidentiality Does this application include a request for confidentiality for any portion(s) of the data contained in this application pursuant to 47 CFR § 0.459 of the Commission Rules?: | No | ||||
if no date is supplied, the release date will be set to 45 calendar days past the date of grant. | ||||||
app s | Cognitive Radio & Software Defined Radio, Class, etc | |||||
1 | Is this application for software defined/cognitive radio authorization? | No | ||||
1 | Equipment Class | DSS - Part 15 Spread Spectrum Transmitter | ||||
1 | Description of product as it is marketed: (NOTE: This text will appear below the equipment class on the grant) | Audio Mixer | ||||
1 | Related OET KnowledgeDataBase Inquiry: Is there a KDB inquiry associated with this application? | No | ||||
1 | Modular Equipment Type | Does not apply | ||||
1 | Purpose / Application is for | Original Equipment | ||||
1 | Composite Equipment: Is the equipment in this application a composite device subject to an additional equipment authorization? | No | ||||
1 | Related Equipment: Is the equipment in this application part of a system that operates with, or is marketed with, another device that requires an equipment authorization? | No | ||||
1 | Grant Comments | Output power listed is conducted. The antenna(s) used for this transmitter must not be co-located or operating in conjunction with any other antenna or transmitter except for the co-location described in this filing. | ||||
1 | Is there an equipment authorization waiver associated with this application? | No | ||||
1 | If there is an equipment authorization waiver associated with this application, has the associated waiver been approved and all information uploaded? | No | ||||
app s | Test Firm Name and Contact Information | |||||
1 | Firm Name |
DEKRA Testing and Certification (Suzhou) Co., Ltd.
|
||||
1 | Name |
J******** P******
|
||||
1 | Telephone Number |
86-51******** Extension:
|
||||
1 | Fax Number |
86-51********
|
||||
1 |
j******@quietek.com.cn
|
|||||
Equipment Specifications | |||||||||||||||||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Line | Rule Parts | Grant Notes | Lower Frequency | Upper Frequency | Power Output | Tolerance | Emission Designator | Microprocessor Number | |||||||||||||||||||||||||||||||||
1 | 1 | 15C | 2402.00000000 | 2480.00000000 | 0.0019000 | ppm |
some individual PII (Personally Identifiable Information) available on the public forms may be redacted, original source may include additional details
This product uses the FCC Data API but is not endorsed or certified by the FCC