PSM900 Personal Monitor System User Guide level L R CLIP level L R CLIP menu sync volume power menu sync sync volume power sync Pat. 6597301;
Pat. App. Pending Pat. 6597301;
Pat. App. Pending
>>SE425
>>P9R
>>P9T 2010 Shure Incorporated Printed in U.S.A. 27A12695 (Rev. 1) ii ENGLISH WARNING!
USING THIS SYSTEM AT EXCESSIVE VOLUMES CAN CAUSE PERMANENT HEARING DAMAGE. USE AS LOW A VOLUME AS POSSIBLE. In order to use this system safely, avoid prolonged listening at excessive sound pressure levels. Please use the fol-lowing guidelines established by the Occupational Safety Health Administration (OSHA) on maximum time exposure to sound pressure levels before hearing damage occurs. 90 dB SPL at 8 hours 95 dB SPL at 4 hours 100 dB SPL at 2 hours 105 dB SPL at 1 hour 110 dB SPL at 1/2 hour 115 dB SPL at 15 minutes 120 dB SPL avoid or hearing damage may occur It is difficult to measure the exact Sound Pressure Levels (SPL) present at the eardrum in live applications. In addition to the volume setting on the PSM, the SPL in the ear is affected by ambient sound from floor wedges or other devices. The isolation provided by the fit of quality earphones is also an important factor in determining the SPL in the ear. Here are some general tips to follow in the use of this product to protect your ears from damage:
1. Turn up the volume control only far enough to hear properly. 2. Ringing in the ears may indicate that the gain levels are too high. Try lowering the gain levels. 3. Have your ears checked by an audiologist on a regular basis. If you experience wax buildup in your ears, stop using the sys-
tem until an audiologist has examined your ears. 4. Wipe the earphones with an antiseptic before and after use to avoid infections. Stop using the earphones if they are causing great discomfort or infection. This symbol indicates important operating and maintenance instructions in the literature accompanying this unit. iii PSM900 The PSM 900 Wireless Personal Monitor System from Shure of-
fers an unprecedented combination of superb audio quality, robust RF performance, and category-leading setup features for the most demanding professional applications. All new, patent-pending CueMode allows the sound engineer to monitor different stage mixes with the touch of a button. Precision front-end RF filtering signifi-
cantly reduces dropouts from RF interference, and the enhanced digital stereo encoder provides excellent stereo separation and audio clarity. Superb audio quality Digital stereo encoder provides a wider stereo field with exceptional separation, enhancing audio detail and clarity Patented Audio Reference Companding sounds more like wired Available with Shure SE425 Sound Isolating Earphones featuring dual high-definition MicroDrivers for accurate and balanced audio response Robust RF Performance Precision front-end RF filtering for a cleaner, stronger RF signal and fewer dropouts and audible artifacts. Exceptional transmitter linearity vastly reduces frequency intermodulation, allowing more channels per frequency band. Automatic RF gain control prevents signal distortion due to RF overload. Advanced Setup and Operation Patent-pending CueMode allows monitoring of the stage mixes of up to 20 separate transmitters from one bodypack. Front panel RF mute switch for disabling RF transmission during setup Scan and Sync setup identifies the best group and channel for your system and assigns it over a wireless IR link MixMode Technology allows the bodypack user to adjust their own onstage monitor mix High-frequency EQ boost on bodypack Components Rack unit with mounting hardware and detachable antenna. Bodypack with detachable antenna. UA506 1/2 RACK MOUNT HARDWARE UA507 FULL RACK MOUNT HARDWARE Features Frequency Scan The scan feature analyzes the RF environment for interference to identify available frequencies. The PSM900 has two frequency scan modes:
Channel Scan Press the scan button on the bodypack. Finds the first available channel. Group Scan Press and hold the scan button for two seconds. Finds the group with the greatest number of available channels. (Each group contains a set of frequencies that are compatible when operating multiple systems in the same environment.) Sync The PSM900 transfers settings in either direction:
from the bodypack to the rack unit, or from the rack unit to the bodypack. Sending settings to the bodypack: Align the IR windows and press the sync button on the rack unit. The blue LED on the bodypack flashes. Downloading settings from the bodypack:
First press the scan button on the bodypack. Then align the IR windows and press the sync button on the rack unit while the bodypack display is flashing SYNC NOW.... The level LEDs flash on the rack unit. MixMode Some performers need to hear more of their own voice or instrument, while others want to hear more of the band. With MixMode, the performer creates their own mix using the balance control
( buttons) on the bodypack. To use MixMode, send a solo mix of the perform-
er to the CH. 1 IN input on the transmitter, and send a band mix to the CH. 2 IN input. Set the performers bodypack for MixMode. The bodypack combines the two signals and sends them to both earphones, while the balance control on the bodypack adjusts the relative levels for each. CueMode CueMode allows you to upload the name and fre-
quency settings from multiple rack units and store them as a list on a single bodypack. You can then, at any time, scroll through that list to hear the audio mix from each transmitter, just as each performer does during a show. CueMode lists are retained even if CueMode is exited, the bodypack is turned off, or batteries are removed. LOOP Applications Use LOOP OUT L (left) and R (right) outputs to send a copy of the audio signal going into the transmit-
ter to other devices. Following are a few of the many applications for these outputs. Note: The input level control and the input pad do not affect the LOOP OUT signals. Stereo for Multiple Systems Send one stereo signal from the mixing console the inputs on the first transmitter, then connect the LOOP outputs to the inputs on the next transmit-
ter. Repeat for all transmitters to form a chain. Floor Monitors Send the audio from the LOOP outputs to onstage loudspeakers. The bodypack and the onstage monitors receive the same audio signals. Recording Devices To record a performance, connect the LOOP out-
puts to the inputs of a recording device. level L R CLIP menu sync volume power level L R CLIP menu sync volume power sync sync Pat. 6597301;
Pat. App. Pending Pat. 6597301;
Pat. App. Pending 2 Controls and Connectors P9T level L R clip PSM 900 Transmitter P9T menu sync volume L6E 656-692 MHz power enter exit sync P9R Front Panel Controls Input Level Control and Display Use the buttons to adjust the audio so that, for the average input signal level, the top two yellow LEDs flicker and the lower LEDs are solid. The red clip LED indicates the inputs are overdriven. Reduce the level at the audio source or change the input sensitivity of the rack unit from the AUDIO>INPUT menu. Status Display and Menu Controls Use the enter and exit buttons and the menu wheel to access the configuration menu. Push the menu wheel to move the cursor to the next item. Turn the menu wheel to change a parameterthe enter button flashes. Press it to save the value. Press the exit button to cancel changes and return to the previous menu. Synchronization Button Press the sync button while rack unit and bodypack IR windows are aligned to transfer settings. Headphone Monitoring The volume control adjusts signal output to the 3.5 mm headphone jack. NOTE: it does not affect rear panel outputs. RF switch mutes RF output. For setting up multiple systems or adjusting settings without transmitting unwanted RF or audio signals. Power Button Turns the unit on and off. PSM 900 Transmitter P9T www.shur e.com 14-18V 550mA DC INPUT L LOOP OUT R LEFT/CH. 1 IN RIGHT/CH. 2 IN ANTENNA Rear Panel Connectors Power Connect the transmitter to a power outlet using the supplied power adapter. LOOP OUTSends a copy of the audio signal going into the transmitter to another device. See LOOP Applications. Audio Inputs Connect to balanced or unbalanced outputs. Use either connector for mono input. Accepts both 1/4-inch or male XLR connectors. Antenna (BNC) Attach supplied antenna. If you are rack mounting, use a front panel or remote mounting kit from Shure. Bodypack Receiver Power Switch and Volume Control Turns the bodypack on and off and adjusts earphone volume. 3.5 mm Earphone Jack Insert earphones here. Scan Button Press the scan button to find an available frequency. Press and hold for two seconds to find the group with the most available channels. IR Window For transmitting settings between bodypack and rack unit. Battery Compartment Requires 2 AA batteries. Open by pressing the latches on both sides and pulling. Menu buttons Use in conjunction with the buttons to access the configuration menus. Buttons Use to adjust the audio mix (in MixMode only), or in conjunction with the menu buttons to change settings. LCD Screen Displays current settings and menus. Tri-Color Battery LED illuminates green, orange, red, or flashing red, to indicate battery power. When flashing red, change batteries immediately. Blue RF LED Indicates the bodypack is receiving a signal from the transmitter. Detachable Antenna SMA Connector Battery Indicator Tri-Color Battery LED Approximate Hours Remain-
ing Alkaline Green Green Green Green Orange Red 57 34 33 22 1 NiMH (2450 mAh) 4 33 12 0 0 3 Quickstart Instructions Bodypack Insert batteries and attach antenna. Turn on using the volume knob. The battery light illuminates. Rack Unit 1. Connect to a power outlet using the supplied 2. Attach the supplied antenna to the ANTENNA 3. Connect the audio source, such as the output power adapter. OUT BNC connector. of a mixer, to the audio inputs. You can use both input jacks or choose either one for a mono source. For mono (one input), access the AUDIO menu and select MONO. Set the input sensitivity to match the source by selecting AUDIO>INPUT from the LCD con-
figuration menu: AUX 10dBV or LINE+4dBu. 4. Turn the power ON. Make sure the RF switch is OFF. 5. Adjust the audio source level so that, for the average input signal level, the top two yellow LEDs flicker and the lower LEDs are solid. If the red clip LED illuminates, the inputs are overdriven. Decrease the level using the buttons or change the input sensitivity to 10 dBV. If the signal level is too low, change the input sensitivity to +4dBu. Multiple System Setup When setting up multiple systems, designate a single bodypack to scan for available frequencies and download them to all the rack units. The bodypack must be from the same frequency band as all the transmitters. 1. Power on all the rack units. Turn off the RF.
(This prevents them from interfering with the frequency scan.) Note: Turn on all other wireless or digital de-
vices as they would be during the performance or presentation (so the scan will detect and avoid any interferance they generate). 2. Use the bodypack to scan for a group by pressing and holding the scan button for two seconds. The bodypack displays the group and the number of available channels, and flashes SYNC NOW.... Important: Note the number of available channels. If you have more rack units than available channels, eliminate potential sources of interference and try again, or call Shure Applications for assistance. 3. Sync the bodypack with the first rack unit by aligning the IR windows and pressing sync. 4. Press scan again on the bodypack to find the next available frequency. 5. Sync the bodypack with the next rack unit. 6. Repeat with all the rack units. 7. Sync each performers bodypack to its respec-
tive rack unit by aligning the IR windows and pressing snyc. DO NOT press scan on the bodypacks. are ready to use. 8. Turn on the RF on all rack units. The systems Scan and Sync 1. Press the scan button. The display flashes SYNC NOW.... 2. Align the IR windows on the bodypack and rack unit and press the sync button. The rack unit level LEDs flash, and it displays SYNC SUCCESS. 3. Turn the RF switch on. The blue RF LED il-
luminates on the bodypack to indicate that it is detecting the transmitter. The bodypack also displays the RF signal strength (RF). 4. IMPORTANT: Turn bodypack volume down before plugging in earphones. 5. Insert the earphones and slowly turn up the volume. MixMode for Multiple Systems Configure each system for MixMode. From the mixing console, send a mix of the whole band to input 2 of the first transmitter. Connect the LOOP OUT R output to the CH. 2 IN input of the next transmitter. Continue the chain with all the transmitters. Next, create solo mixes for each performer. Send each mix to input 1 of the transmitter for that performer. CueMode Note: Set the channel frequency and assign dis-
play names for each transmitter before creating your CueMode list. Adding Transmitters to the CueMode List Note: The transmitter must be from the same fre-
quency band as the bodypack. 1. Open the battery door and press the enter button. 2. From the main menu, scroll to UTILITIES and press enter. Select CueMode and press enter again. 3. Align IR windows and press sync on the rack unit. The LCD displays SYNC SUCESS after fre-
quency and name data are uploaded to the CueMode list. It also displays the CueMode number for that transmitter and the total num-
ber of transmitters. 4. Repeat the above step for each transmitter. Note: Syncing while in CueMode does not change any of the settings on the bodypack. Auditioning Mixes 1. Enter CueMode from the UTILITIES menu. 2. Use the buttons to scroll through your CueMode list to hear the mixes. Exiting CueMode Exit CueMode by pressing enter and selecting EXIT CUEMODE. Managing CueMode Mixes While in Cue Mode, you can access the following menu by pressing enter:
REPLACE MIX Select and press sync on a rack unit to upload new data for the current mix (for example, if you have changed the transmitter frequency). DELETE MIX Removes the selected mix. DELETE ALL Removes all mixes. EXIT CUEMODE Exits CueMode and returns the bodypack to the previous frequency setting. 4 Configuration Menu Press enter to access settings. After adjusting a setting, press enter to accept the change. Note: Configuration menu items may vary with regional model variations. P9T Rack Unit Transmitter RF Settings RADIO G CH 888.888MHz RF POWER Sets the group number Sets the channel number Manual frequency selection Select from 10, 50, or 100 mW (varies by region) RF Settings RADIO G CH 888.888MHz Audio Settings AUDIO MODE INPUT Selects monitor mode STEREO/MX MONO Transmits both channels Transmits a mono signal to bodypack Sets nominal input level LINE +4 dBu AUX 10dBV line level aux level Audio Settings AUDIO MODE HIBOOST V LIMIT Utilities and Display Settings UTILITIES EDIT NAME DISPLAY CONTRAST LOCK PANEL RX SETUP CUSTOM GROUP Changes the name on the LCD display (this name is uploaded to the bodypack with sync) Changes the display format Changes the display contrast Press enter to lock the front panel controls. To un-
lock, press exit, select OFF, and press enter. These settings are sent to the bodypack during a sync (when the sync direction is from the transmit-
ter). The default KEEP parameter will not change the bodypack settings. LOCK V LIMIT LIM VAL MODE BAL MX Lock bodypack Volume limiter Volume limiter value Stereo (ST) or MixMode (MX) CH. 1 (L) and CH. 2 (R) mix for MixMode Left (L) and right (R) balance for stereo mode high frequency boost HIBOOST For creating custom frequency groups BAL ST P9R Bodypack Receiver Sets the group number Sets the channel number Manual frequency selection Stereo MixMode Selects monitor mode STEREO MIXMODE High-frequency EQ boost OFF flat 6 dB
+6 dB @ 10 kHz 3 dB
+3 dB @ 6 kHz ON VALUE Limits volume level 59: analogous to volume knob position (for example, 5 is equal to the 5th dot on the volume knob) BAL ST / BAL MX Left and right balance for earphones when in stereo mode, or mix of left and right channel for MixMode Utilities and Display Settings UTILITIES CUEMODE DISPLAY CONTRAST LOCK PANEL Enters CueMode
(to exit, press enter and select EXIT CUEMODE) Changes the dis-
play format Changes the dis-
play contrast Locks all controls except power and volume. To unlock, press exit, select OFF, and press enter. 5 P9T RF Output Power selectable: 10, 50, 100 mW (+20 dBm) varies by region Antenna Input Impedance 50 (typical) Net Weight 850 g Dimensions 197 mm X 166 mm X 42 mm Power Requirement (RF on, 100 mW power mode, no audio) 120 VAC: 415 mA, typical Audio Inputs Combination XLR and 6.35 mm (1/4) TRS Polarity XLR: Non-inverting (pin 2 positive with respect to pin 3) 6.35 mm (1/4) TRS: Tip positive with respect to ring Configuration Electronically balanced Impedance 70.2 k (actual) Nominal Input Level switchable: +4 dBu, 10 dBV Maximum Input Level
+4 dBu: +23.3 dBu 10 dBV: +12.5 dBu Pin Assignments XLR: 1=ground, 2=hot, 3=cold 6.35 mm (1/4) TRS: Tip=hot, Ring=cold, Sleeve=ground Phantom Power Protection up to 60 V DC Outputs 6.35 mm (1/4) TRS Configuration Electronically balanced Impedance Connected directly to inputs SPECIFICATIONS PSM900 RF Carrier Range 470952 MHz Note: varies by region Compatible Frequencies Per band: 20 Tuning Bandwidth US: 3640 MHz varies by region Operating Range (environment dependent) 90 m (300 ft) Audio Frequency Response 35 Hz15 kHz Stereo Separation 60 dB Signal-To-Noise Ratio (A-Weighted) 90 dB (typical) Total Harmonic Distortion (ref. 34 kHz deviation
@1 kHz)
<0.8% (typical) Companding Patented Audio Reference Companding Spurious Rejection (ref. 12dB SINAD)
>80 dB (typical) Frequency Stability 2.5 ppm MPX Pilot Tone 19 kHz (0.3 kHz) Modulation FM*, MPX Stereo
* 34 kHz deviation (nominal) Operating Temperature
-18C+57C P9R Front-End RF Filtering 3 dB at 30.5 MHz from center frequency Active RF Gain Control 31 dB Adjusts RF sensitivity to provide more RF dynamic range RF Sensitivity (at 20 dB SINAD) 2.2 V Image Rejection
>100 dB Adjacent Channel Rejection
>70 dB Squelch Threshold 22 dB SINAD (3 dB) Intermodulation Attenuation
>70 dB Blocking
>80 dB Audio Output Voltage (1kHz @ <1% distortion, peak power, @32) 100 mW per output Minimum Load Impedance 9.5 High Boost selectable: +2 dB @ 6 kHz , +4 dB @ 10 kHz Volume Limiter selectable: 39 Reduces maxium output level. Selected value analogous to vol-
ume knob increment. Net Weight 200 g (with batteries) Dimensions 83 mm X 65 mm X 22 mm Battery Life 57 hours (continuous use) 6 UA700 UA720 UA730 UA740 470542 MHz 596692 MHz 692830 MHz 830952 MHz 470530 MHz 500560 MHz 518578 MHz 578638 MHz 638698 MHz 690746MHz 740814 MHz 900952 MHz Furnished Accessories P9R Antenna P9T Antenna Front Mount Antenna Cable Zipper Bag Rackmount Bracket, Long (1) Rackmount Bracket, Short (2) Link Bar (2) Hardware Kit (Rackmounting Screws) Bumper Kit Energy Efficient Switching Power Supply USA Brazil Argentina Europe United Kingdom Austrailia/New Zealand China Taiwan Japan UA820G UA820G7 UA820H4 UA820J UA820L3 UA820B UA820Q UA820X 95A9023 95A2313 53A8612 53A8611 53B8443 90AR8100 90B8977 PS41 PS41BR PS41AR PS41E PS41UK PS41AZ PS41CHN PS41TW PS41J Optional Accessories 8-to-1 antenna combiner for better RF performance 4-to-1 antenna combiner with power distribution to 4 transmit-
ters (better RF performance and eliminates need for external power supply) Passive Directional Antenna Helical Antenna Passive Omnidirectional Antenna 4-Channel Personal Monitor Mixer Coaxial Cable, BNC-BNC, RG58C/U type, 50 Ohm, 2 ft length (0.6 m) Coaxial Cable, BNC-BNC, RG58C/U type, 50 Ohm, 6 ft length (2 m) Coaxial Cable, BNC-BNC, RG8X/U type, 50 Ohm, 25 ft length (7.5 m) Coaxial Cable, BNC-BNC, RG8X/U type, 50 Ohm, 50 ft length (15 m) Coaxial Cable, BNC-BNC, RG213/U Type, 50 Ohm, 100 ft length (30 m) PA821SWB PA421SWB PA805SWB HA-8000 PA860SWB P4M UA802 UA806 UA825 UA850 UA8100 CERTIFICATION P9T, P9R This Class B digital apparatus complies with Canadian ICES-003. Cet appareil numrique de la classe B est con-
forme la norme NMB-003 du Canada. P9T Certified under FCC Parts 74. (FCC ID:
DD4P9TA, DD4P9TB, DD4P9TC, DD4P9TD, DD4P9TJ). Certified by IC in Canada under RSS-
123 and RSS-102. (IC: 616A-P9TA, 616A-P9TB, 616A-P9TC, 616A-P9TD). Meets essential re-
quirements of European R&TTE Directive 99/5/
EC, eligible to bear the CE mark. Type approved to EN 300 422 Parts 1 and 2. Meets requirements of EMC Standard EN 301 489 Parts 1 and 9. P9R Approved under the Declaration of Conformity
(DoC) provision of FCC Part 15. Certified in Canada by IC to RSS-123. (IC: 616A-P9RA, 616A-P9RB, 616A-P9RC, 616A-P9RD). Meets re-
quirements of EMC standards EN 300 422 Parts 1 and 2 and EN 301 489 Parts 1 and 9. Operation of this device is subject to the following two conditions: (1) this device may not cause in-
terference, and (2) this device must accept any in-
terference, including interference that may cause undesired operation of the device. The Declaration of Conformity can be obtained from Shure Incorporated or any of its European representatives. For contact information please visit www.shure.com The Declaration of Conformity can be obtained from:
Authorized European representative:
Shure Europe GmbH Headquarters Europe, Middle East & Africa Department: EMEA Approval Wannenacker Str. 28 D-74078 Heilbronn, Germany Phone: +49 7131 72 14 0 Fax: +49 7131 72 14 14 Email: EMEAsupport@shure.de LICENSING INFORMATION Licensing: A ministerial license to operate this equipment may be required in certain areas. Consult your national authority for possible requirements. Changes or modifications not ex-
pressly approved by Shure Incorporated could void your authority to operate the equipment. Licensing of Shure wireless microphone equip-
ment is the users responsibility, and licensability depends on the users classification and ap-
plication, and on the selected frequency. Shure strongly urges the user to contact the appropriate telecommunications authority concerning proper licensing, and before choosing and ordering frequencies. INFORMATION TO USER This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These lim-
its are designed to provide reasonable protection against harmful interference in a residential instal-
lation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communica-
tions. However, there is no guarantee that inter-
ference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be de-
termined by turning the equipment off and on, the user is encouraged to try to correct the interfer-
ence by one or more of the following measures:
Relocate the receiving antenna. Increase the separation between the equipment and receiver. Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. Consult the dealer. Note: EMC conformance testing is based on the use of supplied and recommended cable types. The use of other cable types may degrade EMC performance. Changes or modifications not expressly ap-
proved by the manufacturer could void the users authority to operate the equipment. 7 United States:
Shure Incorporated 5800 West Touhy Avenue Niles, IL 60714-4608 USA Europe, Middle East, Africa:
Shure Europe GmbH Wannenckestr. 28, 74078 Heilbronn, Germany Phone: 847-600-2000 Fax: 847-600-1212 Email: info@shure.com Phone: 49-7131-72140 Fax: 49-7131-721414 Email: info@shure.de www.shure.com 2009 Shure Incorporated Asia, Pacific:
Shure Asia Limited Unit 301, 3rd Floor Citicorp Centre 18, Whitfield Road Causeway Bay, Hong Kong Phone: 852-2893-4290 Fax: 852-2893-4055 Email: info@shure.com.hk Canada, Latin America, Caribbean:
Shure Incorporated 5800 West Touhy Avenue Niles, IL 60714-4608 USA Phone: 847-600-2000 Fax: 847-600-6446 Email: international@shure.com