6 6 7 Trans 8 Trans Touch 9 Split key Split key Trans Chapter Pedals 10 1. Pedals This piano has three foot pedals : damper (sustain) pedal (right), sostenuto pedal (center) and soft pedal (left) that produce a range of expressive effects similar to those produced by the pedals of an acoustic piano. 2. Using the Pedals Soft Sostenuto Sustain 1 2 3 Sustain Prdal The sustain pedal functions in the same way as a damper pedal on an acoustic piano. When the damper pedal is pressed, notes sustain longer. Releasing the pedal immediately stops any sustained notes. Sostenuto Pedal If you play a note or chord on the keyboard and press the sostenuto pedal while the notes are held, those notes will sustain as long as you hold the pedal (as if the damper pedal had been pressed) but all subsequently played notes will not be sustained. This makes it possible to sustain a chord, for example, while other notes are played
"staccato". Soft Pedal The soft pedal reduces the volume and slightly changes the timbre of notes played while the pedal is pressed. The soft pedal will not affect notes that are already playing when it is pressed. When you press the sustain pedal here, the notes you play before you release the pedal sustain loger. When you press the sostenuto pedal here while holding the note, the note will sustain as long as hold the pedal. NOTE If the pedal doesn't work, make sure that the pedal cord is properly plugged into the main unit (see page 10). Also, avoid pressing any pedals while the piano booting. Pedals Chapter 11 MIDI MIDI is acronym for Musical Instrument Digital Interface, which is an industry standard protocol for electronic instruments to communicate with each other. 1. Connecting to a Computer The instrument can be connected to the computer via a USB cable (AB type USB cable of less than 3 meters). Connect the USB cable to the USB Type B terminal of the instrument, then to the USB Type A terminal of the computer. Previous -
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Jump Favorite 1 Favorite 2 Volume Rhythm Split key Function Trans/Tempo Play/Stop Record Layer Split Demo Piano Voice 2. MIDI Channel A MIDI cable can transmit multiple channels of performance data which is similar to TV channels. Each channel can be assigned its own voice. Typical MIDI instruments can play up to 16 channels at the same time which is equivalent to 16 soloists. If you want to use your piano and record your performances with a computer, a sequencer program must be installed on your computer. MIDI MIDI Chapter 12 Connection 1. Using Headphones Connect a pair of headphones to one of the phones jacks. Two phones jacks are provided. You can connect two sets of standard stereo headphones. (If you are using one pair headphones, you can plug them into either of these jacks). Bottom surface Standard stereo phone plug CAUTION Do not use headphones at a high volume for an extended time. Doing so many cause hearing loss. 2. Audio In (Aux In) You can connect the output jacks of an external device (such as CD player, tone generator) to the instrument's Aux In jacks, letting you hear the sound of that device through the built in speakers of the instrument. 3. Audio Out (Aux Out) You can connect a stereo system to amplify the instrument's sound by using the Aux Out jacks. When the instrument's sound is output to an external device, rst turn on the power to the instrument, then to the external device. Reverse this order when you turn the power off. MIDI 4. MP3 Aux In You can connect the output jack of an MP3 player or smart phone to the instrument's MP3 Aux In jack on the right cheek block. Do not use Audio In and MP3 Aux In at the same time. CAUTION When you connect the cable to the piano, plase turn the pianos power of first. Otherwise ,loud noise may occur while connecting the cable. Connection Chapter 13 Drumset Annimal & Nature Lion Tiger Cow Horse Horse Gallop Dog Duck Goat Cuckoo Cock Hen Cat Bird Goose Sheep Pig Rain Wind Thunder Stream Seashore Applause Bell Ring Intercom Car string Horn Patrol car Train Helicopter Boat Drum set Chapter 14 Demo Song List ARIA Golde nberg-Va riationen BMW 988 Kla vierstuck K. 15v Minue tte in G Without words song Op.38 No.2 Traumerei Frolic her Landmann Op. 68-10 Von fremden L andern und M enschen Op.1 Lie bestraume Nr.3 Fryhlingss timmen Op.410 Reve rie Demo Song List 29 Chapter 15 Sonatine,Rhythm List No Rhythm 1 2 3 4 5 6 7 8 9 10 11 12 home Beat Rhythm Beat Party Dance Love Disco Soft Rock Slow Rock Pop 1 Pop Polka Acid Jazz Sweet Beat Hard Rock Swing Rock No 13 14 15 16 17 18 19 20 21 22 23 24 Rhythm Groove Euro Beat Reggae Rumba 8 Beat 16 Beat ChaCha Bosanoba Samba Disco Fox Trot March Waltz 30 Rhythm List Chapter 16 Specifications Keyboard Finish Cabinet ToneGen. Polyphony Sounds Rhythm PlayMode Education DemoSongs Pedals Display Others Connectors AudioPower Speakers Dimensions 88 note fully weighted Graded Hammer action (A0~C8) Simulated Rose wood or White Pattern type Kurzweil V.A.S.T 128 Voices 30 Programs 30 Patterns Layer, Split Bayer, Czerny 100,30,40, Sonatine 50 PianoMasterpieces,Sonatine 45 3 (Sustain, Soft, Sostenuto) 5x7 Dot scrolling marix LED Volume, Tune, Transpose, Metronome MP3 Aux In, Audio In/Out, USB Slave,Bluetooth 20W x 2, 8 Ohms 6.5" x 2 full-range (Ovaltype) 1400 x 470 x 850(W x D x H) Specifications 31 FCC Caution : Any changes or modifications in construction of this device which are not expressly approved by the party responsible for compliance could void the user's authority to operate the equipment. This device complies with part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) This device must accept any interference received, including interference that may cause undesired operation. NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, any cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
-- Reorient or relocate the receiving antenna.
-- Increase the separation between the equipment and receiver.
-- Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
-- Consult the dealer or an experienced radio/TV technician for help. Memo Memo American Music & sound 22020 Clarendon Street,Suite 305 Woodland Hills,CA 91367 Te l : 800 - 431 - 2609 Fax : 818 - 597 - 0411 Email : info@americanmusicandsound.com Yongchang Music Instrument, Bongsu Daero 196, Gaj wa 1( il) -dong, Seo-gu, Incheon, 404-714 South Korea