all | frequencies |
|
exhibits | applications |
---|---|---|---|---|
manual |
app s | submitted / available | |||||||
---|---|---|---|---|---|---|---|---|
1 |
|
User Manual | Users Manual | 2.78 MiB | October 04 2012 / July 10 2012 | |||
1 | Cover Letter(s) | October 04 2012 | ||||||
1 | Cover Letter(s) | October 04 2012 | ||||||
1 | External Photos | October 04 2012 / July 10 2012 | ||||||
1 | ID Label/Location Info | October 04 2012 | ||||||
1 | Internal Photos | October 04 2012 / July 10 2012 | ||||||
1 | RF Exposure Info | October 04 2012 | ||||||
1 | Test Setup Photos | October 04 2012 / July 10 2012 | ||||||
1 | Test Report | October 04 2012 | ||||||
1 | Test Setup Photos | October 04 2012 / July 10 2012 |
1 | User Manual | Users Manual | 2.78 MiB | October 04 2012 / July 10 2012 |
User Manual This user manual includes detailed usage instructions for your camera. Please read this manual thoroughly. ENG Copyright information Microsoft Windows and the Windows logo are registered trademarks of the Microsoft Corporation. Mac is a registered trademark of the Apple Corporation. HDMI, the HDMI logo, and the term High Denition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC. Wi-Fi, the Wi-Fi CERTIFIED logo, and the Wi-Fi logo are registered trademarks of the Wi-Fi Alliance. Trademarks and trade names used in this manual are the property of their respective owners. Camera specications or contents of this manual may be changed without prior notice due to upgrade of camera functions. You are not allowed to reuse or distribute any part of this manual without prior permission. We recommend using your camera within the country where you purchase it. For Open Source License information, refer to the OpenSourceInfo.pdf in the provided CD-ROM. PlanetFirst represents Samsung Electronics' commitment to sustainable development and social responsibility through eco-driven business and management activities. 1 Health and safety information Always comply with the following precautions and usage tips to avoid dangerous situations and ensure peak performance of your camera. Warningsituations that could cause injury to yourself or others Do not disassemble or attempt to repair your camera. This may result in electric shock or damage to the camera. Do not use your camera near ammable or explosive gases and liquids. This may cause a re or explosion. Do not insert ammable materials into the camera or store these materials near the camera. This may cause a re or electric shock. Do not handle your camera with wet hands. This may result in electric shock. Prevent damage to subjects eyesight. Do not use the ash in close proximity (closer than 1 m/3 ft) to people or animals. If you use the ash too close to your subjects eyes, this can cause temporary or permanent eyesight damage. Keep your camera away from small children and pets. Keep your camera and all accessories out of the reach of small children and animals. Small parts may cause choking or serious injury if swallowed. Moving parts and accessories may present physical dangers as well. Do not expose the camera to direct sunlight or high temperatures for an extended period of time. Prolonged exposure to sunlight or extreme temperatures can cause permanent damage to your cameras internal components. Avoid covering the camera with blankets or clothes. The camera may overheat, which may distort the camera or cause a re. If liquid or foreign objects enter your camera, immediately disconnect all power sources, such as the battery, and then contact a Samsung service center. 2 Health and safety information Comply with any regulations that restrict the use of a camera in a certain area. Avoid interference with other electronic devices. Turn off the camera when in an aircraft. Your camera can cause interference with aircraft equipment. Follow all airline regulations and turn off your camera when directed by airline personnel. Turn off the camera near medical equipment. Your camera can interfere with medical equipment in hospitals or health care facilities. Follow all regulations, posted warnings, and directions from medical personnel. Avoid interference with pacemakers. Maintain a minimum of 15 cm between this camera and all pacemakers to avoid potential interference, as recommended by the manufacturer and the independent research group, Wireless Technology Research. If you have any reason to suspect that your camera is interfering with a pacemaker or other medical device, turn off the camera immediately and contact the manufacturer of the pacemaker or medical device for guidance. Cautionsituations that could cause damage to your camera or other equipment Remove the batteries from your camera when storing it for an extended period of time. Installed batteries may leak or corrode over time and cause serious damage to your camera. Use only authentic, manufacturer-recommended, Lithium-ion replacement batteries. Do not damage or heat the battery. Inauthentic, damaged, or heated batteries may cause a re or personal injury. Use only Samsung-approved batteries, chargers, cables and accessories. Using unauthorized batteries, chargers, cables or accessories can cause batteries to explode, damage your camera, or cause injury. Samsung is not responsible for damage or injuries caused by unapproved batteries, chargers, cables or accessories. Use the battery only for its intended purpose. Misusing the battery may cause a re or electric shock. 3 Health and safety information Do not touch the ash while it res. The ash is very hot when red and may burn your skin. Never use a damaged battery, or memory card. This may result in electric shock or camera malfunction or cause a re. Do not use a damaged power supply cord, plug, or loose outlet when you charge batteries. This may cause a re or electric shock. Check that the camera is operating properly before use. The manufacturer takes no responsibility for any loss of les or damage that may result from camera malfunction or improper use. Do not force the cameras parts or apply pressure to the camera. This may cause your camera to malfunction. Exercise caution when you connect cables and install batteries and memory cards. If you force the connectors, improperly connect cables, or improperly install batteries and memory cards, you can damage ports, connectors, and accessories. Keep cards with magnetic strips away from the camera case. Information stored on the card may be damaged or erased. You must plug the small end of the USB cable into your camera. If the cable is reversed, it may damage your les. The manufacturer is not responsible for any loss of data. Protect your cameras lens. Do not expose the lens to direct sunlight, as this may discolor the image sensor or cause it to malfunction. If the camera overheats, remove the battery and allow it to cool down. Prolonged usage of the camera may overheat the battery and raise the internal temperature of the camera. If the camera stops operating, remove the battery and allow it to cool down. High internal temperatures may result in noise in your photos. This is normal and does not affect your cameras overall performance. 4 Health and safety information Avoid interference with other electronic devices. Your camera emits radio frequency (RF) signals that may interfere with unshielded or improperly shielded electronic equipment, such as pacemakers, hearing aids, medical devices, and other electronic devices in homes or vehicles. Consult the manufacturers of your electronic devices to solve any interference problems you experience. To prevent unwanted interference, use only Samsung-approved devices or accessories. Use your camera in the normal position. Avoid contact with your cameras internal antenna. Data transference and your responsibilities Data transferred via WLAN could be leaked, so avoid transferring sensitive data in public areas or on open networks. The camera manufacturer is not liable for any data transfers that infringe on copyrights, trademarks, intellectual property laws, or public decency ordinances. 5 Indications used in this manual Icons used in this manual Icon Function Additional information Safety warnings and precautions
[ ]
( )
*
Camera buttons. For example, [Shutter] represents the shutter button. Page number of related information The order of options or menus you must select to perform a step; for example: Select 1 Quality
(represents select 1, and then Quality). The number next to the icon may vary depending on the shooting mode. That is, some options may be located under 2 or 3. Annotation Shooting mode indications Shooting mode Smart Auto Program Aperture Priority Shutter Priority Manual Custom Lens Priority Wi-Fi Scene Movie Indication t P A S M T i B s v 6 Contents Tips Concepts in Photography Shooting postures ....................................................................... 13 Holding the camera .......................................................................... 13 Standing photography ...................................................................... 13 Crouching photography ................................................................... 14 Using the display .............................................................................. 14 Low-angle shot ................................................................................ 15 High-angle shot ................................................................................ 15 Aperture ....................................................................................... 16 Aperture value and the depth of eld ................................................ 17 Shutter speed .............................................................................. 18 ISO sensitivity .............................................................................. 19 How the aperture setting, shutter speed, and ISO sensitivity control exposure ......................................................................... 20 Correlation between focal length, angle, and perspective ....... 21 Depth of eld ............................................................................... 22 What controls out-of-focus effects? ................................................. 22 DOF preview .................................................................................... 24 Composition ................................................................................ 24 Rule of Thirds ................................................................................... 24 Photos with two subjects ................................................................. 25 Flash............................................................................................. 26 Flash guide number.......................................................................... 26 Bounce Photography ....................................................................... 27 Chapter 1 My Camera Getting started ............................................................................ 29 Unpacking ..................................................................................... 29 Camera layout ............................................................................. 30 Display icons ............................................................................... 33 In Shooting mode .......................................................................... 33 Capturing photos ............................................................................ 33 Recording videos ............................................................................ 34 In Playback mode .......................................................................... 35 Viewing photos ............................................................................... 35 Playing videos ................................................................................. 35 Lenses .......................................................................................... 36 Lens layout .................................................................................... 36 Locking or unlocking the lens .......................................................... 37 Lens markings ............................................................................... 39 Accessories ................................................................................. 40 External ash layout ....................................................................... 40 Connecting the ash ...................................................................... 41 GPS module layout (optional) ......................................................... 42 Attaching the GPS module ............................................................ 42 7 Contents Shooting modes .......................................................................... 44 t Smart Auto mode ........................................................... 44 P Program mode........................................................................... 45 Program Shift .................................................................................. 45 A Aperture Priority mode .............................................................. 46 S Shutter Priority mode ................................................................. 46 M Manual mode............................................................................ 47 Framing mode ................................................................................. 47 Using bulb ....................................................................................... 47 T Custom mode ........................................................................... 48 Saving custom modes .................................................................... 48 Selecting custom modes ................................................................. 49 i Lens Priority mode ................................................................... 50 Using the E mode ................................................................ 50 Using i-Function in PASM modes ................................................. 51 Using Z .................................................................................. 52 s Scene mode ......................................................................... 53 v Movie mode ............................................................................ 56 Available functions by shooting mode ............................................ 57 Chapter 2 Shooting Functions Size .............................................................................................. 59 Photo size options ......................................................................... 59 Video size options ......................................................................... 60 Quality .......................................................................................... 61 Photo quality options ..................................................................... 61 Video quality options ..................................................................... 61 ISO sensitivity .............................................................................. 62 White Balance (light source) ....................................................... 63 White Balance options ................................................................... 63 Customizing preset options ............................................................. 64 Picture Wizard (photo styles) ...................................................... 66 AF mode ...................................................................................... 67 Single AF ....................................................................................... 67 Continuous AF ............................................................................... 68 Manual focus ................................................................................. 68 AF area ......................................................................................... 69 Selection AF .................................................................................. 69 Multi AF ......................................................................................... 70 Face detection AF ......................................................................... 70 Self-portrait AF .............................................................................. 71 MF assist ..................................................................................... 72 Optical Image Stabilization (OIS) ................................................ 73 OIS options ................................................................................... 73 Drive (shooting method) ............................................................. 74 Single ............................................................................................ 74 Continuous .................................................................................... 74 Burst ............................................................................................. 75 Timer ............................................................................................. 75 Auto Exposure Bracketing (AE Bracket) ......................................... 76 White Balance Bracketing (WB Bracket) ........................................ 76 Picture Wizard Bracketing (P Wiz Bracket) ..................................... 77 Bracketing setting .......................................................................... 77 8 Contents Flash............................................................................................. 78 Flash options ................................................................................. 78 Correcting the red-eye effect ......................................................... 79 Using the built-in ash ................................................................... 79 Adjusting the ash intensity ............................................................ 80 Metering ....................................................................................... 81 Multi .............................................................................................. 81 Center-weighted ............................................................................ 82 Spot .............................................................................................. 82 Measuring the exposure value of the focus area ............................ 83 Dynamic Range Expansion ........................................................ 84 Smart Range ................................................................................. 84 High Dynamic Range ..................................................................... 84 Smart Filter .................................................................................. 85 Selective Color ............................................................................ 86 Selecting a color in an image ........................................................... 86 Color space ................................................................................. 87 Exposure compensation ............................................................. 88 Exposure/Focus lock .................................................................. 89 Video functions............................................................................ 90 Movie AE mode ............................................................................. 90 Multi Motion .................................................................................. 90 Fader ............................................................................................. 91 Voice ............................................................................................. 91 Chapter 3 Playback/Editing Searching and managing les .................................................... 93 Viewing photos .............................................................................. 93 Viewing image thumbnails ............................................................. 93 Viewing les by category in Smart Album ....................................... 94 Viewing les as a folder.................................................................. 94 Protecting les ............................................................................... 95 Deleting les .................................................................................. 95 Deleting a single le ......................................................................... 95 Deleting multiple les ....................................................................... 96 Deleting all les................................................................................ 96 Viewing photos ............................................................................ 97 Enlarging a photo .......................................................................... 97 Viewing a slide show ..................................................................... 97 Auto rotating .................................................................................. 98 Playing videos ............................................................................. 99 Trimming a video during playback .................................................. 99 Capturing an image during playback ........................................... 100 Editing photos ........................................................................... 101 Options ....................................................................................... 101 9 Contents Chapter 4 Wireless network Connecting to a WLAN and conguring network settings ..... 104 Connecting to a WLAN ................................................................ 104 Setting network options ................................................................ 105 Manually setting the IP address ..................................................... 105 Using the login browser ............................................................... 106 Network connection tips .............................................................. 107 Entering text ................................................................................ 108 Sending photos or videos to a smart phone ........................... 109 Using a smart phone as a remote shutter release .................. 110 Using photo or video sharing websites ................................... 112 Accessing a website .................................................................... 112 Uploading photos or videos ......................................................... 112 Sending photos or videos via email ......................................... 114 Changing email settings .............................................................. 114 Storing your information ................................................................ 114 Setting an email password ............................................................ 115 Changing the email password ....................................................... 115 Sending photos or videos via email .............................................. 116 Uploading photos to a cloud server ......................................... 118 Using Auto Backup to send photos or videos......................... 119 Installing the program for Auto Backup on your PC ..................... 119 Sending photos or videos to a PC ............................................... 119 Viewing photos or videos on a TV Link-enabled TV ............... 121 Sending photos using Wi-Fi Direct .......................................... 123 About the Wake on LAN (WOL) feature.................................... 124 Setting the PC to wake up from sleep mode .................................. 124 Setting the PC to turn on ............................................................... 125 10 Contents Chapter 5 Camera settings menu User settings ............................................................................. 127 ISO Customizing .......................................................................... 127 ISO step ........................................................................................ 127 Auto ISO range ............................................................................. 127 Noise Reduction .......................................................................... 127 Bracket Set ................................................................................. 127 DMF ............................................................................................ 128 AF Priority .................................................................................... 128 Save as Custom Mode ................................................................ 128 iFn Customizing ........................................................................... 128 Key Mapping ............................................................................... 129 Display Select .............................................................................. 129 User Display ................................................................................ 130 Grid Line ...................................................................................... 131 Distortion Correct ........................................................................ 131 AF Lamp ..................................................................................... 131 E-Shutter ..................................................................................... 131 Setting 1 ..................................................................................... 132 Setting 2 ..................................................................................... 134 Setting 3 ..................................................................................... 135 GPS ............................................................................................ 136 Chapter 6 Connecting to external devices Viewing les on a TV or HDTV .................................................. 138 Viewing les on a TV .................................................................... 138 Viewing les on an HDTV ............................................................. 139 Viewing les on a 3D TV .............................................................. 140 Printing photos .......................................................................... 141 Printing photos with a PictBridge photo printer ............................ 141 Conguring print settings .............................................................. 142 Creating a print order (DPOF) ....................................................... 142 DPOF options ............................................................................... 143 Transferring les to your computer .......................................... 144 Transferring les to your Windows computer ............................... 144 Connecting the camera as a removable disk ................................. 144 Disconnecting the camera (for Windows XP) ................................. 145 Transferring les to your Mac computer ....................................... 145 Using programs on a PC ........................................................... 146 Installing software ........................................................................ 146 Programs contained on the CD ..................................................... 146 Using Intelli-studio ....................................................................... 147 Requirements ................................................................................ 147 Using the Intelli-studio Interface ..................................................... 148 Transferring les using Intelli-studio ................................................ 149 Using Samsung RAW Converter .................................................. 150 Requirements for Windows ........................................................... 150 Requirements for Mac ................................................................... 150 Using the Samsung RAW Converter Interface ............................... 151 Editing RAW format les ................................................................ 151 11 Before contacting a service center .......................................... 163 Camera specications .............................................................. 166 Glossary ..................................................................................... 171 Optional accessories ................................................................ 177 Index .......................................................................................... 179 FCC notice ................................................................................. 182 Declaration sentence in ofcial languages .............................. 185 Contents Chapter 7 Appendix Error messages ......................................................................... 154 Maintaining the camera ............................................................ 155 Cleaning the camera .................................................................... 155 Camera lens and display ............................................................... 155 Image sensor ................................................................................ 155 Camera body ................................................................................ 155 Using or storing the camera ......................................................... 156 Inappropriate places to use or store the camera ............................ 156 Using on beaches or shores .......................................................... 156 Storing for extended period of time ............................................... 156 Using the camera with caution in humid environments .................. 157 Other cautions .............................................................................. 157 About memory card ..................................................................... 158 Supported memory card ............................................................... 158 Memory card capacity ................................................................... 158 Cautions when using memory cards ............................................. 160 About the battery ......................................................................... 161 Battery specications .................................................................... 161 Battery life ..................................................................................... 162 Low battery message .................................................................... 162 Notes about using the battery ....................................................... 162 Notes about charging the battery .................................................. 162 12 Concepts in Photography Shooting postures A correct posture for stabilizing the camera is necessary for taking a good photo. Even if you hold a camera correctly, the wrong posture can cause the camera to shake. Stand up straight and remain still to maintain a steady base for your camera. When shooting with a low shutter speed, hold your breath to minimize body movement. Holding the camera Hold the camera with your right hand and place you right index nger on the shutter button. Place your left hand under the lens for support. Standing photography Compose your shot; stand up straight with your feet shoulder-length apart, and keep your elbows pointed down. 13 Concepts in Photography Crouching photography Using the display Compose your shot, crouch with one knee touching the ground, and keep a straight posture. Swing the display outwards 180 and rotate it up or down for high- and low-angle photos or self portraits. You can rotate the display a maximum of 90 downward or 180 upward. Fold the display when not in use. Rotate the display only within the angle allowed. 14 Concepts in Photography Low-angle shot High-angle shot A low-angle shot is a shot from a camera positioned below the eyeline, looking up the subject. A high-angle shot is a shot from a camera positioned above the eyeline, looking down on the subject. 15 Concepts in Photography Aperture The aperture, a hole that controls the amount of light that enters the camera, is one of the three factors that determine the exposure. The aperture housing contains thin, metal plates that open and close to let light through the aperture and into the camera. The size of the aperture is closely related to the brightness of a photo: the larger the aperture, the brighter the photo; the smaller the aperture, the darker the photo. Aperture sizes Minimum aperture Medium aperture Maximum aperture The size of the aperture is represented by a value known as an F-number. The f-number represents the focal length divided by the diameter of the lens. For example, if a lens with a 50 mm focal length has an f-number of F2, the diameter of the aperture is 25 mm.
(50 mm/25 mm=F2) The smaller the f-number, the greater the size of the aperture. The opening in the aperture is described as the Exposure Value (EV). Increasing the Exposure Value (+1 EV) means the amount of light doubles. Decreasing the Exposure Value (-1 EV) means the amount of light halves. You can also use the exposure compensation feature to ne-tune the amount of light by subdividing exposure values into 1/2, 1/3 EV, and so on.
+1 EV
-1 EV F1.4 F2 F2.8 F4 F5.6 F8 Exposure Value Steps Darker photo
(aperture opened slightly) Brighter photo
(aperture opened wide) 16 Concepts in Photography Aperture value and the depth of eld You can blur or sharpen the background of a photo by controlling the aperture. It is closely related to the depth of eld (DOF), which can be expressed as small or large. The aperture housing contains several blades. These blades move together and control the amount of light passing through the center of the aperture. The number of blades also affects the shape of light when shooting night scenes. If an aperture has an even number of blades, light divides into an equal number of sections. If the number of blades is odd, the number of sections is double the number of blades. For example, an aperture with 8 blades divides light into 8 sections and an aperture with 7 blades into 14 sections. A photo with a large DOF A photo with a small DOF 7 blades 8 blades 17 Concepts in Photography Shutter speed Shutter speed refers to the amount of time it takes to open and close the shutter, and it is an important factor in the brightness of a photo, as it controls the amount of light which passes through the aperture before it reaches the image sensor. Usually, the shutter speed is manually adjustable. The measurement of the shutter speed is known as the Exposure Value (EV), which is marked in intervals of 1 s, 1/2 s, 1/4 s, 1/8 s, 1/15 s, 1/1000 s, 1/2000 s, and so on.
+1 EV Exposure
-1 EV 1s 1/2 s 1/4 s 1/8 s 1/15 s 1/30 s Shutter Speed Therefore, the faster the shutter speed, the less light will be let in. Likewise, the slower the shutter speed, the more light will be let in. As the photos below illustrate, a slow shutter speed allows more time to let light in, so the photo becomes brighter. On the other hand, a fast shutter speed allows less time to let light in and the photo becomes darker and more easily freezes subjects in motion. 0.8 s 0.004 s 18 Concepts in Photography ISO sensitivity The exposure of an image is determined by the sensitivity of the camera. This sensitivity is based on international lm standards, known as ISO standards. On digital cameras, this sensitivity rating is used to represent the sensitivity of the digital mechanism that captures the image. Because a low ISO sensitivity means the camera will be less sensitive to light, you need more light to have an optimal exposure. When using a low ISO sensitivity, open the aperture more or reduce the shutter speed to allow more light to enter the camera. For example, on a sunny day when light is abundant, a low ISO sensitivity does not require a low shutter speed. However, in a dark place or at night, a low ISO sensitivity and a fast shutter speed will result in a blurry photo. ISO sensitivity doubles as the number doubles. For example, an ISO 200 setting is capable of capturing images at twice the speed of an ISO 100 setting. However, higher ISO settings can result in noise small specks, spots, and other phenomena in a photo that give the shot a noisy or dirty appearance. As a general rule, it is best to use a low ISO setting to prevent noise in your photos, unless you are shooting in darkened environments or at night. A photo captured with a tripod and A blurred photo with a low ISO sensitivity high sensitivity Changes in the quality and brightness according to ISO sensitivity 19 Concepts in Photography How the aperture setting, shutter speed, and ISO sensitivity control exposure The aperture setting, shutter speed, and ISO sensitivity are closely interconnected in photography. The aperture setting controls the opening that regulates the light that enters the camera, while the shutter speed determines the length of time that light is allowed to enter. ISO sensitivity determines the speed at which the lm reacts to light. Together, these three aspects are described as the triangle of exposure. A change in shutter speed, aperture value, or ISO sensitivity can be offset by adjustments to the others to maintain the amount of light. The results, however, change according to the settings. For example, shutter speed is useful in expressing movement, aperture can control the depth of eld, and ISO sensitivity can control the graininess of a photo. Settings Results Aperture Wide aperture
= more light Narrow aperture
= less light Wide = small depth of eld Narrow = large depth of eld Settings Results Shutter speed Fast speed
= less light Slow speed
= more light Fast = still Slow = blurry ISO sensitivity High sensitivity
= more sensitive to light Low sensitivity
= less sensitive to light High = more grainy Low = less grainy 20 Concepts in Photography Correlation between focal length, angle, and perspective Focal length, which is measured in millimeters, is the distance between the middle of the lens to its focal point. It affects the angle and perspective of captured images. A short focal length translates into a wide angle, which allows you to capture a wide shot. A long focal length translates into a narrow angle, which allows you to capture telephoto shots. Short focal length Long focal length telephoto lens telephoto shot narrow angle Look at these photos below and compare the changes. wide-angle lens wide shot wide angle 18 mm angle 55 mm angle 200 mm angle Normally, a lens with a wide angle is suitable for shooting landscapes and a lens with a narrow angle is recommended for shooting sports events or portraits. 21 Concepts in Photography Depth of eld Portraits or still-life photos mostly acclaimed by people are the ones on which the background is out of focus so the subject looks pronounced. Depending on the focused areas, a photo can be blurred or sharpened. This is called a low DOF or a high DOF. The depth of eld is the focused area around the subject. Therefore, a small DOF signies that the focused area is narrow and a large DOF means the focused area is wide. A photo with a small DOF, which stresses the subject and makes the rest of it blurred, can be obtained by using a telescope lens or selecting a low aperture value. Conversely, a photo with a large DOF which shows all the elements on the photo sharply focused can be achieved by using a wide angle lens or selecting a high aperture value. What controls out-of-focus effects?
DOF depends on aperture value The wider the aperture is (namely the lower the aperture value), the lower the DOF becomes. Under the condition where the other values including shutter speed and ISO sensitivity are equal, a low aperture value leads to a photo with a low DOF. 55 mm F5.7 55 mm F22 Small Depth of Field Large Depth of Field 22 Concepts in Photography DOF depends on focal length The longer the focal length is, the lower the DOF gets. A telescope lens with a longer focal length than a telescope lens with a short focal length is better to capture a photo of a low DOF. DOF depends on the distance between the subject and the camera The shorter the distance between the subject and the camera is, the lower the DOF gets. Therefore, taking a photo close to a subject can result in a photo of low DOF. A photo captured with a 100 mm telescope lens A photo captured with a 18 mm A photo captured with a 100 mm telescope lens telescope lens A photo captured close to the subject 23 Concepts in Photography DOF preview You can use the Depth preview button to get an idea of what your shot will look like before shooting. When you press the button, the camera adjusts the aperture to the predened settings and shows the results on the screen. (p. 129) Composition It is fun to capture a photo of the beauty of world with a camera. No matter how the world is beautiful, however, a poor composition cannot capture the beauty of it. When it comes to composition, it is very important to prioritize subjects. Composition in photography means arranging objects in a photo. Usually, abiding by the rule of thirds leads to a good composition. Rule of Thirds To use the rule of thirds, divide the image into a 3x3 pattern of equal rectangles. To compose photos that best emphasize the subject, make sure the subject is located at one of the corners of the center rectangle. 24 Concepts in Photography Using the rule of thirds will create photos with stable and compelling compositions. Below are a few examples. Photos with two subjects If your subject is in one corner of the photo, it creates an unbalanced composition. You can stabilize the photo by capturing a second subject in the opposite corner to balance the weight of the photo. Subject 2 Subject 2 Subject 1 Subject 1 Unstable Stable When taking landscape photos, centering the horizon will create an unbalanced effect. Give more weight to the photo by moving the horizon up or down. Subject 1 Subject 2 Unstable Subject 1 Subject 2 Stable 25 Concepts in Photography Flash Light is one of the most important components in photography. Its not easy, however, to have an enough amount of light anytime and anywhere. Making use of a ash allows you to optimize light settings and create a variety of effects. Flash, also known as strobe or speed light, helps to create adequate exposure in low-light conditions. It is also useful in light-abundant situations. For example, ash can be used in compensating the exposure of a subjects shadow or capturing clearly both the subject and the background in backlit conditions. Before correction After correction Flash guide number The model number of a ash refers to the ashs power, and the maximum amount of light created is represented by a value known as a guide number. The bigger the guide number, the more light is emitted from the ash. The guide number is achieved by multiplying the distance from the ash to the subject and the aperture value when the ISO sensitivity is set to 100. Guide number = Flash to Subject Distance X Aperture value Aperture value = Guide number / Flash to Subject Distance Flash to Subject Distance = Guide number / Aperture value Therefore, if you know the guide number of a ash, you can estimate an optimum ash to subject distance when setting the ash manually. For example, if a ash has a guide number of GN 20 and is 4 meters away from the subject, the optimal aperture value is F5.0. 26 Concepts in Photography Bounce Photography Bounce photography refers to the method of photography which redirects the light from the subject to the ceiling or walls so that the light spreads evenly. Normally, photos captured with ash may appear unnatural and cast shadows. Subjects in photos captured with bounce photography cast no shadows and look smooth due to evenly spread light. 27 Chapter 1 My Camera Learn about your cameras layout, display icons, basic functions, supplied lens, and optional accessories. My Camera Getting started Unpacking Check your product box for the following items. Camera
(including the body cap, eye-cup, and hot-shoe cover) USB cable Rechargeable battery Battery cradle/AC power cable Software CD-ROM
(User manual included) User manual Basic Operation Strap The illustrations may differ from your actual items. You can purchase optional accessories at a retailer or a Samsung service center. Samsung is not responsible for any problems caused by using unauthorized accessories. For information about accessories, refer to page 177. 29 My Camera Camera layout 1 2 3 4 5 17 16 15 14 13 6 3 7 8 9 10 11 12 No. 1 2 Name Jog dial In the Menu screen: Move to a desired menu item. In Shooting mode: Adjust shutter speed or aperture value in some shooting modes and change the size of a focus area. In Playback mode: Enlarge or reduce a photo, view thumbnails, adjust the volume level. Mode dial t: Smart Auto mode (p. 44) P: Program mode (p. 45) A: Aperture Priority mode (p. 46) S: Shutter Priority mode (p. 46) M: Manual mode (p. 47) T: Custom mode (p. 48) i: Lens Priority Mode (p. 50) B: Wi-Fi (p. 103) s: Scene mode (p. 53) v: Movie mode (p. 56) Hot-shoe Image sensor Built-in ash (p. 79) Eyelet for camera strap Flash pop-up button (p. 79) Name Hot-shoe cover No. 4 5 6 7 8 9 10 Speaker 11 12 13 Depth preview button (p. 129) 14 15 16 17 AF-assist light/Timer lamp Lens release button Lens mount index Shutter button Power switch Lens mount 3 Microphone 30 My Camera > Camera layout 15 14 13 1 2 3 4 5 6 7 12 11 8910 Name No. 1 Metering button (p. 81) Green button Reset the value of Program Shift, Picture Wizard, White Balance, Color Temperature, Display Brightness, Display Color, Timer, Flash EV, Selection AF (a repositioned focus area is moved back to the center). Video recording button Start recording a video. EV adjust button (p. 88) Press and hold the button, and then scroll the jog dial or rotate the navigation button to adjust the exposure value. 2 3 4 No. 5 6 7 8 9 Name AEL button (p. 129) In Shooting mode: Lock the adjusted exposure value or focus. In Playback mode: Protect the displayed le. Fn button Access major functions and ne-tune some settings. OK button In the Menu screen: Save the selected options. In Shooting mode: Allow you to select a focus area manually in some shooting modes. Delete/Custom button In Shooting mode: Perform the assigned function. (p. 129) In Playback mode: Delete les. Navigation button (Smart dial) In Shooting mode
- D: View camera settings and change options
- I: Select an ISO value
- C: Select a drive option
- F: Select an AF mode In other situations Move up, down, left, right, respectively.
(You can also rotate the navigation wheel.) Name No. 10 Playback button Enter Playback mode. Status lamp Indicate the status of the camera. Blinking: When saving a photo, shooting a video, sending data to a computer or printer, or connecting to WLAN or sending a photo. Steady: When there is no data transfer or when data transfer to a computer or printer is complete. 11 12 MENU button 13 14 Access options or menus. Viewnder Eye-cup Diopter adjustment dial If the image is not shown clearly through the viewnder, scroll the diopter adjustment dial to improve the view. 15 31 My Camera > Camera layout 6 5 4 1 2 3 No. 1 Name Proximity sensor (p. 129) USB, A/V, and shutter release port Connect the camera to a computer, TV, or shutter release. Use a shutter release cable with a tripod to minimize camera movement. HDMI port Battery chamber/Memory card cover Insert a memory card and battery. Display Swing the display outwards 180 and rotate it up or down for high- and low-
angle photos or self portraits. (p. 14) Tripod mount 2 3 4 5 6 32 My Camera Display icons In Shooting mode Capturing photos London 1. Shooting options (left) Icon Description Photo size Photo quality Focus area Face detection AF mode (p. 67) Color space Dynamic range (p. 84) Optical Image Stabilization (OIS) (p. 73) 2. Shooting options (right) Icon Description Drive mode Flash option Icon Icon Description Flash intensity Panorama mode (p. 53) Metering (p. 81) White Balance (p. 63) White Balance micro adjustment Face tone Face retouch Picture Wizard (p. 66) Smart lter (p. 85) Selective color (p. 86) 1 2 3 3. Shooting information Icon Description Z on Z ratio GPS activated*
Date Time Location information*
Focus aid bar (p. 72) Auto focus frame Spot metering area Distance Scale (p. 130) Level gauge Description Camera shake Histogram (p. 130) Shooting mode Focus Flash indicator Shutter speed Aperture value Exposure value ISO sensitivity (p. 62) Auto exposure Lock (p. 89) Auto focus Lock (p. 89) Memory card not inserted**
Available number of photos
: Fully charged
(Red): Empty (recharge
: Partially charged the battery)
* These icons appear when you attach an optional GPS module.
** Photos that were captured without inserting a memory card cannot be printed, or transferred to a memory card or a computer. The icons displayed will change according to the mode you select or the options you set. 33 My Camera > Display icons Recording videos 1 2 3 1. Shooting options (left) Icon Description Auto focus activated Video size Video quality Multi Motion AF mode (p. 67) Fader (p. 91) Voice recording on (p. 91) Optical Image Stabilization (OIS)
(p. 73) 2. Shooting options (right) Icon Description Timer Metering (p. 81) White Balance (p. 63) Picture Wizard (p. 66) Selective color (p. 86) 3. Shooting information Icon Description Date Time Histogram (p. 130) Movie AE mode Shutter speed Aperture value Exposure value ISO sensitivity Auto exposure Lock (p. 89) Auto focus Lock (p. 89) Memory card not inserted Available recording time
: Fully charged
(Red): Empty (recharge the
: Partially charged battery) The icons displayed will change according to the mode you select or the options you set. 34 My Camera > Display icons In Playback mode Viewing photos Icon London Information Mode Metering Flash Focal Length White Balance EV Picture Wizard Photo Size Date Description Volume Continuously captured le 3D le Location information RAW le Print information added to le (p. 142) Protected le Sound picture le (p. 55) Folder number - File number Location information Shutter speed Aperture value ISO value Current le/The total number of les 1 2 3 4 No. 1 2 3 4 Description Captured photo RGB histogram (p. 130) Shooting mode, Metering, Flash, White Balance, Picture Wizard, Focus range, Exposure value, Photo size, Date Shutter speed, Aperture value, ISO value, Current le/The total number of les Playing videos Movie Size Date Pause Stop Icon Description Playback speed Volume Folder number - File number Multi Motion Current playback time Video length 35 My Camera Lenses You can purchase optional lenses made exclusively for your NX series camera. Learn about the functions of each lens and select one that suits your needs and preferences. Lens layout SAMSUNG 18-55 mm F3.5-5.6 OIS III lens (example) 8 1 2 3 4 5 6 7 No. 1 2 3 4 5 6 7 8 Description Lens mount index Zoom ring Focus ring (p. 72) Lens hood mount index Lens i-Function button (p. 51) AF/MF switch (p. 67) Lens contacts When not using the lens, attach the lens cap and lens mount cover to protect the lens from dust and scratches. 36 My Camera > Lenses SAMSUNG 20-50 mm F3.5-5.6 ED lens (example) Locking or unlocking the lens 7 To lock the lens, pull and hold the zoom lock switch away from the camera body and rotate the zoom ring clockwise. 1 2 3 No. 1 2 3 4 5 6 7 6 5 4 Description Lens mount index Zoom lock switch Lens Focus ring (p. 72) i-Function button (p. 51) Zoom ring Lens contacts 37 My Camera > Lenses To unlock the lens, rotate the zoom ring counter-clockwise until you hear the click. SAMSUNG 16 mm F2.4 lens (example) You cannot capture a photo when the lens is locked. 1 2 3 4 No. 1 2 3 4 5 Description i-Function button (p. 51) Lens mount index Focus ring (p. 72) Lens Lens contacts 5 38 My Camera > Lenses Lens markings Find out what the numbers on the lens signify. SAMSUNG 18-200 mm F3.5-6.3 ED lens (example) 1 2 3 4 5 No. 1 Description Aperture value A range of supported aperture values. For example, 1:3.5-6.3 means the maximum aperture value range from 3.5 to 6.3. Focal length The distance from the middle of the lens to its focal point
(in millimeters). This gure is expressed in a range: minimum focal length to maximum focal length of the lens. Longer focal lengths result in narrower angles of view and the subject is magnied. Shorter focal lengths result in wider angles of view. ED ED stands for Extra-low Dispersion. Extra-low dispersion glass is effective in minimizing chromatic aberration (a distortion that occurs when a lens fails to focus all colors to the same convergence point). OIS (p. 73) Optical Image Stabilization. Lenses with this feature can detect camera shake and effectively cancel out the movement inside the camera. The lens diameter. When you attach a lter to the lens, make sure that the diameters of the lens and the lter are the same. 2 3 4 5 39 My Camera Accessories You can use accessories including external ash and GPS module that can help you capture better and more convenient photos. For more information about optional accessories, refer to the manual for each accessory. External ash layout SEF220A (example) (optional) The illustrations may differ from the actual items. You can purchase Samsung-approved accessories at a retailer or a Samsung service center. Samsung is not responsible for damage caused by using another manufacturer's accessories. 1 2 3 4 6 5 READY lamp/Test button Flash release button Description Display icons No. 1 2 3 Mode button 4 5 6 7 8 9 Battery cover Power button Bulb TELE/WIDE mode switch Hot-shoe connection 7 8 9 40 My Camera > Accessories Connecting the ash 1 Remove the hot-shoe cover from the camera. 3 Press the power button on the ash. You can capture a photo with a ash that is not fully charged, but it is recommended to use a fully charged ash. Refer to the optional accessories page for available external ashes. The available options may differ depending on the shooting mode. There is an interval between two bursts of the ash. Do not move until the ash res a second time. For more details about optional ashes, refer to the user manual for the
(p. 177) ash. 2 Connect the ash by sliding it into the hot-shoe. To release the ash, gently pull the ash while you press the PUSH button. Use only Samsung-approved ashes. Using incompatible ashes may damage your camera. 41 My Camera > Accessories GPS module layout (optional) Attaching the GPS module 1 2 3 4 5 No. 1 2 3 4 5 Description Status lamp Power button Hot-shoe fastening dial Hot-shoe connection Battery cover 1 Remove the hot-shoe cover from the camera. 2 Mount the GPS module by sliding in into the hot-shoe. 42 My Camera > Accessories 3 Lock the GPS module into place by turning the hot-shoe fastening dial towards LOCK. 4 Press the power button of the GPS module. 43 My Camera Shooting modes Two simple shooting modesSmart Auto and Scene modehelp you capture photos with numerous automatic settings. Additional modes allow for greater customization of settings. Description Icon t Smart Auto mode (p. 44) t Smart Auto mode In Smart Auto mode, the camera recognizes surrounding conditions and automatically adjusts factors that contribute to exposure, including shutter speed, aperture value, metering, White Balance, and exposure compensation. As the camera controls most of the functions, some shooting functions are limited. This mode is useful for capturing quick snapshots with the least amount of adjustment. Aperture Priority mode (p. 46) Shutter Priority mode (p. 46) Manual mode (p. 47) Program mode (p. 45) P A S M T i Lens Priority Mode (p. 50) B Wi-Fi (p. 103) s Scene mode (p. 53) v Movie mode (p. 56) Custom mode (p. 48) The camera may detect different scenes, even the same subjects, depending on external factors such as camera shake, lighting, and distance to the subject. 44 My Camera > Shooting modes P Program mode The camera automatically adjusts shutter speed and aperture value so that an optimal exposure value can be achieved. This mode is useful when you want to capture shots of constant exposure while being able to adjust other settings. Program Shift Program Shift function lets you adjust the shutter speed and aperture value while the camera maintains the same exposure. When you scroll the jog dial to the left or rotate the navigation button counter-clockwise, the shutter speed decreases and the aperture value increases. When you scroll the jog dial to the right or rotate the navigation button clockwise, the shutter speed increases and the aperture value decreases. 45 My Camera > Shooting modes A Aperture Priority mode S Shutter Priority mode In Aperture Priority mode, the camera automatically calculates shutter speed according to the aperture value you choose. You can adjust the depth of eld (DOF) by changing the aperture value. This mode is useful for taking portraits and landscape shots. In Shutter Priority mode, the camera automatically adjusts the aperture value according to the shutter speed you choose. This mode is useful for capturing photos of fast-moving subjects or for creating tracer effects in a photo. For example, set the shutter speed to over 1/500 s to freeze the subject. To make the subject appear blurred set the shutter speed to below 1/30 s. Large Depth of Field Small Depth of Field In low-light settings, you may need to increase the ISO sensitivity to prevent blurred photos. Slow shutter speed Fast shutter speed In order to compensate for the reduced amount of light allowed by fast shutter speeds, open the aperture and let in more light. If your photos are still too dark, increase the ISO value. 46 My Camera > Shooting modes M Manual mode Using bulb Manual mode lets you adjust the shutter speed and aperture value manually. In this mode, you can fully control the exposure of your photos. Use a bulb to shoot night scenes or the night sky. While you are pressing [Shutter], the shutter is left open so you can create moving light effects. This mode is useful in controlled shooting environments, such as a studio, or when it is necessary to ne-tune camera settings. The Manual mode is also recommended for shooting night scenes or reworks. To use a bulb, Completely scroll the jog dial to the left to Bulb. Press and hold [Shutter] for the desired time. Framing mode When you adjust the aperture value or shutter speed, the exposure changes according to the settings, so the display may darken. With this function on, the brightness of the display is constant regardless of the settings, so you can better frame your shot. To use Framing Mode, In Shooting mode, press [m] 3 Framing Mode an option. If you set a high ISO value or open the shutter for a long time, image noise may increase. The continuous shooting function cannot be used with the Bulb function. 47 My Camera > Shooting modes T Custom mode Custom mode lets you create your own shooting modes by adjusting options and saving them. Saving custom modes 1 Rotate the mode dial to P, A, S, M, T, or v. 2 Set shooting options. 3 Press [m], and then select 5 Save as Custom Mode. You can also use this function by pressing [f]. 5 Use the jog dial or the navigation button to scroll to a desired key, and then press [o] to enter a name for the mode. Back Done Backspace
,
, or 4 Scroll to press [o]. You can replace the existing custom mode with current settings. to select a location, and then 48 My Camera > Shooting modes Icon Description Delete the last letter. Move the cursor. In ABC mode, change the case. Enter ".com". Switch between Symbol mode and ABC mode. Enter a space. Done Save the displayed text. View the entering text guide. Selecting custom modes 1 Rotate the mode dial to T. 2 Scroll the jog dial or rotate the navigation button, or press
[C/F] to select a mode, and then press [o]. To select another custom mode, press [m], and then select 1 or 6 Custom a mode. You can change the shooting options in the selected custom mode, and save them as a new custom mode. To reset a custom mode, press [m], and then select 1 or 6 Custom Mode Reset the custom mode. You can use only the English alphabet, regardless of the display language. To move to Done directly, press [y]. You can enter up to 64 characters. 6 Select Done to save a mode. 49 My Camera > Shooting modes i Lens Priority mode Using the E mode You can select an appropriate scene (i-Scene) or a lter effect to the lens you attached. Available scenes and lter effects may differ depending on the lens attached. 1 Rotate the mode dial to i. 2 Press [i-Function] on the lens to select E. You can also use this function by pressing [f]. 3 Adjust the focus ring to select a scene or lter effect. You can also scroll the jog dial to select a scene or a lter effect. Backlight E 4 Fully press [Shutter] to capture the photo. Available scene modes and lter effects (for SAMSUNG 18-55 mm F3.5-5.6 OIS III lens): Beauty Shot, Portrait, Children, Backlight, Landscape, Sunset, Dawn, Beach & Snow, Night, Vignetting, Miniature, Fish Eye, Sketch, Defog, Halftone Dots 50 My Camera > Shooting modes Using i-Function in PASM modes When you use the i-Function button on an i-Function lens, you can manually select and adjust shutter speed, aperture value, exposure value, ISO sensitivity, and White Balance on the lens. 1 Rotate the mode dial to P, A, S, or M. 2 Press [i-Function] on the lens to select a setting. You can also rotate the navigation button or press [C/F] to select a setting. Auto 3 Adjust the focus ring to select an option. You can also scroll the jog dial to select an option. Auto 4 Fully press [Shutter] to capture the photo. 51 My Camera > Shooting modes Available options Shooting mode Aperture value Shutter speed Exposure value ISO White Balance Z P
-
-
O O O O A O
-
O O O O S
-
O O O O O M O O
-
O O O To select items to appear when you press [i-Function] on the lens in Shooting mode, press [m] 5 iFn Customizing an option. Using Z The Z allows you to zoom in on a subject with less degradation of photo quality than the Digital zoom. However, the photo resolution may change than when you zoom in by rotating the zoom ring. 1 Rotate the mode dial to P, A, S, M or i. 2 Press [i-Function] on the lens to select Z. You can also rotate the navigation button or press [C/F] to select a setting. 3 Adjust the focus ring to select an option. You can also scroll the jog dial to select an option. Photo resolution varies according to the zoom rate if you use the Z. x1.2 x1.4 x1.7 x2 3:2 4560X3040
(13.9M) 3888X2592
(10.1M) 3264X2176
(7.1M) 2736X1824
(5.0M) 16:9 4560X2568
(11.7M) 3888X2184
(8.5M) 3264X1840
(6.0M) 2736X1536
(4.2M) 1:1 3040X3040
(9.2M) 2592X2592
(6.7M) 2176X2176
(4.7M) 1824X1824
(3.3M) These gures are based on the maximum resolution at each image ratio. 4 Fully press [Shutter] to capture the photo. Z is not available when you capture burst shots. Z is not available when you capture photos in the RAW le format. Z is deactivated when you record videos by pressing the video recording button. 52 My Camera > Shooting modes s Scene mode In Scene mode, the camera selects the best settings for each type of scene. You can select a desired scene by pressing [f] in Shooting mode. Icon Description Panorama: Capture a 2D or 3D panoramic photo. Captured 3D panoramic photos can be viewed only on a 3D TV. The maximum size of a 2D panoramic photo is 8000 X 1152
(horizontal) and 1728 X 4752 (vertical). The maximum size of a 3D panoramic photo is 3300 X 768
(horizontal). In Panorama mode, some shooting options are not available. The camera may stop shooting due to the shooting composition or the subject's movement. In Panorama mode, your camera may not capture the entire last scene if you stop moving the camera to improve the photo quality. To capture the entire scene, move your camera slightly beyond the point where you want the scene to end. Icon Description In 3D Panorama mode, your camera may not capture the very beginning or end of a scene due to the nature of the 3D effect. To capture the entire scene, move slightly beyond the beginning and end points you want to capture. In 3D Panorama mode, photos are captured in both JPEG and MPO le formats. You can view an MPO le that supports the 3D effect only on an MPO-compatible display, such as 3D TV or 3D monitor. On your camera's display, you can view only JPEG les. Use proper 3D glasses when you view an MPO le on a 3D TV or 3D monitor. Beauty Shot: Hide facial imperfections. Night: Capture scenes at night or in low lighting. Use a tripod to prevent your camera from shaking that is caused by low shutter speed. 53 My Camera > Shooting modes Icon Description Icon Description Landscape: Capture still-life scenes and landscapes. Close Up: Capture detailed parts of a subject or small subjects, such as owers or insects. Portrait: Automatically detect and focus on human faces so that you can achieve clear, soft portraits. Text: Clearly capture text from printed or electronic documents. Children: Make children appear more noticeable by capturing their clothes and the background vividly. Sunset: Capture scenes at sunset, with natural-looking reds and yellows. Sports: Capture fast moving subjects. Dawn: Capture scenes at sunrise. 54 My Camera > Shooting modes Icon Description Icon Description Backlight: Capture backlit subjects. Sound picture: Add a voice memo before and after capturing a photo. Fireworks: Capture colorful reworks at night. Use a tripod to prevent your camera from shaking. Beach & Snow: Reduce underexposed photos due to sunlight reected from sand or snow. To set the recording time, press [m] 3 Sound Rec Time. 3D: Capture 3D photos. (p. 140) 55 My Camera > Shooting modes v Movie mode In Movie mode, you can shoot videos in Full High Denition (1920X1080) and capture sound via the cameras microphone. In order to adjust the exposure level, you can select Program in the Movie AE Mode options menu so that the aperture value and shutter speed can be automatically set or select Aperture Priority to manually set the aperture value. You can also select Shutter Priority to manually set the shutter speed or select Manual to manually set both the aperture value and shutter speed. While shooting a video, press [F] to activate or deactivate the AF function. Select Fader to fade in or out a scene. You can also select Voice to mute or un-mute voice. The camera lets you capture video les up to 25 minutes in length, and saves the les in MP4 (H.264) format. If you set the video signal output to NTSC, videos are recorded at 30 or 60 fps. If you set the video signal output to PAL, videos are recorded at 25 or 50 fps. 50 fps and 60 fps are available only with 1280X720 resolution. H.264 (MPEG-4 part10/AVC) is the latest video coding format established in 2003 collaboratively by ISO-IEC and ITU-T. Since this format uses a high compression rate, more data can be saved in less memory space. If you have the image stabilizer option on when shooting a movie, the camera may record the image stabilizer sound. The zoom sound or other lens sounds may be recorded if you adjust the lens while recording a video. When using an optional video lens, the autofocus noise is not recorded. If you remove the camera lens while recording a movie, the recording will be interrupted. Do not change the lens while recording. If you change the shooting angle of the camera suddenly while shooting a movie, the camera may not be able to record images accurately. Use a tripod to minimize camera shake. In Movie mode, the camera supports only the Multi AF function. You cannot use any other focus area setting functions, such as Face Detection AF. When the size of a movie le exceeds 4 GB, the camera automatically stops recording. If this occurs, continue shooting by starting a new movie le. If you use a slow writing memory card, the recording of your movie can be interrupted because the card cannot process data at the rate the video is being shot. If this occurs, replace the card with a faster memory card or reduce the image size (for example, from 1280X720 to 640X480). When formatting a memory card, always format using the camera. If you format on another camera or a PC, you can lose les on the card or cause a change in the capacity of the card. 56 My Camera > Shooting modes Available functions by shooting mode For details about shooting functions, see Chapter 2. Function Size (p. 59) Quality (p. 61) ISO (p. 62) White Balance (p. 63) Picture Wizard (p. 66) Color Space (p. 87) AF Mode (p. 67) AF Area (p. 69) MF Assist (p. 72) OIS (p. 73) Drive (Continuous/Burst/Timer/
Bracketing) (p. 74) Available in P/A/S/M/T/i/s*/
v/t P/A/S/M/T/i/s*/v P/A/S/M*/T/v*
P/A/S/M/T/v P/A/S/M/T/v P/A/S/M/T/i/s/t P/A/S/M/T/i*/s*/v*
P/A/S/M/T/i*/s*
P/A/S/M/T/i/s/
v/t P/A/S/M/T/i/s/
v/t P/A/S/M/T/i*/s*/
v*/t*
Function Flash (p. 78) Metering (p. 81) Dynamic Range Expansion (p. 84) Smart Filter (p. 85) Selective Color (p. 86) Exposure compensation (p. 88) Exposure/focus lock (p. 88) Noise Reduction (p. 127)
* Some functions are limited in these modes. Available in P*/A*/S*/M*/T*/
s*/t*
P/A/S/M/T/v P/A/S/M/T P/A/S/M/T/v P/A/S/M/T/v P/A/S/T/i/s/v P/A/S/T/v*
P/A/S/M/T 57 Chapter 2 Shooting Functions Learn about the functions you can set in Shooting mode. You can enjoy more customized photos and videos by using the shooting functions. Shooting Functions Shooting Functions Shooting Functions Size As you increase the resolution, your photo or video will include more pixels, so it can be printed on larger paper or displayed on a larger screen. When you use a high resolution, the le size will also increase. Select a low resolution for photos that will be displayed in a digital picture frame or uploaded to the web. To set the size, In Shooting mode, press [f] Photo Size or Movie Size an option. Photo size options Icon Size Recommended for 20.0M (5472X3648) (3:2) Printing on A1 paper. 10.1M (3888X2592) (3:2) Printing on A2 paper. 5.9M (2976X1984) (3:2) Printing on A3 paper. 2.0M (1728X1152) (3:2) Printing on A5 paper. 16.9M (5472X3080) (16:9) 7.8M (3712X2088) (16:9) 4.9M (2944X1656) (16:9) 2.1M (1920X1080) (16:9) Printing on A1 paper or viewing on an HDTV. Printing on A3 paper or viewing on an HDTV. Printing on A4 paper or viewing on an HDTV. Printing on A5 paper or viewing on an HDTV. 13.3M (3648X3648) (1:1) Printing a square photo on A1 paper. 7.0M (2640X2640) (1:1) Printing a square photo on A3 paper. 4.0M (2000X2000) (1:1) Printing a square photo on A4 paper. 1.1M (1024X1024) (1:1) Printing a square photo on A5 paper. 5959 Shooting Functions > Size Video size options When you set the video signal output to NTSC:
Icon Size 1920X1080 (30 FPS) (16:9) Viewing on a Full HDTV. Recommended for 1280X720 (60 FPS) (16:9) Viewing on an HDTV. 1280X720 (30 FPS) (16:9) Viewing on an HDTV. 640X480 (30 FPS) (4:3) Viewing on a TV. 320X240 (30 FPS) (4:3) Uploading to the web. 320X240 (30 FPS) (4:3) Post on a website using the wireless network (30 seconds maximum). When you set the video signal output to PAL:
Icon Size 1920X1080 (25 FPS) (16:9) Viewing on a Full HDTV. 1280X720 (50 FPS) (16:9) Viewing on an HDTV. Recommended for 1280X720 (25 FPS) (16:9) Viewing on an HDTV. 640X480 (25 FPS) (4:3) Viewing on a TV. 320X240 (25 FPS) (4:3) Uploading to the web. 320X240 (25 FPS) (4:3) Post on a website using the wireless network (30 seconds maximum). 60 Shooting Functions Shooting Functions Shooting Functions Quality The camera saves photos in either the JPEG or RAW format. Icon Format Photos captured by a camera are often transformed to the JPEG format and stored in the memory according to the settings of the camera at the time of shooting. RAW les are not transformed to the JPEG format and are stored in the memory without any changes. RAW les have the le extension SRW. To adjust and calibrate exposures, White Balances, tones, contrasts, and colors of the RAW les, or to convert them into JPEG or TIFF format, use the Samsung RAW Converter program found on the supplied CD-ROM. Ensure you have enough available memory to save photos in the RAW format. To set the quality, In Shooting mode, press [f] Quality an option. JPEG RAW RAW+JPEG RAW+JPEG RAW+JPEG Description Normal:
Compressed for normal quality. Recommended for printing in small size or uploading to the web. RAW:
Save a photo without data loss. Recommended for editing after shooting. RAW + S.Fine: Save a photo in both the JPEG
(S.Fine quality) and RAW format. RAW + Fine: Save a photo in both the JPEG
(Fine quality) and RAW format. RAW + Normal: Save a photo in both the JPEG
(Normal quality) and RAW format. Photo quality options Icon Format JPEG JPEG Description Super Fine:
Compressed for the best quality. Recommended for printing in large size. Fine:
Compressed for better quality. Recommended for printing in normal size. Video quality options Description Icon Extension MP4 (H.264) Normal: Record videos in normal quality. MP4 (H.264) HQ: Record videos in high quality. 6161 Shooting Functions Shooting Functions Shooting Functions ISO sensitivity The ISO sensitivity value represents the sensitivity of camera to light. Examples The larger the ISO value, the more sensitive the camera is to light. Consequently, by selecting a higher ISO sensitivity value, you can capture photos in dim or dark places at faster shutter speeds. However, this may increase electronic noise and result in a grainy photo. To set ISO sensitivity, In Shooting mode, press [I] an option. ISO 100 ISO 400 ISO 800 ISO 3200 Increase the ISO value in places where ash use is prohibited. You can capture a clear photo by setting a high ISO value without having to secure more light. Use the Noise Reduction function in order to reduce the visual noise that can appear on photos of a high ISO value. (p. 127) 6262 Shooting Functions Shooting Functions Shooting Functions White Balance (light source) The color of a photo depends on the type and quality of the light source. If you want the color of your photo to be realistic, select an appropriate lighting condition to calibrate the White Balance, such as Auto WB, Daylight, Cloudy, or Tungsten, or adjust color temperature manually. You can also adjust color for the preset light sources so that the colors of the photo match the actual scene under mixed lighting conditions. To set the White Balance, In Shooting mode, press [f] White Balance an option. White Balance options Icon Description Auto WB*: Use automatic settings depending on the lighting conditions. Daylight*: Select when taking outdoor photos on a sunny day. This option results in photos closest to the natural colors of the scene. Cloudy*: Select when taking outdoor photos on a cloudy day or in shadows. Photos captured on cloudy days tend to be more bluish than on sunny days. This option offsets that effect. Fluorescent White*: Select when shooting under a daylight uorescent lamp. Especially for white uorescent light with a color temperature of about 4200K. Icon Description Fluorescent NW*: Select when shooting under a daylight uorescent lamp. Especially for white uorescent light of very white hues with a temperature of about 5000K. Fluorescent Daylight*: Select when shooting under a daylight uorescent lamp. Especially for white uorescent light of slightly bluish hue with a temperature of about 6500K. Tungsten*: Select when taking indoor photos under incandescent bulbs or halogen lamps. Incandescent tungsten bulbs tend to have a reddish hue. This option offsets that effect. Flash WB*: Select when using a ash. Custom Set: Use your pre-dened settings. You can manually set the White Balance by shooting a white sheet of paper. Fill the spot metering circle with the paper and set the White Balance.
* These options can be customized. 6363 Shooting Functions > White Balance (light source) Option Description Color Temperature: Manually adjust the color temperature of the light source. Color temperature is a measurement in degrees Kelvin that indicates the specic type of light source. As the color temperature increases, the color distribution becomes cooler. Alternatively, as the color temperature decreases, the color distribution becomes warmer. Customizing preset options You can also customize preset White Balance options. To customize preset options, In Shooting mode, press [f] White Balance an option [D] rotate the navigation button or scroll the jog dial, or press [D/I/C/F]. Clear sky Fluorescent H Cloudy Daylight Fluorescent L Halogen lamp Tungsten Candle light White Balance : Daylight Daylight Back Reset 64 Shooting Functions > White Balance (light source) Examples Auto WB Daylight Fluorescent Daylight Tungsten 65 Shooting Functions Shooting Functions Shooting Functions Picture Wizard (photo styles) Picture Wizard lets you apply different photo styles to your photo to create various looks and emotional moods. You can also create and save your own photo styles by adjusting color, saturation, sharpness, and contrast for each style. Examples There is no rule for which style is suitable in which conditions. Experiment with different styles and nd your own settings. To set a photo style, In Shooting mode, press [f] Picture Wizard an option. Standard Vivid Portrait Landscape Forest Retro Cool Calm Classic You can also adjust the value of the preset style settings. Select a Picture Wizard option, press [D], and then adjust color, saturation, sharpness, or contrast. 6666 Shooting Functions Shooting Functions Shooting Functions AF mode Learn how to adjust the cameras focus according to the subjects. You can select a focusing mode appropriate to the subject among Single Auto Focus, Continuous Auto Focus, and Manual Focus. The AF function is activated when you press [Shutter] halfway. In the MF mode, you have to rotate the focus ring on the lens to focus manually. In most cases, you can have a focus by selecting Single AF. Fast moving subjects or subjects of a color similar to the background are difcult to focus. Select an appropriate focusing mode for such instances. If your lens has an AF/MF switch, set the switch to MF to adjust the focus manually. When your lens has no AF/MF switch, press [F] to select a desired AF mode. To set the auto focus mode, In Shooting mode, press [F] an option. Single AF Single AF is appropriate for shooting a still subject. When you press
[Shutter] halfway, the focus xes in the focus area. The area turns green when the focus is achieved. 6767 Shooting Functions > AF mode Continuous AF While you are pressing [Shutter] halfway, the camera continues to automatic focusing. Once the focus area is xed on the subject, the subject is always in focus even when moving. This mode is recommended for shooting a person on a bicycle, a running dog, or a car racing scene. Manual focus You can manually focus on a subject by rotating the focus ring on the lens. The MF Assist function lets you easily achieve a focus. While you are rotating the focus ring, the focus area is magnied or the focus aid bar appears to help you achieve a clear focus. This mode is recommended for shooting an object similar in color to the background, a night scene, or reworks. 68 Shooting Functions Shooting Functions Shooting Functions AF area The AF area function changes the positions of the focus area. Generally, cameras focus on the nearest subject. When there are a lot of subjects, however, unwanted subjects can be in focus. In order to prevent unwanted subjects from being in focus, change the focus area so that a desired subject is in focus. You can get a clearer and sharper photo by selecting an appropriate focus area. Selection AF You can set the focus on an area you want. Apply an out-of-focus effect to make the subject more distinguishable. The focus on the photo below was repositioned and resized so that it ts the subjects face. To set the auto focus area, In Shooting mode, press [f] AF Area an option. AF Zoom Move To resize or move the focus area, in Shooting mode, press [o]. Use the navigation button to move the focus area. Scroll the jog dial to resize the focus area. 6969 Shooting Functions > AF area Multi AF The camera displays a green rectangle in places where focus is set correctly. The photo is divided into two or more areas, and the camera obtains focus points of each area. It is recommended for scenery photos. When you press [Shutter], the camera displays the focus areas in green as shown in the photo below. Face detection AF The camera focuses on human faces preferentially. Faces of up to 10 people can be detected. This setting is recommended for shooting a group of people. When you press [Shutter] halfway, the camera focuses on faces as shown in the photo below. In cases of shooting a group of people, the camera displays the focus on the nearest persons face in white and the rest of the peoples faces in gray. 70 Shooting Functions > AF area Self-portrait AF It can be difcult to check whether your face is in focus when you are taking a self-portrait. When this function is on, the focus distance is set to close-up and the beep from the camera gets faster when in focus. 71 Shooting Functions Shooting Functions Shooting Functions MF assist In the manual focus (MF) mode, you have to rotate the focus ring on the lens to focus manually. When you set the MF Assist function, you can achieve a clearer focus. This function is only available on a lens that supports manual focus. Option Description The focus area is magnied by 8 times when you rotate the focus ring.
* Default To set the manual focus assist, In Shooting mode, press [m] 3 or 8 MF Assist an option. Enlarge x8 Option Off Description Do not use the function.
* Default The focus area is magnied by 5 times when you rotate the focus ring. The focus aid bar rises as the focus improves, when you rotate the focus ring. Enlarge x5*
FA 7272 Shooting Functions Shooting Functions Shooting Functions Optical Image Stabilization (OIS) Use the Optical Image Stabilization (OIS) function to minimize camera shake. OIS may not be available with some lenses. OIS options Came shake tends to occur in dark places or when shooting indoors. In such cases, the camera uses slower shutter speeds in order to increase the amount of light taken in, which can result in a blurry photo. You can prevent this situation by using the OIS function. If your lens has an OIS switch, you have to turn the switch to use the OIS function. Icon Description Mode 1: The OIS function is applied only when you press
[Shutter] in full or half. Mode 2*: The OIS function is on. Off: The OIS function is always off. (This option may not be available with some lenses.)
* Default To set OIS options, In Shooting mode, press [m] 3 or 8 OIS an option. Without OIS correction With OIS correction 7373 Shooting Functions Shooting Functions Shooting Functions Drive (shooting method) You can set the shooting method such as Continuous, Burst, Timer and so on. Select Single to capture one photo at a time. Select Continuous or Burst to shoot fast moving subjects. Select AE Bracket, WB Bracket, or P Wiz Bracket to adjust exposure, White Balance, or apply Picture Wizard effects. You can also select Timer to capture a photo of yourself. To set the shooting method, In Shooting mode, press [C] an option. Single Capture one photo whenever you press [Shutter]. Recommended for general conditions. Continuous Continuously capture photos while you are pressing [Shutter]. You can capture up to 3 photos (Continuous Low (3fps)) or 8 photos
(Continuous High (8fps)) per second. 7474 Shooting Functions > Drive (shooting method) Burst Consecutively capture up to 10 shots per second (3 seconds), 15 shots per second (2 seconds), or 30 shots per second (1 second) when you press [Shutter] once. Recommended for shooting the rapid motion of fast moving subjects such as racing cars. Timer Capture a photo with a delay of 2 to 30 seconds. The delay is adjustable in increments of 1 second. To set the number of shots, in Shooting mode, press [C] Burst, and then press [D]. To set the delay, in Shooting mode, press [C] Timer, and then press
[D]. 75 Shooting Functions > Drive (shooting method) Auto Exposure Bracketing (AE Bracket) When you press [Shutter], the camera captures 3 consecutive photos: the original, one a step darker, and one a step lighter. Use a tripod to prevent blurry photos as the camera captures three photos continuously. You can adjust the settings in Bracket Set menu. White Balance Bracketing (WB Bracket) When you press [Shutter], the camera captures 3 consecutive photos:
the original and two more with different White Balance settings. The original photo is captured when you press [Shutter]. The other two are automatically adjusted according to the White Balance you have set. You can adjust the settings in Bracket Set menu. Exposure -2 Exposure +2 Original WB-2 WB+2 Original 76 Shooting Functions > Drive (shooting method) Picture Wizard Bracketing
(P Wiz Bracket) When you press [Shutter], the camera captures three consecutive photos, each with a different Picture Wizard setting. The camera captures a photo and applies the three Picture Wizard options you have set to the image captured. You can select three different settings in Bracket Set menu. Bracketing setting You can set up the options for AE Bracket, WB Bracket, and P Wiz Bracket. To set a bracketing option, In Shooting mode, press [m] u Bracket Set an option. Vivid Retro Standard Option AE Bracket Set WB Bracket Set Description Set the order and the area of bracket. Bracket Order: Set the order in which the camera captures the original, lighter, and darker photo (represented by 0, +, and -). Bracket Area: Set the exposure range of the 3 bracketed photos. Adjust the White Balance interval range of the 3 bracketed photos. For example, AB-/+3 adjusts the Amber value plus or minus three steps. MG-/+3 adjusts the Magenta value the same amount. P Wiz Bracket Set Select 3 Picture Wizard settings the camera uses to capture the 3 bracketed photos. 77 Shooting Functions Shooting Functions Shooting Functions Flash In order to capture a realistic photo of a subject, the amount of light should be constant. When the light source varies, you can use a ash and supply a constant amount of light. Select appropriate settings according to a light source and a subject. To set ash options, In Shooting mode, press [f] Flash an option. Flash options Icon Description Off: Do not use the ash. Smart Flash: The camera automatically adjusts the brightness of the ash according to the amount of light in the surrounding environment. Auto: The ash automatically res in dark places. Auto Red-eye*: The ash automatically res and prevents red-eyes. Fill in: The ash res whenever you capture a photo. Fill-in Red: The ash res whenever you capture a photo and prevents red-eyes. Icon Description 1st Curtain: The ash res immediately after the shutter opens. The camera captures a photo of a subject earlier in an action sequence clearly. 2nd Curtain: The ash res just before the shutter closes. The camera captures a photo of a subject later in an action sequence clearly. Ball moving direction Ball moving direction The available options may differ depending on the shooting mode. There is an interval between two bursts of the ash. Do not move until the ash res a second time. Use only Samsung-approved ashes. Using incompatible ashes may damage your camera. 7878 Shooting Functions > Flash Correcting the red-eye effect If the ash res when you capture a photo of a person in the dark, a red glow may appear in the eyes. To prevent this, select Fill-in Red. Using the built-in ash To open the built-in ash, press the ash pop-up button. The ash does not re when the built-in ash is closed, but automatically pops up and res in t, s modes. Without red-eye correction With red-eye correction If the subject is too far from the camera or moves when the rst ash res, red-eyes may not be reduced. 79 Shooting Functions > Flash Adjusting the ash intensity Adjust the ash intensity to avoid overexposure or underexposure. You can adjust it by 2 levels. To set the ash intensity, In Shooting mode, press [f] Flash an option
[D] scroll the jog dial or rotate the navigation button, or press [C/F]. Flash : Fill in Flash Option Back Reset Adjusting the ash intensity may not be effective when:
- the subject is too close to the camera
- you set a high ISO sensitivity
- the exposure value is too big or too small In some shooting modes, you cannot use this function. If you use the built-in ash, press the ash pop-up button and open the built-in ash to adjust the ash intensity. If you attach an intensity-adjustable external ash to the camera, the intensity settings of the ash will be applied. If the subject is too close when you use the ash, some light may be blocked, resulting in a dark photo. Ensure that the subject is within the recommended range, which varies by lens. When a lens hood is attached, the light from the ash can be blocked by the hood. Remove the hood to use the ash. 80 Shooting Functions Shooting Functions Shooting Functions Metering The metering mode refers to the way in which a camera measures the quantity of light. The camera measures the amount of light in a scene, and in many of its modes, uses the measurement to adjust various settings. For example, if a subject looks darker than its actual color, the camera captures an overexposed photo of it. If a subject looks lighter than its actual color, the camera captures an underexposed photo of it. The brightness and overall mood of the photo can also be affected by how the camera measures the amount of light. Select an appropriate setting for a shooting condition. To set a metering option, In Shooting mode, press [
] an option. Multi The Multi mode calculates the amount of light in multiple areas. When light is sufcient or insufcient, the camera adjusts the exposure by averaging the overall brightness of the scene. This mode is suitable for general photos. 8181 Shooting Functions > Metering Center-weighted The Center-weighted mode calculates a broader area than the Spot mode does. It sums up the amount of light in the center portion of the shot (60 ~ 80 %) and that of the rest of the shot (20 ~ 40 %). It is recommended for situations where there is a slight difference in brightness between a subject and a background or an area of the subject is large compared to the overall composition of the photo. Spot The Spot mode calculates the amount of light in the center. When you capture a photo in conditions where there is a strong backlight behind a subject, the camera adjusts the exposure so as to shoot a subject correctly. For example, when you select the Multi mode in a strong backlight condition, the camera calculates that the overall amount of light is abundant, which results in a darker photo. The Spot mode can prevent this situation as it calculates the amount of light in a designated area. The subject is in bright color while the background is dark. The Spot mode is recommended for a situation like this where a huge difference in the exposure exists between a subject and a background. 82 Shooting Functions > Metering Measuring the exposure value of the focus area When this function is turned on, the camera automatically sets an optimal exposure by calculating the brightness of the focus area. This function is only available when you select Spot metering or Multi metering, and Selection AF. To set this function, In Shooting mode, press [m] 3 Link AE to AF Point an option. 83 Shooting Functions Shooting Functions Shooting Functions Dynamic Range Expansion Dynamic range refers to the ratio between the lightest and darkest regions that the image sensor can capture. A wide dynamic range allows photos to more accurately represent the range of intensity levels found in real scenes. To set Dynamic Range Expansion options, In Shooting mode, press [m] 2 D-Range Expansion an option. High Dynamic Range The camera automatically adjusts the bright and the dark areas of a photo. You can adjust the intensity levels by selecting HDR Low or HDR High. If you select HDR Auto, the camera automatically adjusts the intensity levels. Smart Range This function automatically corrects the loss of bright detail that can occur due to shading differences in the photo. Without Smart Range effect With Smart Range effect Without HDR effect With HDR effect 8484 Shooting Functions Shooting Functions Shooting Functions Smart Filter Smart Filter lets you apply special effects to your photos. You can select various lter options to create special effects that are difcult to be achieved with normal lenses. To set Smart Filter options, In Shooting mode, press [f] Smart Filter an option. Examples Vignetting Fish-Eye Icon Description Off: No effect Vignetting: Apply the retro-looking colors, high contrast, and strong vignette effect of Lomo cameras. Miniature: Apply a tilt-shift effect to make the subject appear in miniature. Fish-Eye: Distort close objects to imitate the visual effect of a sheye lens. Sketch: Apply a pen sketch effect. Defog: Make image clearer. Halftone Dots: Apply a halftone effect. Soft Focus: Hide facial imperfections or apply dreamy effects. Old Film 1: Apply a vintage lm effect. Old Film 2: Apply a vintage lm effect. Negative: Apply a negative lm effect. Sketch Halftone Dots 8585 Shooting Functions Shooting Functions Shooting Functions Selective Color This function lets you select a color that you want to emphasize, and desaturates the others. You can select red, green, or blue from the menu. You can also select a color in an image. Selecting a color in an image All colors other than the selected color are desaturated. To set Selective Color options, In Shooting mode, press [f] Selective Color an option. To select a color, In Shooting mode, press [f] Selective Color
[D] position the focus frame over the desired color, and then press [Shutter]. Examples Original When red is selected Measure Back 8686 Shooting Functions Shooting Functions Shooting Functions Color space Digital imaging devices such as digital cameras, monitors, and printers have their own methods for representing colors, which are called color spaces. Your camera lets you select two color spaces: sRGB or Adobe RGB. sRGB is widely used for creating colors on PC monitors and is also the standard color space for Exif. sRGB is recommended for regular images and images you intend to publish on the Internet. Adobe RGB is used for commercial printing and has a larger color range than sRGB. Its wider range of colors helps you to easily edit photos on a computer. Note that individual programs are generally compatible with a limited number of color spaces. If you open an image in a program that is not compatible with the images color space, the colors will appear lighter. To set the color space, In Shooting mode, press [m] 1 Color Space an option. Adobe RGB sRGB 8787 Shooting Functions Shooting Functions Shooting Functions Exposure compensation The camera automatically sets the exposure by measuring the levels of light from the photos composition and the position of a subject. If the exposure set by the camera is higher or lower than you expected, you can adjust the exposure value manually. The exposure value is adjustable in 3 increments. The camera displays the exposure warning in red for each step beyond 3 range. To adjust the exposure value, while holding down [W], scroll the jog dial or rotate the navigation button. You can also adjust the exposure value by pressing [f], and then selecting EVC (Exposure Value Compensation). You can check the exposure value by the position of the exposure level indicator. Exposure warning Standard exposure index Exposure level indicator Decreased exposure
(darker) Increased exposure
(brighter)
-2
+2 Original 8888 Shooting Functions Shooting Functions Shooting Functions Exposure/Focus lock When you cannot achieve an appropriate exposure because of a strong color contrast or you want to capture a photo on which the subject is out of the auto focus area, lock the focus or exposure and then capture a photo. To lock the exposure or focus, adjust the photos composition on which you want to focus or calculate the exposure, and then press [a]. After locking the exposure or focus, aim the lens where you desire, and press [Shutter]. You can change the function assigned to the button to focus lock, or both of them. A function executed by half-pressing [Shutter] varies according to the function assigned to [a]. (p. 129) 8989
frequency | equipment class | purpose | ||
---|---|---|---|---|
1 | 2012-04-10 | 2412 ~ 2462 | DTS - Digital Transmission System | Original Equipment |
app s | Applicant Information | |||||
---|---|---|---|---|---|---|
1 | Effective |
2012-04-10
|
||||
1 | Applicant's complete, legal business name |
Samsung Electronics Co Ltd
|
||||
1 | FCC Registration Number (FRN) |
0005810205
|
||||
1 | Physical Address |
19 Chapin Rd., Building D
|
||||
1 |
Pine Brook, New Jersey 07058
|
|||||
1 |
United States
|
|||||
app s | TCB Information | |||||
1 | TCB Application Email Address |
c******@ccsemc.com
|
||||
1 | TCB Scope |
A4: UNII devices & low power transmitters using spread spectrum techniques
|
||||
app s | FCC ID | |||||
1 | Grantee Code |
A3L
|
||||
1 | Equipment Product Code |
NX20
|
||||
app s | Person at the applicant's address to receive grant or for contact | |||||
1 | Name |
J******** C******
|
||||
1 | Title |
General Manager
|
||||
1 | Telephone Number |
973-8********
|
||||
1 | Fax Number |
973-8********
|
||||
1 |
j******@samsung.com
|
|||||
app s | Technical Contact | |||||
n/a | ||||||
app s | Non Technical Contact | |||||
n/a | ||||||
app s | Confidentiality (long or short term) | |||||
1 | Does this application include a request for confidentiality for any portion(s) of the data contained in this application pursuant to 47 CFR § 0.459 of the Commission Rules?: | Yes | ||||
1 | Long-Term Confidentiality Does this application include a request for confidentiality for any portion(s) of the data contained in this application pursuant to 47 CFR § 0.459 of the Commission Rules?: | Yes | ||||
1 | If so, specify the short-term confidentiality release date (MM/DD/YYYY format) | 10/07/2012 | ||||
if no date is supplied, the release date will be set to 45 calendar days past the date of grant. | ||||||
app s | Cognitive Radio & Software Defined Radio, Class, etc | |||||
1 | Is this application for software defined/cognitive radio authorization? | No | ||||
1 | Equipment Class | DTS - Digital Transmission System | ||||
1 | Description of product as it is marketed: (NOTE: This text will appear below the equipment class on the grant) | Digital Camera | ||||
1 | Related OET KnowledgeDataBase Inquiry: Is there a KDB inquiry associated with this application? | No | ||||
1 | Modular Equipment Type | Does not apply | ||||
1 | Purpose / Application is for | Original Equipment | ||||
1 | Composite Equipment: Is the equipment in this application a composite device subject to an additional equipment authorization? | No | ||||
1 | Related Equipment: Is the equipment in this application part of a system that operates with, or is marketed with, another device that requires an equipment authorization? | No | ||||
1 | Grant Comments | Power listed is conducted. The antenna(s) used for this device must not be co-located or operating in conjunction with any other antenna or transmitter. The highest reported SAR value is 0.34W/Kg. | ||||
1 | Is there an equipment authorization waiver associated with this application? | No | ||||
1 | If there is an equipment authorization waiver associated with this application, has the associated waiver been approved and all information uploaded? | No | ||||
app s | Test Firm Name and Contact Information | |||||
1 | Firm Name |
SGS Korea Co., Ltd.
|
||||
1 | Name |
F**** L********
|
||||
1 | Telephone Number |
82(0)********
|
||||
1 | Fax Number |
82(0)********
|
||||
1 |
f******@sgs.com
|
|||||
Equipment Specifications | |||||||||||||||||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Line | Rule Parts | Grant Notes | Lower Frequency | Upper Frequency | Power Output | Tolerance | Emission Designator | Microprocessor Number | |||||||||||||||||||||||||||||||||
1 | 1 | 15C | 2412.00000000 | 2462.00000000 | 0.1720000 |
some individual PII (Personally Identifiable Information) available on the public forms may be redacted, original source may include additional details
This product uses the FCC Data API but is not endorsed or certified by the FCC